Sukumar Ray | |
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Directed by | Satyajit Ray |
Screenplay by | Satyajit Ray |
Based on | Life and works of Sukumar Ray |
Produced by | Government of West Bengal |
Starring | Utpal Dutt Soumitra Chatterjee Tapen Chatterjee Santosh Dutta |
Narrated by | Soumitra Chatterjee |
Cinematography | Barun Raha |
Edited by | Dulal Dutta |
Music by | Satyajit Ray |
Production company | |
Release date |
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Running time | 30 minutes |
Country | India |
Language | Bengali |
Sukumar Ray is a 1987 Bengali short documentary film made by Satyajit Ray on his father, Sukumar Ray. It was released during the birth centenary year of Sukumar Ray, who was born on 30 October 1887. [1] The thirty minutes documentary features the life and some of the works by Sukumar Ray in the form of paintings, photographs and readings. [2]
This is the last documentary made by Satyajit Ray as a tribute to his father, before he died in 1992. [3] [4] The documentary used Sukumar Ray's photographs and paintings than video recording as the film was considerably a new medium in India when Sukumar Ray died in 1923.
Sukumar Ray was a Bengali humorous poet, story writer and playwright who mainly wrote for children. Born in a Bengali family on 30 October 1887 to Bidhumukhi and Upendrakishore Ray, Sukumar Ray is a second children of six and illustrator of literary nonsense and nonsense rhyme in Bengali literature. [5] Graduated with Honours degree in Physics and Chemistry from the Presidency College, Kolkata, Sukumar Ray got training in photography and printing technology in England at the School of Photo-Engraving and Lithography, London. [6] He formed the "Nonsense Club" and the "Monday Club", the members of which included some of the young artists, writers, scholars and critics of that time. [7] Ray was also associated with Brahmo Samaj and wrote a poem called "Atiter Katha" for young readers. [8] His works such as the collection of poems Abol Tabol (Gibberish), novella HaJaBaRaLa (The Absurdity), short story collection Pagla Dashu (Crazy Dashu) and play Chalachitta Chanchari are considered nonsense masterpieces. [1] Father of film-maker Satyajit Ray, Sukumar Ray died of severe infectious fever, Leishmaniasis on 10 September 1923. [3]
With Soumitra Chatterjee as a narrator, the documentary begins by showcasing some of the drawings by Sukumar Ray, drawn for the children books Abol Tabol , HaJaBaRaLa and a short story, Heshoram Hushiarer Diary (The Diary of Heshoram: The Clever). Explaining the lineage of Ray family starting from Hari Krishna Roy Chowdhury and Upendrakishore Ray, the documentary describes initial days of Sukumar Ray, his formation of the "Nonsense Group" in the college and publication of handwritten humorous magazine, "Thirty Two and a Half Fries".
Utpal Dutt enacts as a teacher from Ray's first published poetical "nonsense"-play Jhala Pala (The Cacophony) and provides humorous explanation/translation of the sentence "I go up, we go down" in Bengali. Soumitra Chatterjee appears as Rama, the avatar of the Hindu god Vishnu, in a spoof based on an Indian epic Ramayana , Lakshmaner Shaktishel (The magical spear of Lakshmana). The spoof is based on Rama's dream about the central antagonist of the Ramayana, the demon-king Ravana and the spy (Tapen Chatterjee) providing further information about it. The documentary also focusses on Ray's college days in London while studying photography, lithography and his meeting with Nobel Prize–winning littérateur, Rabindranath Tagore. While narrating his first poem Khichudi (The mixture) published in children's magazine, Sandesh , launched by his father, the documentary explains how entire Ray family worked together for the growth of the magazine after the death of Upendrakishore Ray.
Mentioning his association with Brahmo Samaj, the documentary ends with Sukumar Ray's terminal disease and his death on 10 September 1923.
Feluda is a fictional detective, private investigator created by Indian director and writer Satyajit Ray. Feluda resides at 21 Rajani Sen Road, Ballygunge, Calcutta, West Bengal, India. Feluda first made his appearance in a Bengali children's magazine called Sandesh in 1965, under the editorialship of Ray and Subhas Mukhopadhyay. His first adventure was Feludar Goendagiri. Feluda is one of the most impactful Bengali characters of all time.
Sonar Kella, also Shonar Kella, is a 1971 mystery novel written by Bengali writer and filmmaker Satyajit Ray. In 1974, Ray directed a film adaption of the book, also named Sonar Kella, starring Soumitra Chatterjee, Santosh Dutta, Siddartha Chatterjee and Kushal Chakraborty. The movie was released in the United States as The Golden Fortress. It is the first film adaptation of Ray's famous sleuth Feluda and was followed by Joi Baba Felunath, in English The Elephant God.
Joy Baba Felunath is a 1979 Indian Bengali-language mystery film directed and written by Satyajit Ray. Featuring an ensemble cast of Soumitra Chatterjee, Santosh Dutta, Siddartha Chatterjee, Utpal Dutt amongst others, it is an adaption of the eponymous Feluda novel and serves as the sequel of Sonar Kella. Shortly after the demise of actor Santosh Dutta who portrayed Jatayu's role, Ray remarked that it was impossible to ever make a Feluda film again without Dutta.
Distant Thunder is a 1973 Bengali film by the Indian director Satyajit Ray, based on the novel by the same name by Bibhutibhushan Bandopadhyay. Unlike most of Ray's earlier films, Distant Thunder was filmed in colour. It stars Soumitra Chatterjee, who headlined numerous Ray films, and the Bangladeshi actress Bobita in her only prominent international role. Today the film features in The New York Times Guide to the Best 1,000 Movies Ever Made. It marked the debut of the theatre star Mrityunjay Sil.
