A Portrait of Thelonious | ||||
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Studio album by | ||||
Released | 1965 | |||
Recorded | December 17, 1961 | |||
Genre | Jazz | |||
Length | 47:04 | |||
Label | Columbia | |||
Producer | Cannonball Adderley | |||
Bud Powell chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
DownBeat | [2] |
The Penguin Guide to Jazz Recordings | [3] |
A Portrait of Thelonious is a studio album by jazz pianist Bud Powell, released on Columbia in 1965, featuring a session recorded at Studio Charlot in Paris on December 17, 1961, with Pierre Michelot on bass and Kenny Clarke on drums. [4] The session was the second of two produced by Cannonball Adderley with Powell, following the A Tribute to Cannonball session recorded two days earlier.
The album was digitally remastered and re-released on CD in 1997 with one additional take and without the fake applause added to the original LP.
The album features four Monk compositions, only one of which had previously been recorded by Powell. That composition is the first track on the album, "Off Minor", a song that Powell recorded during his first session as leader (see Bud Powell Trio ) in January 1947. The 1947 recording had been the song's debut recording, since Monk himself only recorded it in October the same year (see Genius of Modern Music ).
Don Nelson of DownBeat sharply criticized "Ruby, My Dear," which had previously been released on a compilation album; he described it as "unrepresentative of a giant." He noted that a previous DownBeat review of the compilation had come to a similar conclusion and had discouraged release of the full album. However, Nelson praised the album's other tracks, particularly those with a faster tempo, such as "Foolin'," "Thelonious," and "There Will Never Be Another You." [2]
All songs were written by Thelonious Monk, except where noted.
Earl Rudolph "Bud" Powell was an American jazz pianist and composer. A pioneer in the development of bebop and its associated contributions to jazz theory, Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis, Jr., Toshiko Akiyoshi, and Barry Harris.
Oscar Pettiford was an American jazz double bassist and composer. He was one of the earliest musicians to work in the bebop idiom.
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was recorded in New York City on June 26, 1957, and released in November the same year.
Thelonious Monk with John Coltrane is a 1961 album by Thelonious Monk issued on Jazzland Records, a subsidiary of Riverside Records. It consists of material recorded four years earlier when Monk worked extensively with John Coltrane, issued after Coltrane had become a leader and jazz star in his own right.
Our Man in Paris is a 1963 jazz album by saxophonist Dexter Gordon. The album's title refers to where the recording was made, Gordon teaming up with fellow expatriates Bud Powell and Kenny Clarke, both Parisian residents, and native Parisian Pierre Michelot. Powell, Clarke and Michelot, under the name The Three Bosses, had played together often in Paris since Powell moved there in 1959.
Jazz at Massey Hall is a live album released on December 1953 by jazz combo The Quintet through Debut Records. It was recorded on 15 May 1953 at Massey Hall in Toronto, Canada. Credited to "the Quintet", the jazz group was composed of five leading "modern" players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, the pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
1958 Miles is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. 1958 Miles consists of three songs featured on side two of the LP album Jazz Track, which was released in November 1959, one song from the same session not appearing in the album, and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group.
The Complete Blue Note Recordings of Thelonious Monk is a box set by American jazz pianist Thelonious Monk compiling his recordings for Blue Note first released as a limited four-LP box set on Mosaic Records in 1983 before being issued as a four-CD box set by Blue Note for the first time in 1994 as The Complete Blue Note Recordings.
Milt Jackson and the Thelonious Monk Quintet is an album by American jazz vibraphonist Milt Jackson, recorded on July 2, 1948, July 23, 1951 and April 7, 1952 and released on Blue Note in 1956. The latter two sessions were originally released on ten-inch LP as Wizard of the Vibes (1952).
Bud in Paris is an album by jazz pianist Bud Powell, originally released on Xanadu Records in 1975, containing non-studio recordings made of Powell in Paris between December 1959 and October 1960. It is not to be confused with the 1964 Reprise recording, Bud Powell in Paris.
Jazz Original, also known as Bud Powell '57, is a studio album by jazz pianist Bud Powell, released in 1955 by Norgran, featuring sessions that Powell recorded at Fine Sound Studios in New York in 1954 and 1955.
A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.
This discography of jazz saxophonist Julian "Cannonball" Adderley includes albums released under his own name and albums to which he made significant contributions.
'Round About Midnight at the Cafe Bohemia is a live album by American jazz trumpeter Kenny Dorham recorded at the Café Bohemia on May 31, 1956 and released on Blue Note later that year.
Lookin' at Monk! is an album by saxophonists Johnny Griffin and Eddie "Lockjaw" Davis featuring compositions associated with Thelonious Monk recorded in 1961 and released on the Jazzland label.
This is a discography of Bud Powell.
'Round About Midnight at the Blue Note is a 1962 live album by Bud Powell and his Three Bosses Trio, with Pierre Michelot on bass and Kenny Clarke on drums, that was released in 1994 by Dreyfus Records. According to Allmusic, the album was recorded in 1962, but ESP-Disk and The Penguin Guide to Jazz dated the recording as 1961.