Pikoo | |
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![]() Title card of the film | |
Directed by | Satyajit Ray |
Written by | Satyajit Ray |
Screenplay by | Satyajit Ray |
Story by | Satyajit Ray |
Based on | "Pikur Diary" by Satyajit Ray |
Produced by | Henri Fraise for France 3 |
Starring | Arjun Guha Thakurta, Aparna Sen, Soven Lahiri, Promod Ganguli, Victor Banerjee |
Cinematography | Soumendu Roy |
Edited by | Dulal Dutta |
Music by | Satyajit Ray |
Release date |
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Running time | 26 Minutes |
Country | India |
Language | Bengali |
Pikoo is a 1980 Indian Bengali-language short film directed by Satyajit Ray for French television channel France 3. [1] The film is based on a short story named Pikoor Diary (Pikoo's Diary), written by Ray for one of his books, Pikoor Diary O Onyanyo (Pikoo's Diary and Other Stories). [2] The film showcases a day in the life of a six-year-old child, Pikoo, in the backdrop of his mother's extramarital affair. [3]
Satyajit Ray was approached by the freelance producer Henri Fraise to make a film. Ray said in his biography that, when Henri Fraise approached him to make a film, he briefed Ray by saying "[...] you can place your camera at your window and shoot the house next-door—we will accept that." [4] In an interview in Cineaste , Ray stated that Pikoo is "a very complex film". [5]
The film's script was included in the book, Original English Film Scripts Satyajit Ray, put together by Ray's son Sandip Ray and Aditinath Sarkar, an ex-CEO of Ray Society. [6] The book also includes original scripts from Ray's other films. [7] Elements of the film was loosely adapted into the 2015 Hindi-language film Piku by Shoojit Sircar. [8]
Ranjan (Soven Lahiri) suspects his wife Seema (Aparna Sen) is having an affair. Their son, six years old Pikoo (Arjun Guha Thakurta), is enjoying his holiday. While playing, he gets annoyed by the loud barking of the neighbour's dog. Not knowing what to do, he shouts "Hush!" and is delighted when it works. Pikoo receives a telephone call from Hitesh (Victor Banerjee) who wants to inquire about Seema. Pikoo then passes the phone to Seema, who requests that Hitesh not to come over, without giving any explanation. Pikoo shares a friendly bond with his 80-year-old bedridden grandfather, Loknath (Promod Ganguli). Pikoo secretly tells Loknath about the fights between his parents, their conversation and requests Loknath not to share this little secret with anyone.
Hitesh comes over, uninvited, and brings Pikoo a gift: a drawing book and a set of sketch-pens. Pikoo readily draws pictures and shows them to Seema and Hitesh. Seema suggests that Pikoo go to the garden and draw flowers which matches the colours of his sketch pens. Excited by the idea, Pikoo runs to the garden. Once Pikoo is gone, Seema informs Hitesh about Loknath's second heart-attack and also that Ranjan has started suspecting that she has a boyfriend. Pikoo roams around the garden and draws various flowers but wonders when he sees a white lotus in the pond. Puzzled with not having a white-coloured sketch pen, he shouts from the garden and informs Seema about not having a white-coloured sketch pen to draw it. Seema, who is now having an intimate sexual encounter with Hitesh, does not respond to Pikoo.
Pikoo then uses black-coloured sketch pen to draw the flower but a rain drop spoils his drawing and he runs inside the house. He overhears Seema and Hitesh having a fight. Now knowing how to silence others, he readily shouts "Hush!" again to see that it has worked this time as well. He runs to Loknath to show him his drawings but realizes that Loknath has died in his bed. Not knowing what to do next, Pikoo runs away and sits in the balcony to watch his ruined drawing and starts crying. The film ends when Seema opens her bedroom door and notices Pikoo sitting outside, then avoids him and makes no eye-contact.
