Related Research Articles
Christoph WillibaldGluck was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera.
Johann Adolph Hasse was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of opera seria and 18th-century music.
Reinhard Keiser was a German opera composer based in Hamburg. He wrote over a hundred operas. Johann Adolf Scheibe considered him an equal to Johann Kuhnau, George Frideric Handel and Georg Philipp Telemann, but his work was largely forgotten for many decades.
Louise of Great Britain was Queen of Denmark and Norway from 1746 until her death, as the first wife of King Frederick V. She was the youngest surviving daughter of King George II of Great Britain and Caroline of Ansbach.
Siegfried Matthus was a German composer, conductor, and festival founder and manager. Some of his operas, such as Judith, were premiered at the Komische Oper Berlin in East Berlin. In 1991, he founded the chamber opera festival Kammeroper Schloss Rheinsberg and directed it until 2018. In 2005, he composed a Te Deum for the reopening of the Dresden Frauenkirche. Matthus is considered one of Germany's most often performed contemporary composers.
Angelo Maria Amorevoli was a leading Italian tenor in Baroque opera.
Torsten Rasch is a German composer of contemporary classical music. He lives in Berlin, but has found moderate success in the UK.
Giulia Frasi was born c. 1730 and died in 1772 or after May 1774. She was an Italian soprano who was primarily active in London. She sang in every one of Handel's English oratorios, including various world premières for which the composer wrote roles specifically for her.
Ezio is an opera seria from the Early Classical Period in three acts composed by Christoph Willibald Gluck, staged in 1750 and revised in 1763.
The Oper am Gänsemarkt was a theatre in Hamburg, Germany, built in 1678 after plans of Girolamo Sartorio at the Gänsemarkt square. It was the first public opera house to be established in Germany: not a court opera, as in many other towns. Everybody could buy a ticket, like in Venice. Most works were in the German language or translated librettos.
Adriano in Siria is a libretto by Italian poet Metastasio first performed, with music by Antonio Caldara, in Vienna in 1732, and turned into an opera by at least 60 other composers during the next century. Metastasio based the background of the story on late Classical works by Cassius Dio and Elio Sparziano.
L'impresario delle Isole Canarie, also known as L'impresario delle Canarie or Dorina e Nibbio, is a satirical opera intermezzo libretto attributed to Metastasio, written in 1724 to be performed between the acts of Metastasio's opera seria Didone abbandonata. The first performance of the work was on February 1, 1724, in Naples, Italy, at Teatro San Bartolomeo. The first composer to set this libretto to music was Domenico Sarro, also known by the name Sarri, who also revised the work in 1730. The role of Dorina was first sung by the contralto Santa Marchesini, and Nibbio by the basso buffo singer Gioacchino Corrado. Later versions of this libretto appear with the titles L'impresario, L'impresario e la cantante and others.
Das geheime Königreich is an opera in one act with words and music by Ernst Krenek, his Op. 50 and the second of three one-acters which premiered on 6 May 1928 at the Hessisches Staatstheater Wiesbaden as part of the Mai-Festwoche Wiesbaden. It is subtitled Märchenoper in 1 Akt and has been called a satirical fairy-tale opera.
Regina Mingotti, born in Naples 16 February 1722, died Neuburg an der Donau 1 October 1808, was an Italian-Austrian operatic soprano. Besides achieving great success as a performer in Germany, Spain, France, Britain and Italy, she composed and published songs and is notable for being the first woman to manage an opera company in London.
Christine Mielitz is a German theatre and opera director.
Ortrun Landmann is a German musicologist.
The Oper am Brühl was the first opera house in Leipzig. It existed from 1693 to 1720 and was the second municipal music theatre in Germany, after the Oper am Gänsemarkt in Hamburg. It was initiated by Nicolaus Adam Strungk who saw a potential audience during the three annual trade fairs in Leipzig. An opera house was built, and opened on 8 May 1693. The house flourished when Georg Philipp Telemann directed the opera from 1703 to 1705. Among his operas for the house is Germanicus, premiered in 1704. A collection of 100 excerpts from the operas, Musicalische Rüstkammer, has been explored for background. The building was found in a dangerous state in 1719, was closed in 1720 and demolished in 1729.
Angelo Maria Monticelli was an Italian castrato, appearing in operas in Italy, Vienna, Dresden, and from 1741 to 1746 in London.
Maria Giustina Turcotti, sometimes shortened to Giustina Turcotti, was an Italian vocalist who had a career in opera. Sources vary in describing her voice type, some identifying her as a soprano and others a mezzo-soprano. She performed in opera houses in Italy from 1717 through 1746, and then toured Europe as a member of Pietro Mingotti's opera troupe from 1746 to 1750. She was a resident singer at the Bayreuth court opera; a position she held from 1750 until 1758 and then again from 1760 through 1763. After this period no record of the singer has been found.
References
Bauman, Thomas (2001). "Pietro Mingotti". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
- ↑ Dennis Libby and Carlo Vitali (2002). "Turcotti, Maria Giustina". Grove Music Online . Oxford Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.O002685. ISBN 9781561592630.
- ↑ Marx, H.J. & D. Schröder (1995) Die Hamburger Gänsemarkt-Oper, p. 502-507.
