Pigs | |
---|---|
Written by | Anne Morrison and Patterson McNutt |
Directed by | Frank Craven |
Date premiered | September 1, 1924 |
Place premiered | Little Theatre |
Original language | English |
Subject | Young couple raise money to save family home |
Genre | Comedy |
Setting | The Atkins' living room and Hendricks farm |
Pigs is a 1924 play written by Anne Morrison and Patterson McNutt. [1] It is a three-act comedy with four scenes. [2] It has a medium-sized cast, two settings, and fast pacing. The story concerns a young man who senses a great business opportunity in some ailing pigs. With the help of a young woman and his mother, he demonstrates his veterinary skills and saves the family home.
It was first produced by John Golden and staged by Frank Craven, [3] and starred Wallace Ford and Nydia Westman. [4] It ran on Broadway from September 1924 thru June 1925. The production then started touring in October 1925. [5] [6]
Listed in order of appearance within their scope.
Leads
Supporting
Featured
Off stage
The play is set in the fictional town of Medbury, Indiana, near the Illinois state line. [7]
Act I (Atkins living room) Senior is upset with Junior's pleas to borrow $250 to buy 250 cholera-infected pigs. Senior's finances are precarious; his mother-in-law borrowed $2000 from him and he has no ready cash. There is also a note coming due on the mortgage. Junior is convinced he can cure the pigs and resell them for a large profit. Grandma Spencer and Hector are in the living room when Ellen returns from visiting a bereaved neighbor. Grandma Spencer is incensed, claiming the recently deceased still owed her own dead husband $16. Ellen gently refutes her; the neighbor showed a ledger wherein the money had been paid to Hector. The latter quickly leaves for a trip downtown. Junior departs to return a healed goat to a neighbor.
Later, Mildred explains to Senior that Junior and her are engaged and need the profits from the pig deal to get married. Spencer Atkins enters, dressed in Junior's only good suit for a party. He's surprised to learn Junior and Mildred are coming as well, and quickly departs. When Junior returns, Mildred tells him about the note for the mortgage, which she overheard her uncle discuss. Junior hurries upstairs to put on a suit that is no longer there. When Hector returns, Mildred innocently asks if he's feeling better now. Suspicious, he deduces Junior has secretly given him something. His yells of "Poison!" bring everyone else. Junior confesses he gave Hector a store-bought tonic to perk him up so he could go find work. Junior is angry with Mildred and breaks the engagement. (Curtain)
Act II (Same setting, about 2pm the next day) Mildred and Junior reconcile while considering how $250 might be had. Smith Hastings comes by to talk with Senior, reminds him of the note coming due and rejects any delay. On his way out Mildred hits up her uncle for the cash, but he declines. Lenore comes by in her car, and Mildred tries to put the screws to her, on the basis of past indiscretions. Mildred coyly mentions to Hector that Tillie Hendricks was in town, holding a baby. He panics and runs out calling for his mother. Junior is in despair until Ellen twists her engagement ring off, and hands it to him. Use this, she urges, its worth more than $250. (Curtain)
Act III (Scene 1: Hendrick's farm about 4am the next morning) Dr. Springer and Mildred are readying buckets of slop mixed with Junior's tonic. They can't see how many pigs are still alive until dawn comes. Junior rushes in with more tonic. He had to dodge an auto with Spencer and Lenore, who are out looking for them. The auto pulls into the farmyard; Junior and Mildred hide, while Dr. Springer deals with the searchers. After they leave, Junior and Mildred come out as Dr. Springer fills the pig troughs with the slop. The pigs come running and eat, delighting all three of them.