After the Academy of Motion Picture Arts and Sciences awarded Satyajit Ray an honorary Academy Award in 1992 for his lifetime achievements, [9] the Academy Film Archive, part of the Academy Foundation which mainly works with the objectives as "preservation, restoration, documentation, exhibition and study of motion pictures", took an initiative to restore and preserve Ray's films. [10] Josef Lindner was appointed as a preservation officer and as of October 2010 [update] the academy has successfully restored 19 titles. However, the academy has yet to restore Pikoo, as the information about the film could not be retrieved. [11]
Victor Banerjee is an Indian actor who appears in English, Hindi, Bengali and Assamese language films. He has worked with great directors such as Roman Polanski, James Ivory, Sir David Lean, Jerry London, Ronald Neame, Satyajit Ray, Mrinal Sen, Shyam Benegal, Montazur Rahman Akbar and Ram Gopal Varma. He won the National Film Award for Best Supporting Actor for the film Ghare Baire. He was awarded the Padma Bhushan, India's third highest civilian award, in 2022 by the Indian Government in the field of art.
Sonar Kella, also Shonar Kella, is a 1971 mystery novel written by Bengali writer and filmmaker Satyajit Ray. In 1974, Ray directed a film adaption of the book, also named Sonar Kella, starring Soumitra Chatterjee, Santosh Dutta, Siddartha Chatterjee and Kushal Chakraborty. The movie was released in the United States as The Golden Fortress. It is the first film adaptation of Ray's famous sleuth Feluda and was followed by Joi Baba Felunath.
Devi (transl. Goddess) is a 1960 Bengali-language Hindu drama film by director Satyajit Ray, starring debutante Sharmila Tagore and Soumitra Chatterjee. It is based on a short story by Provatkumar Mukhopadhyay. The film is based on the worship of women and young girls as incarnations of the goddesses Durga or Kali, which is more prevalent in Nepal as the Kumari tradition.
Aranyer Din Ratri is an Indian Bengali adventure drama film released in 1970, written and directed by Satyajit Ray. It is based upon the Bengali novel of the same name by Sunil Gangopadhyay. It employs the literary technique of the carnivalesque. The film was nominated for the Golden Bear for Best Film at the 20th Berlin International Film Festival. A sequel Abar Aranye directed by Goutam Ghose was released in 2003.
Agantuk is a 1991 Bengali-language drama film written and directed by Satyajit Ray. Notable for being Ray's last film, it was based on one of his own short stories, Atithi. A joint Indo-French production, it received financial backing from companies such as Gérard Depardieu's DD Productions and Canal+.
Hirak Rajar Deshe is an Indian Bengali dystopian fantasy musical film and a sequel to the 1969 anti-war fantasy musical Goopy Gyne Bagha Byne directed by Satyajit Ray. In the film, the musicians Goopy and Bagha travel to the kingdom of the Diamond King, to find a sinister plot at work - subjects are being brainwashed by rewriting their thoughts with rhyming slogans.
Abhijan is a 1962 Indian Bengali-language film directed by Satyajit Ray.
Ganashatru is a 1990 Indian film directed by Satyajit Ray. It is an adaptation of Henrik Ibsen's 1882 play An Enemy of the People, and was released under that title in the UK. The cast includes Ray's favourite actor Soumitra Chatterjee, and veteran actors such as Dhritiman Chatterjee, Shubhendu Chatterjee, Manoj Mitra and Ruma Guhathakurta. Ray adapts the play to an Indian setting: a flourishing township in which a temple attracts devotees as well as tourists. When a health problem is discovered, Dr Ashok Gupta, played by Soumitra Chatterjee, finds his popularity flagging. The film was screened out of competition at the 1989 Cannes Film Festival.
Jana Aranya is a 1976 Bengali film directed by Satyajit Ray, based on the novel of the same name by Mani Shankar Mukherjee. It is the last among Ray's Calcutta trilogy series, the previous two being, Pratidwandi and Seemabaddha.
Seemabaddha is a 1971 social drama Bengali film directed by Satyajit Ray. It is based on the novel Seemabaddha by Mani Shankar Mukherjee. It stars Barun Chanda, Harindranath Chattopadhyay, and Sharmila Tagore in lead roles. The film was the second entry in Ray's Calcutta trilogy, which included Pratidwandi (1970) and Jana Aranya (1976). The films deal with the rapid modernization of Calcutta, rising corporate culture and greed, and the futility of the rat race. The film won the FIPRESCI Award at the 33rd Venice International Film Festival, and the National Film Award for Best Feature Film in 1971.
