Bud Powell in Paris | ||||
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Studio album by | ||||
Released | January 25, 1964 [1] | |||
Recorded | February 1963 | |||
Genre | Jazz | |||
Length | 49:21 | |||
Label | Reprise | |||
Producer | Duke Ellington, Frank Sinatra | |||
Bud Powell chronology | ||||
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Bud Powell in Paris is a studio album by jazz pianist Bud Powell, recorded in Paris for Reprise in February 1963 and released in 1964. [2]
The album was produced by Duke Ellington with financial support from Frank Sinatra. Powell played the tune "Satin Doll" by ear after Ellington sang it to him during the session. [3]
Alternates and outtakes from the session were released by Mythic Sound on Earl Bud Powell, Vol. 6: Writin' for Duke, 63 . [4]
Review scores | |
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Source | Rating |
AllMusic | [5] |
The Penguin Guide to Jazz | [6] |
The Rolling Stone Jazz & Blues Album Guide | [7] |
The Virgin Encyclopedia of Jazz | [8] |
Scott Yanow | [9] |
In a review for AllMusic, Ron Wynn noted Powell's "uneven but often astonishing piano work," and wrote: "the vast majority of selections are performed with flair and conviction." [5]
Writer Ira Gitler commented: "this album stands far above the painful Victors and Verves of the 1954–1956 period and is more like early Powell than the Blue Notes of the late fifties." [10]
A writer for Billboard stated that Powell plays "smoothly and most brightly," and is "capable of conveying the subtlest of jazz moods." [11]
Trevor Tolley of Coda remarked: "On 'How High the Moon' there is plenty of dash, but the fingering is not good... The record pointed to a decided decline." [12]
Lennie Tristano, also known as Tristano, is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. The final five songs are concert recordings. Originally released as Tristano's Atlantic Records debut, the album was released on CD in 1994 by Rhino Records in combined form with Tristano's 1960 follow-up, The New Tristano, and as part of a collection, The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh, in 1997. It was subsequently re-issued in original form and track-list order by Warner Jazz (2002), Rhino (2003) and Collectables (2004).
Bud!, also known as The Amazing Bud Powell, Vol. 3, is a studio album by American jazz pianist Bud Powell recorded at the Rudy Van Gelder Studio in Hackensack, New Jersey on August 3, 1957 and released on Blue Note later that year. Powell is backed by rhythm section Paul Chambers and Art Taylor, with guest appearances from trombonist Curtis Fuller on three tracks.
Time Waits, also known as The Amazing Bud Powell, Vol. 4, is a studio album by American jazz pianist Bud Powell recorded at Van Gelder Studio on May 24, 1958 with rhythm section Sam Jones and Philly Joe Jones and released on Blue Note later that year.
The Scene Changes, also known as The Amazing Bud Powell, Vol. 5, is a studio album by American jazz pianist Bud Powell recorded at the Van Gelder Studio in Hackensack, New Jersey on December 29, 1958 and released on Blue Note the following year. Powell is backed by rhythm section Paul Chambers and Art Taylor.
Frank Socolow, born in New York City, was a jazz saxophonist and oboist, noted for his tenor playing.
New York Journeyman – Complete Recordings is a compilation album of the two sessions that jazz saxophonist Frank Socolow recorded as leader, released on Fresh Sound Records in 2005.
Bud in Paris is an album by jazz pianist Bud Powell, originally released on Xanadu Records in 1975, containing non-studio recordings made of Powell in Paris between December 1959 and October 1960. It is not to be confused with the 1964 Reprise recording, Bud Powell in Paris.
Jazz Giant is a studio album by jazz pianist Bud Powell, released on Norgran in 1950, featuring two sessions that Powell recorded for Norman Granz in 1949 and 1950.
The Genius of Bud Powell, originally titled Bud Powell's Moods, is a studio album by jazz pianist Bud Powell, released in 1956 by Mercury / Clef, featuring two sessions that Powell recorded in 1950 and 1951.
Bud Powell's Moods is a studio album by jazz pianist Bud Powell, released in 1956 by Norgran, featuring sessions that Powell recorded in 1954 and 1955.
Piano Interpretations by Bud Powell is a studio album by jazz pianist Bud Powell, released in 1956 by Norgran, featuring two sessions that Powell recorded at Fine Sound Studios in New York in April 1955.
Blues in the Closet is a studio album by the jazz pianist Bud Powell. Released in 1958 by Verve, it contains a session that Powell recorded at Fine Sound Studios in New York in September 1956.
Strictly Powell is a studio album by jazz pianist Bud Powell, released in 1957 by RCA Victor, featuring a session Powell recorded in 1956.
Swingin' with Bud is a studio album by jazz pianist Bud Powell, released in 1958 by RCA Victor, featuring a session Powell recorded in 1957.
Bud Plays Bird is a studio album by the jazz pianist Bud Powell, recorded late 1957/early 1958 for Roulette, but unreleased until 1997, when it was rediscovered by Michael Cuscuna and released by Blue Note as part of The Blue Note Collection.
A Portrait of Thelonious is a studio album by jazz pianist Bud Powell, released on Columbia in 1965, featuring a session recorded at Studio Charlot in Paris on December 17, 1961, with Pierre Michelot on bass and Kenny Clarke on drums. The session was the second of two produced by Cannonball Adderley with Powell, following the A Tribute to Cannonball session recorded two days earlier.
Early Years of a Genius, 44–48, also known as Earl Bud Powell, Vol. 1, is the first of eleven volumes of Bud Powell material released by Francis Paudras on his Mythic Sound label. It features a selection of Powell's early work from 1944 to 1948.
Phil Moore was an American jazz pianist, arranger, and bandleader.
Eli Robinson was a jazz trombonist and arranger.
Diane is an album by trumpeter Chet Baker and pianist Paul Bley recorded in Denmark in 1985 and released on the SteepleChase label.