Walter Davis Jr. was an American bebop and hard bop pianist.
Dillon "Curley" Russell was an American jazz musician, who played bass on many bebop recordings.
Jazz at Massey Hall is a live album released on December 1953 by jazz combo The Quintet through Debut Records. It was recorded on 15 May 1953 at Massey Hall in Toronto, Canada. Credited to "the Quintet", the jazz group was composed of five leading "modern" players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
This is a list of recordings by American jazz alto saxophonist Charlie Parker ("Bird"). Parker primarily recorded for three labels: Savoy, Dial, and Verve. His work with these labels has been chronicled in box sets. Charlie Parker's Savoy and Dial Sessions have been issued on The Complete Savoy Sessions, Charlie Parker on Dial and Complete Charlie Parker on Dial and The Complete Savoy & Dial Master Takes. His Verve recordings are available on Bird: The Complete Charlie Parker on Verve and The Complete Verve Master Takes.
Charles Thomas Potter was an American jazz double bass player, best known for having been a member of Charlie Parker's "classic quintet", with Miles Davis, between 1947 and 1950.
"Ko-Ko" is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some say it's young Miles Davis who plays trumpet and Gillespie comping at piano, on both takes; most say Gillespie plays trumpet and, or instead of, piano; some say Hakim is the pianist on all or part of one or both of the takes. However, Miles Davis confirms in his autobiography that he did not play trumpet on "Ko Ko":
"I remember Bird wanting me to play "Ko-Ko," a tune that was based on the changes of "Cherokee." Now Bird knew I was having trouble playing "Cherokee" back then. So when he said that that was the tune he wanted me to play, I just said no, I wasn't going to do it. That's why Dizzy's playing trumpet on "Ko-Ko," "Warmin' up a Riff," and "Meandering" on Charlie Parker’s Reboppers, because I wasn't going to get out there and embarrass myself. I didn't really think I was ready to play tunes at the tempo of "Cherokee" and I didn't make no bones about it."
Nelson Boyd was an American bebop jazz bassist.
"Little" Benny Harris was an American bebop trumpeter and composer.
Charlie Parker on Dial: The Complete Sessions is a 1993 four-disc box set collecting jazz saxophonist and composer Charlie Parker's 1940s recordings for Dial Records. The box set, released by the English label Spotlite Records, assembled into a single package the multi-volume compilation albums the label had released by Spotlite on vinyl in the 1970s under the series title Charlie Parker on Dial. The box set has been critically well received. In 1996, a different box set collecting Parker's work with Dial was assembled by Jazz Classics and released as Complete Charlie Parker on Dial.
"Billie's Bounce" is a jazz composition written in 1945 by Charlie Parker in the form of a 12 bar F blues. Some sources claim that the song was dedicated to Dizzy Gillespie's agent, Billy Shaw, although according to Ross Russell, Shaw's "name was misspelled" accidentally. However, others claim that the song was in fact dedicated to Shaw's secretary, who was called Billie. The original recording by Charlie Parker and His Re-Boppers was inducted into the Grammy Hall of Fame in 2002.
Bud!, also known as The Amazing Bud Powell, Vol. 3, is a studio album by American jazz pianist Bud Powell recorded at the Rudy Van Gelder Studio in Hackensack, New Jersey on August 3, 1957 and released on Blue Note later that year. Powell is backed by rhythm section Paul Chambers and Art Taylor, with guest appearances from trombonist Curtis Fuller on three tracks.
Time Waits, also known as The Amazing Bud Powell, Vol. 4, is a studio album by American jazz pianist Bud Powell recorded at Van Gelder Studio on May 24, 1958 with rhythm section Sam Jones and Philly Joe Jones and released on Blue Note later that year.
The Scene Changes, also known as The Amazing Bud Powell, Vol. 5, is a studio album by American jazz pianist Bud Powell recorded at the Van Gelder Studio in Hackensack, New Jersey on December 29, 1958 and released on Blue Note the following year. Powell is backed by rhythm section Paul Chambers and Art Taylor.
Bud in Paris is an album by jazz pianist Bud Powell, originally released on Xanadu Records in 1975, containing non-studio recordings made of Powell in Paris between December 1959 and October 1960. It is not to be confused with the 1964 Reprise recording, Bud Powell in Paris.
Blues in the Closet is a studio album by the jazz pianist Bud Powell. Released in 1958 by Verve, it contains a session that Powell recorded at Fine Sound Studios in New York in September 1956.
The Complete Bud Powell on Verve is a five-disc box set, released on September 27, 1994, by Verve Records, containing all of jazz pianist Bud Powell's recordings as leader for producer Norman Granz.
The Complete RCA Trio Sessions is a compilation album of the two sessions that jazz pianist Bud Powell recorded for RCA Victor in 1956-57, released in 2009 by Essential Jazz.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
The Charlie Parker Story is an LP record by Charlie Parker, released posthumously by Savoy Records. While many of the tracks on this album had been previously released on other formats, this is the first album that chronicles the entire session, recorded November 26, 1945, including all takes of all pieces. This session is famous in that it is the first recorded under Parker's name. It is also controversial, in that to this day it is unclear who the pianist and trumpet player are on all of the tracks.
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