Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Melvin Sokoloff, known professionally as Mel Lewis, was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Award nominations.
Pierre Michelot was a French jazz double bass player and arranger.
"I Should Care" is a popular song with music by Axel Stordahl and Paul Weston and lyrics by Sammy Cahn, published in 1944. Cahn said that the title came to him by the time they played the first 4 bars. It first appeared in the MGM film Thrill of a Romance. The original recording by Ralph Flanagan and His Orchestra, with vocalists: Harry Prime and The Singing Winds was made at Manhattan Center, New York City, on July 18, 1952. It was released by RCA Victor Records as catalog number 20-4885 and by EMI on the His Master's Voice labels as catalog number B 10389.
James "Osie" Johnson was a jazz drummer, arranger and singer.
George Duvivier was an American jazz double-bassist.
Ernest Brooks Wilkins Jr. was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich.
Joseph Rupert Benjamin was an American jazz bassist.
The Amazing Bud Powell, Vol. 2 is a studio album by jazz pianist Bud Powell, released on Blue Note Records in 1954, featuring a session Powell recorded with George Duvivier on bass and Art Taylor on drums at the WOR Studios in New York, on August 14, 1953. It was remastered in 2001 by Rudy Van Gelder and reissued as part of Blue Note's RVG Edition series. Prior to this, on all releases bar the first, the album also contained a number of tracks from sessions originally on The Amazing Bud Powell, Vol. 1. The version of the album included on the second disc of The Complete Blue Note and Roost Recordings, a 4 disc box set, is that from the first CD release in 1989.
Bud Powell Trio is a studio album by jazz pianist Bud Powell, released on Roost in 1957, featuring two sessions that Powell recorded in 1947 and 1953. The 1947 session was Powell's first studio recording as leader, and was originally released as a 10" LP called The Bud Powell Trio.
Bud Powell's Moods is a studio album by jazz pianist Bud Powell, released in 1956 by Norgran, featuring sessions that Powell recorded in 1954 and 1955.
The Lonely One... is a studio album by jazz pianist Bud Powell, released in 1959 by Verve. It contains three sessions that Powell recorded at Fine Sound Studios in New York in 1955.
Blues in the Closet is a studio album by the jazz pianist Bud Powell. Released in 1958 by Verve, it contains a session that Powell recorded at Fine Sound Studios in New York in September 1956.
The Complete Bud Powell on Verve is a five-disc box set, released on September 27, 1994, by Verve Records, containing all of jazz pianist Bud Powell's recordings as leader for producer Norman Granz.
Strictly Powell is a studio album by jazz pianist Bud Powell, released in 1957 by RCA Victor, featuring a session Powell recorded in 1956.
Swingin' with Bud is a studio album by jazz pianist Bud Powell, released in 1958 by RCA Victor, featuring a session Powell recorded in 1957.
Bud Plays Bird is a studio album by the jazz pianist Bud Powell, recorded late 1957/early 1958 for Roulette, but unreleased until 1997, when it was rediscovered by Michael Cuscuna and released by Blue Note as part of The Blue Note Collection.
Bird Song is an album by American jazz pianist Hampton Hawes recorded at sessions in 1956 and 1958 but not released on the Contemporary label until 1999.
This is the discography of Bud Powell. Most of these recordings are listed by the year they were recorded rather than year released.
( Strictly Powell ) [1] 