Max Roach + 4 is an LP recorded by jazz drummer Max Roach, which featured Kenny Dorham on trumpet, Sonny Rollins on tenor sax, Ray Bryant on piano, and George Morrow on bass. It was the first album Roach recorded after his collaborators, trumpeter Clifford Brown and pianist Richie Powell, died in a car crash in June 1956.
Mal/2 is an album by American jazz pianist Mal Waldron released on the Prestige label in November 1957. The CD reissue added two additional recordings from the same sessions originally released on The Dealers (1957) as bonus tracks.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
Sacred Concert by Duke Ellington is one of the following realisations:
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Mustang! is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, McCoy Tyner, Walter Booker, and Freddie Waits recorded in 1966 and released on the Blue Note label in 1967 as BLP 4238. The CD reissue included two bonus tracks recorded in 1964.
Live at the Lighthouse is a live album by jazz group The Three Sounds featuring performances recorded in 1967 at the Lighthouse Club in California and released on the Blue Note label.
Moods is an album by American jazz pianist Mal Waldron, recorded in 1978, and released by the Enja label. Originally released as a double LP, the CD reissue omitted three of the piano solos to fit onto one compact disc and altered the running order; a later CD reissue reinstated Waldron's "Soul Eyes".
Soul Trombone is an album by American jazz trombonist Curtis Fuller featuring performances recorded in 1961 for the Impulse! label.
2-3-4 is an album by American jazz drummer Shelly Manne featuring performances recorded in 1962 for the Impulse! label.
Man from Two Worlds is an album by American jazz drummer Chico Hamilton featuring performances recorded in 1963 for the Impulse! label. The CD reissue added four compositions from Hamilton's previous album Passin' Thru (1962) as bonus tracks.
The Happy Horns of Clark Terry is an album by American jazz trumpet and flugelhorn player Clark Terry featuring performances recorded in March 1964 for the Impulse! label. Reissued in 2012 to commemorate the 50th anniversary of Impulse! Records, it resurfaced with Terry's only other record for the label as a solo leader, It's What's Happenin'.
More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label.
Queen of the Organ is a live album by American jazz organist Shirley Scott, recorded in 1964 for the Impulse! label. The expanded CD reissue added four additional performances from the same gig as bonus tracks.
The Ear of the Behearer is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1973 for the Impulse! label. The CD reissue added four performances from Coincide (1974) as bonus tracks.
Coincide is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1974 for the Impulse! label. Four performances from Coincide were included on the 1998 CD reissue of The Ear of the Behearer as bonus tracks.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
Capers is a live album by soprano saxophonist Steve Lacy recorded in New York in 1979 which was first released on the HatHut label in 1981 as a double LP. The album was rereleased as a double LP in 1985 as N.Y. Capers and as a CD in 2000 as N.Y. Capers & Quirks
Prospectus is a live album by soprano saxophonist Steve Lacy, which was recorded in France in 1982 and first released on the hat ART label in 1983 as a double LP. The album was rereleased as a single CD with only five tracks in 1999 as Clichés.
Magic Sam Live is a live album by the American blues musician Magic Sam, recorded in Chicago in 1963/63 and at the first Ann Arbor Blues Festival in Michigan in 1969, that was released by the Delmark label in 1981.