(Scene 2: Atkins living room about 8pm same day) Everyone has been in an uproar about the missing couple. Junior and Mildred explain they got married over the state line, with Dr. Springer and Tillie Hendricks as witnesses. The buyer of the pigs gave Junior a certified check for $2400, which he endorses over to Senior. Tillie phones, and Mildred pressures Hector to talk with and later go see her. Junior asks for some of the money back when the check is cashed, so he can redeem his mother's ring. Grandma Spencer is left alone, muttering "Pigs!". (Curtain)
Author Anne Morrison was an actress who had written one previous play, while Patterson McNutt was a sportswriter at the New York World , the younger brother of William Slavens McNutt. [8] Their first version of the play, copyright 1923 to both authors, was called Johnny Jones, Jr.. [9] The second version, copyright 1924 to John Golden and the authors, was titled Pigs. [9]
Role | Actor | Dates | Notes and sources |
---|---|---|---|
Thomas Atkins Jr. [fn 1] | Wallace Ford | May 30, 1924 - Jun 23, 1925 | Among Ford's previous roles was a stint as Abie in the original production of Abie's Irish Rose . [8] |
Mildred Cushing | Nydia Westman | May 30, 1924 - Jun 23, 1925 | This was Westman's first Broadway role; she had been with Golden's touring companies. [10] |
Thomas Atkins Sr. [fn 2] | Richard Carlyle | May 30, 1924 - Jun 07, 1924 | |
George Henry Trader | Aug 22, 1924 - Jun 23, 1925 | ||
Hector Spencer | Phillip Barrison | May 30, 1924 - Jun 23, 1925 | |
Grandma Spencer | Maude Granger | May 30, 1924 - Jun 23, 1925 | |
Spencer Atkins [fn 3] | Robert Keith | May 30, 1924 - Jun 07, 1924 | |
Alan Bunce | Aug 22, 1924 - Jun 23, 1925 | ||
Ellen Atkins [fn 4] | Jane Ellison | May 30, 1924 - Jun 07, 1924 | |
May Buckley | Aug 22, 1924 - Jun 23, 1925 | ||
Lenore Hastings | Rosemary Hilton | May 30, 1924 - Jun 23, 1925 | She was a younger sister of hotel magnate Conrad Hilton. [11] [12] |
Smith Hastings | James Kearney | May 30, 1924 - Dec 13, 1924 | |
William Cox | Dec 15, 1924 - Jun 23, 1925 | ||
Dr. Springer [fn 5] | John Francis | Aug 22, 1924 - Aug 30, 1924 | |
Frederick Malcolm | Sep 01, 1924 - Jun 23, 1925 | ||
Pigs was first given a tryout at the Lyceum Theatre in Elmira, New York on May 30, 1924. [13] Though the title had changed from Johnny Jones, Jr., the main character still bore that name, as did members of his family. [13] The local reviewer was enthusiastic about the presence of John Golden at the debut, and predicted a long run in New York. [13]
After a few performances in Elmira, the production moved to the Apollo Theatre in Atlantic City, New Jersey, opening on June 2, 1924. [14] Here the local critic was more forthcoming about the plot, inadvertently revealing some differences with the later version of the play. One difference was Grandma Spender had borrowed the money from Smith Hastings, rather than her son-in-law. [14] Another was that all three acts were described as having the same setting, nor was there any mention of Dr. Springer. [14]
The third tryout for Pigs was held in Stamford, Connecticut on August 22, 1924. [15] The production then moved to the Savoy Theatre in Asbury Park, New Jersey, where it opened on August 25, 1924. [16] A local review shows the play had assumed its final form: Dr. Springer was now in the cast list, the Jones family was renamed to Atkins, Grandma Spencer borrowed the $2000 from Thomas Atkins Sr, and the presence of real pigs on the stage showed the Hendricks farm scene had been added. [16]
After a week in New Jersey, Pigs had its Broadway premiere on September 1, 1924, at the Little Theatre. [1] The reviewer for the Brooklyn Daily Eagle said the plot was not original, but worked through a sense of fun created by the two leads, Wallace Ford and Nydia Westman. [1] The Brooklyn Times-Union reviewer thought overall the play was pleasing despite some weakness in Philip Barrison's acting, but felt cutting a minute from the ending would be beneficial. [17] Burns Mantle at the New York Daily News was enthusiastic only about Nydia Westman's performance. [18] He thought the story was weak, despite director Frank Craven's attempt to punch it up with comic touches, and that only Wallace Ford in the cast offered much support to Nydia Westman. [18]
The Brooklyn Citizen critic was more generous, heaping praise on Wallace Ford, Maude Granger, and May Buckley, but agreed with Burns Mantle that Nydia Westman was the most important part of the play. [19] The Brooklyn Standard Union also praised Nydia Westman, thought Wallace Ford and Alan Bunce were good, but felt Maude Granger had overacted. [20]
The play closed on June 23, 1925, after 348 performances. [21]
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