Sukumar Ray is a 1987 Bengali short documentary film made by Satyajit Ray on his father, Sukumar Ray. It was released during the birth centenary year of Sukumar Ray, who was born on 30 October 1887. The thirty minutes documentary features the life and some of the works by Sukumar Ray in the form of paintings, photographs and readings.
Satyajit Ray was an Indian filmmaker who worked prominently in Bengali cinema and who has often been regarded as one of the greatest directors of world cinema. Ray was born in Calcutta to a Bengali family and started his career as a junior visualiser. His meeting with French film director Jean Renoir, who had come to Calcutta in 1949 to shoot his film The River (1951), and his 1950 visit to London, where he saw Vittorio De Sica's Ladri di biciclette (1948), inspired Ray to become a film-maker. Ray made his directorial debut in 1955 with Pather Panchali and directed 36 films, comprising 29 feature films, five documentaries, and two short films.
Satyajit Ray (1921–1992), a Bengali film director from India, is well known for his contributions to Bengali literature. He created two of the most famous characters in Feluda the sleuth and Professor Shanku the scientist. He wrote several short novels and stories in addition to those based on these two characters. His fiction was targeted mainly at younger readers, though it became popular among children and adults alike.
Rabindranath Tagore is a 1961 Indian documentary film written and directed by Satyajit Ray about the life and works of noted Bengali author Rabindranath Tagore. Ray started working on the documentary in early 1958. Shot in black-and-white, the finished film was released during the birth centenary year of Rabindranath Tagore, who was born on 7 May 1861. Ray avoided the controversial aspects of Tagore's life in order to make it as an official portrait of the poet. Though Tagore was known as a poet, Ray did not use any of Tagore's poetry as he was not happy with the English translation and believed that "it would not make the right impression if recited" and people would not consider Tagore "a very great poet," based on those translations. Satyajit Ray has been reported to have said about the documentary Rabindranath Tagore in his biography Satyajit Ray: The Inner Eye by W. Andrew Robinson that, "Ten or twelve minutes of it are among the most moving and powerful things that I have produced."
The Inner Eye is a 1972 short documentary film made by Satyajit Ray on Benode Behari Mukherjee, a blind artist and a teacher from Visva-Bharati University, a university founded by Rabindranath Tagore at Santiniketan. The twenty minutes documentary features the life and works of Mukherjee in the form of paintings and photographs, starring himself. The documentary covers his journey from childhood till his blindness along with much of his works and features his words, "Blindness is a new feeling, a new experience, a new state of being". The documentary was awarded as Best Information Film (Documentary) at 20th National Film Awards in 1972.
Bala is a 1976 documentary film made by Satyajit Ray, about a Bharatanatyam dancer, Balasaraswati, fondly known as "Bala". The film was jointly produced by National Centre for the Performing Arts and Government of Tamil Nadu. The thirty-three-minute documentary features the life and some of the works by Balasaraswati in the form of narration and dance, starring herself. At the age of fourteen, Ray had seen a performance of Balasaraswati in Kolkata, then known as "Calcutta", in 1935, when she was seventeen years old.
Two: A Film Fable is a 1964 Indian black-and-white short film directed by Satyajit Ray. The film was made under the banner of Esso World Theater at the request of a non-profit American public broadcasting television, PBS. It was made as part of a trilogy of short films from India. The other two films in the trilogy featured Indian Sitar player, Pandit Ravi Shankar and a Ballet troupe from Mumbai, then known as "Bombay". Ray, who worked prominently for Bengali cinema, was requested to make a film in English language with a Bengali setting, however Ray being an admirer of silent film decided to make a film without any dialogue as a tribute to the genre.
Satyajit Ray was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and composer. Ray is widely considered one of the greatest and most influential film directors in world cinema. He is celebrated for works including The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963) and Charulata (1964) and the Goopy–Bagha trilogy.
Troyee is a 1982 Bengali romantic drama film written and directed by Gautam Mukherjee. The screenplay was written by Parthapratim Choudhury. It narrates the story of a young man who ultimately finds that his life belongs to nowhere after he has discovered that his best friend and his ladylove are in love with each other. It stars Mithun Chakraborty, Debashree Roy and Soumitra Bannerjee in leading roles. The music was composed by R. D. Burman with lyrics penned by Swapan Chakraborty.