Earl Rudolph "Bud" Powell was an American jazz pianist and composer. A pioneer in the development of bebop, jazz critics have commented that his compositions and playing style "greatly extended the range of jazz harmony," and his application of complex bebop phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis, Jr., Toshiko Akiyoshi, and Barry Harris.
Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio.
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was recorded in New York City on June 26, 1957, and released in November the same year.
Thelonious Monk with John Coltrane is a 1961 album by Thelonious Monk issued on Jazzland Records, a subsidiary of Riverside Records. It consists of material recorded four years earlier when Monk worked extensively with John Coltrane, issued after Coltrane had become a leader and jazz star in his own right.
Our Man in Paris is a 1963 jazz album by saxophonist Dexter Gordon. The album's title refers to where the recording was made, Gordon teaming up with fellow expatriates Bud Powell and Kenny Clarke, both Parisian residents, and native Parisian Pierre Michelot. Powell, Clarke and Michelot, under the name The Three Bosses, had played together often in Paris since Powell moved there in 1959.
Jazz at Massey Hall is a live jazz album recorded on 15 May 1953 at Massey Hall in Toronto, Canada. Credited to "the Quintet", the group was composed of five leading "modern" players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
Miles & Monk at Newport is a split album featuring separate performances by the Miles Davis sextet and the Thelonious Monk quartet at the Newport Jazz Festival, recorded in 1958 and 1963, respectively, and released in June 1964 by Columbia records. Despite the album's title, the two artists do not perform together at either date.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
1958 Miles is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. 1958 Miles consists of three songs featured on side two of the LP album Jazz Track, which was released in November 1959, one song from the same session not appearing in the album, and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group.
The Complete Blue Note Recordings of Thelonious Monk is a box set by American jazz pianist Thelonious Monk compiling his recordings for Blue Note first released as a limited four-LP box set on Mosaic Records in 1983 before being issued as a four-CD box set by Blue Note for the first time in 1994 as The Complete Blue Note Recordings.
Bud in Paris is an album by jazz pianist Bud Powell, originally released on Xanadu Records in 1975, containing non-studio recordings made of Powell in Paris between December 1959 and October 1960. It is not to be confused with the 1964 Reprise recording, Bud Powell in Paris.
Jazz Original, also known as Bud Powell '57, is a studio album by jazz pianist Bud Powell, released in 1955 by Norgran, featuring sessions that Powell recorded at Fine Sound Studios in New York in 1954 and 1955.
A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.
This discography of jazz saxophonist Julian "Cannonball" Adderley includes albums released under his own name and albums to which he made significant contributions.
Thelonious Monk Nonet Live In Paris 1967 is a live jazz album by Thelonious Monk on France's Concert Records LP FC-113, released in 1988.
Kenny Dorham Quintet is a jazz studio album by trumpeter Kenny Dorham. It was his debut album as a leader and was released in 1953, on the Debut label as DLP-9 and originally included only tracks 1 to 3 and 5 to 7. Tracks 4 and 8 were released as bonus tracks on 12-inch LP OJC-113, whilst the CD release featured the previously unreleased tracks 9, 10 and 11. According to the liner notes on the CD back cover "Label head Charles Mingus decided not to release them at the time and they languished in the tape vault for almost 40 years, until their fortuitous discovery in late 1992".
Cool & Collected is a compilation album by American jazz musician Miles Davis, released in 2006 by Columbia Records and recorded from 1955 through 1984.
Lookin' at Monk! is an album by saxophonists Johnny Griffin and Eddie "Lockjaw" Davis featuring compositions associated with Thelonious Monk recorded in 1961 and released on the Jazzland label.
This is the discography of Bud Powell. Most of these recordings are listed by the year they were recorded rather than year released.
'Round About Midnight at the Blue Note is a 1962 live album by Bud Powell and his Three Bosses Trio, with Pierre Michelot on bass and Kenny Clarke on drums, that was released in 1994 by Dreyfus Records. According to Allmusic, the album was recorded in 1962, but ESP-Disk and The Penguin Guide to Jazz dated the recording as 1961.
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