"How High the Moon" | |
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Song by Alfred Drake and Frances Comstock | |
Published | 1940 |
Genre | Jazz |
Composer(s) | Morgan Lewis |
Lyricist(s) | Nancy Hamilton |
"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue Two for the Show , where it was sung by Alfred Drake and Frances Comstock. [1] In Two for the Show, this was a rare serious moment in an otherwise humorous revue.
The earliest recorded hit version was by Benny Goodman & His Orchestra, featuring vocalist Helen Forrest. It was recorded on February 7, 1940, and released by Columbia Records as catalog number 35391, with the flip side "Fable of the Rose". [2] The Les Paul Trio recorded a version released as V-Disc 540B with a spoken introduction which was issued in November 1945 by the U.S. War Department. In 1948, bandleader Stan Kenton enjoyed some success with his version of the tune. The recording, with a vocal by June Christy, was released by Capitol Records as catalog number 911 (with the flip side "Willow, Weep for Me") [3] and 15117 (with the flip side "Interlude"). [4] It reached the Billboard magazine Best Seller chart on July 9, 1948, its only week on the chart, at #27. [5]
"How High the Moon" | |
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Single by Les Paul and Mary Ford | |
Released | March 26, 1951 (original release) |
Recorded | January 4, 1951 [6] |
Studio | Les Paul and Mary Ford's apartment home studio [6] |
Length | 2:07 |
Label | Capitol Records [6] |
Songwriter(s) | Nancy Hamilton, Morgan Lewis |
Producer(s) | Les Paul [6] |
A recording of the song by Les Paul and Mary Ford was made on January 4, 1951. [6] This version featured Paul on all guitars (lead, rhythm, muted strings for guitar percussion, and a bass line played on guitar). [6] Ford's lead vocals took three takes to record; since Paul and Ford recorded (at least Ford's vocals) at night, she placed a blanket over her head so most of the sound would be directed towards the single RCA Type 44-BX ribbon microphone and would not travel through the building and wake up neighbors. [6] Regardless, while recording one of Ford's harmony vocal parts, their neighbors complained about the noise. [6] According to Paul, the final recording featured 12 guitar parts and 12 vocal parts. [6]
The record was released on March 26 by Capitol Records as catalog number 1451, with the flip side "Walkin' and Whistlin' Blues", [7] and spent 25 weeks (beginning on March 23, 1951) on the Billboard chart, [5] 9 weeks at #1. It was subsequently re-released by Capitol as catalog number 1675, with "Josephine" on the B-side. [8] This version crossed over to the Most-Played Juke Box Rhythm & Blues Records chart, where it peaked at #2. [9] This recording was inducted into the Grammy Hall of Fame in 1979 and is on the list of the Rock and Roll Hall of Fame and Museum of the Songs That Shaped Rock and Roll. [10] In 2023, this version was included on the soundtrack of the film Asteroid City by Wes Anderson. [11]
The song was sung in various recordings by Ella Fitzgerald, becoming (with the Gershwins' "Oh, Lady Be Good!") Ella's signature tune. She first performed the song at Carnegie Hall on September 29, 1947. [1] Her first recording, backed by the Daydreamers, was recorded December 20, 1947, and released by Decca Records as catalog number 24387, with the flip side "You Turned the Tables on Me". [12] Her most celebrated recording of "How High the Moon" is on her 1960 album Ella in Berlin , and her version was inducted into the Grammy Hall of Fame in 2002, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." [13]
The song has become a gypsy jazz standard and has been recorded by several musicians of the genre.
Another jazz standard, "Ornithology" by Charlie Parker and Benny Harris, is based on the chords of "How High the Moon". It was common among jazz musicians (Ella Fitzgerald, Lionel Hampton and others) to seamlessly include "Ornithology" in the solo when performing "How High the Moon". Lennie Tristano wrote the contrafact "Lennie-bird" over the chord changes, and Miles Davis/Chuck Wayne's "Solar" is also based on part of the chord structure. [51] Coleman Hawkins' tune "Bean At Met" is also based on the changes of How High The Moon; this tune starts with simple riffs on the measures 1 to 8 and 17 to 24. The rest is filled up with solos.
John Coltrane's composition "Satellite" is also based on the chords of "How High the Moon", which Coltrane embellished with the three-tonic progression he also used on his composition "Giant Steps".
Jimmy Giuffre's composition "Bright Moon" is also based on the chords of "How High the Moon". Quincy Jones recorded it in 1957 on his second album, Go West, Man!
"Wheel of Fortune" is a popular song written by Bennie Benjamin and George David Weiss and published in 1951. It is best remembered in the 1952 hit version by Kay Starr.
"Blue Tango" is an instrumental composition by Leroy Anderson, written for orchestra in 1951 and published in 1952. It was later turned into a popular song with lyrics by Mitchell Parish. Numerous artists have since covered "Blue Tango".
"Again" is a popular song with music by Lionel Newman and words by Dorcas Cochran. It first appeared in the film Road House (1948), sung by Ida Lupino. An instrumental rendition was used in the movie Pickup on South Street (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts.
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"Love Me or Leave Me" is a popular song written in 1928 by Walter Donaldson with lyrics by Gus Kahn. The song was introduced in the Broadway musical comedy Whoopee!, which opened in December 1928. Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play Simple Simon, which opened in February 1930.
"Be My Life's Companion" is a popular song. It was written by Bob Hilliard (lyricist) and Milton De Lugg (composer) and published in 1951.
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"Imagination" is a popular song with music written by Jimmy Van Heusen and the lyrics by Johnny Burke. The song was first published in 1940. The two best-selling versions were recorded by the orchestras of Glenn Miller and Tommy Dorsey in 1940.
"The Nearness of You" is a popular song written in 1937 by Hoagy Carmichael with lyrics by Ned Washington. Intended for an unproduced Paramount film titled Romance In The Rough, the studio's publishing division Famous Music reregistered and published the song in 1940. It was first recorded by Chick Bullock and his Orchestra on Vocalion. Despite numerous accounts to the contrary, the song was never scheduled for and does not appear in the 1938 Paramount film Romance in the Dark.
"Love Walked In" is a song composed by George Gershwin, with lyrics by Ira Gershwin. The tune was composed in 1930, but the lyric was not written until 1937, for the movie musical The Goldwyn Follies (1938), where it was sung by Kenny Baker. Hit versions include Sammy Kaye (1938), The Hilltoppers (1953), Ella Fitzgerald (1959), The Flamingos (1959) and Dinah Washington (1960). Artie Shaw recorded the song in the early 1940s.
"Hoop-Dee-Doo" is a popular song published in 1950 with music by Milton De Lugg and lyrics by Frank Loesser.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters (1945), where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene. Additionally, the pre-chorus would not have been included until later covers in the 1940s, where the song would gain its iconic libretti.
"Darktown Strutters' Ball" is a popular song by Shelton Brooks, published in 1917. The song has been recorded many times and is considered a popular and jazz standard. There are many variations of the title, including "At the Darktown Strutters' Ball", "The Darktown Strutters' Ball", and just "Strutters' Ball".
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