The Pike Theatre was a theatre located in Herbert Lane, Dublin, Ireland.The building was the Mews for No 6 Herbert Place (now No 43 Herbert Lane and is now occupied as offices)
Established in 1953 by Alan Simpson and Carolyn Swift, the Pike offered Dublin audiences continental-style late-night revues and modern international playwrights such as Tennessee Williams and Eugène Ionesco. In its early days it staged two notable premieres – the first complete English-language production of Waiting for Godot (1955) (the London production had been censored by the Lord Chamberlain) and Brendan Behan's The Quare Fellow (1954). It was a favourite of critics such as Ulick O'Connor (critic for The Times ) and Harold Hobson (critic for The Sunday Times ).
In May 1957 the theatre was visited by the Gardaí. They said that it had been brought to their attention that the play being produced that evening contained "objectionable passages", which had to be removed if the performance was to proceed. If the play went ahead without cuts, Simpson and the co-owner of the theatre, Carolyn Swift, would be liable for prosecution. The play in question was the opening production of the inaugural Dublin Theatre Festival, The Rose Tattoo , by Tennessee Williams. It had won the 1951 Tony Award for Best Play, and the 1955 film version had won a number of Academy Awards. [1]
The following day Alan Simpson was arrested and charged with "presenting for gain an indecent and profane performance". The theatre continued the play's run on stage, while an intellectual revolt against the closing of The Rose Tattoo came not only from Ireland but also from the continent, led by playwrights Samuel Beckett, Seán O'Casey, and Brendan Behan. [2] Six weeks later, amid a welter of publicity, the hearing began. The defence team challenged a point of law in the High Court, lost, appealed to the Supreme Court, and won. Almost a year later, in June 1958, the hearing resumed. The judge found there was insufficient evidence to commit Alan Simpson to trial, and he was released. However the theatre fell on hard times and closed in 1961. [1] Simpson went on to work for the Abbey Theatre, while Swift went into television and had a long association as scriptwriter with the children's program Wanderly Wagon .
The artist Reginald Gray designed many settings for The Pike Theatre, including the production of The Rose Tattoo. [3]
The Rose Tattoo is a three-act play written by Tennessee Williams in 1949 and 1950; after its Chicago premiere on December 29, 1950, he made further revisions to the play for its Broadway premiere on February 2, 1951, and its publication by New Directions the following month. A film adaptation was released in 1955. The Rose Tattoo tells the story of an Italian-American widow in Mississippi who has withdrawn from the world after her husband's death and expects her daughter to do the same.
The history of Irish theatre begins with the rise of the English administration in Dublin at the start of the 17th century. Over the next 400 years this small country was to make a disproportionate contribution to drama in English.
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The Quare Fellow is Brendan Behan's first play, first produced in 1954. The title is taken from a Hiberno-English pronunciation of queer.
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Reginald Gray was an Irish portrait artist. He studied at The National College of Art (1953) and then moved to London, becoming part of the School of London led by Francis Bacon, Lucian Freud and Frank Auerbach. In 1960, he painted a portrait of Bacon which now hangs in the permanent collection of the National Portrait Gallery in London. He subsequently painted portraits from life of writers, musicians and artists such as Samuel Beckett, Harold Pinter, Brendan Behan, Garech Browne, Derry O'Sullivan, Alfred Schnittke, Ted Hughes, Rupert Everett and Yves Saint Laurent. In 1993 Gray had a retrospective exhibition at UNESCO Paris and in 2006, his portrait "The White Blouse" won the Sandro Botticelli Prize in Florence, Italy.
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"Trinity College archives". archives. Trinity College Dublin.