SoumitraChatterjee was an Indian film actor, play-director, playwright, writer, thespian and poet. He is regarded as one of the greatest and most influential actors in the history of Indian cinema. He is best known for his collaborations with director Satyajit Ray, with whom he worked in fourteen films.
Sukumar Ray was a Bengali writer and poet from British India. He is remembered mainly for his writings for children. He was the son of children's story writer Upendrakishore Ray Chowdhury and the father of Indian filmmaker Satyajit Ray.
Upendrakishore Ray Chowdhury was a Bengali writer, painter and entrepreneur. One of the books he wrote is Chotoder Shera Bigyan Rochona Shongkolon. He was the son-in-law of reformer Dwarkanath Ganguly. He was also an entrepreneur. He was the first person who introduced color printing in Bengal. He started the first colour children's magazine Sandesh in 1913.
Devi (transl. Goddess) is a 1960 Bengali-language drama by director Satyajit Ray, starring Sharmila Tagore and Soumitra Chatterjee. It is based on a short story by Prabhat Kumar Mukhopadhyay. The film is based on believing in a dream, that a Zamindar has witnessed, where he is delusional about his daughter-in-law revealing herself into a Goddess incarnate, worthy of being idolized and worshiped.
Ghare Baire is a 1984 Indian Bengali-language romantic drama film directed and written by Satyajit Ray. The film is based on Rabindranath Tagore's novel of the same name, and stars Soumitra Chatterjee, Victor Banerjee, Swatilekha Chatterjee and Jennifer Kendal. The film has a complex portrayal of several themes including nationalism, women emancipation, spiritual and materialistic take on life, tradition versus modernism, and others.
Hirak Rajar Deshe is an Indian Bengali dystopian fantasy musical film and a sequel to the 1969 anti-war fantasy musical Goopy Gyne Bagha Byne directed by Satyajit Ray. In the film, the musicians Goopy and Bagha travel to the kingdom of the Diamond King, to find a sinister plot at work – subjects are being brainwashed by rewriting their thoughts with rhyming slogans.
Abol tabol is a collection of Bengali children's poems and rhymes composed by Sukumar Ray, first published on 19 September 1923 by U. Ray and Sons publishers. It consists of 46 titled and seven untitled short rhymes (quatrains), all considered to be in the genre of nonsense literature.
Satyajit Ray was an Indian filmmaker who worked prominently in Bengali cinema and who has often been regarded as one of the greatest and most influential directors in the History of cinema. Ray was born in Calcutta to a Bengali family and started his career as a junior visualiser. His meeting with French film director Jean Renoir, who had come to Calcutta in 1949 to shoot his film The River (1951), and his 1950 visit to London, where he saw Vittorio De Sica's Ladri di biciclette (1948), inspired Ray to become a film-maker. Ray made his directorial debut in 1955 with Pather Panchali and directed 36 films, comprising 29 feature films, five documentaries, and two short films.
Rabindranath Tagore is a 1961 Indian documentary film written and directed by Satyajit Ray about the life and works of noted Bengali author Rabindranath Tagore. Ray started working on the documentary in early 1958. Shot in black-and-white, the finished film was released during the birth centenary year of Rabindranath Tagore, who was born on 7 May 1861. Ray avoided the controversial aspects of Tagore's life in order to make it as an official portrait of the poet. Though Tagore was known as a poet, Ray did not use any of Tagore's poetry as he was not happy with the English translation and believed that "it would not make the right impression if recited" and people would not consider Tagore "a very great poet," based on those translations. Satyajit Ray has been reported to have said about the documentary Rabindranath Tagore in his biography Satyajit Ray: The Inner Eye by W. Andrew Robinson that, "Ten or twelve minutes of it are among the most moving and powerful things that I have produced."
Sandip Ray is an Indian film director and music director who mainly works in Bengali cinema. He is the only child of the famous Indian director Satyajit Ray and Bijoya Ray.
Satyajit Ray was an Indian film director, screenwriter, author, lyricist, magazine editor, illustrator, calligrapher, and composer. Ray is widely considered one of the greatest and most influential film directors in the history of cinema. He is celebrated for works including The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963), Charulata (1964), and the Goopy–Bagha trilogy (1969–1992).[a]
Cinema of West Bengal, also known as Tollywood or Bengali cinema, is the segment of Indian cinema, dedicated to the production of motion pictures in the Bengali language widely spoken in the state of West Bengal. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the Indian National Film Awards as well as international acclaim.
U. Ray and Sons was a privately held blockmaking, printing and publishing firm in Calcutta, India founded by Upendrakishore Ray in 1895. At its inception the firm was named U. Ray after its owner; and Sons was added in 1900 when his son Sukumar Ray joined the firm. It was notable for internationally pioneering work in halftone process work. The firm became bankrupt in 1926, but the business was revived under a new owner in 1929. The Successor of this printing press is Ayan Banerjee.
Goopy–Bagha is a series of Indian Bengali fantasy adventure comedy films. The series is based on a story by Satyajit Ray's grandfather Upendrakishore Ray Chowdhury. The first two films Goopy Gyne Bagha Byne (1969) and its sequel Hirak Rajar Deshe (1980) were directed by Satyajit Ray, and the third, Gupi Bagha Phire Elo (1992), was directed by his son Sandip Ray. The trilogy starred Tapen Chatterjee and Rabi Ghosh as Goopy and Bagha, respectively. The 2013 Hindi-language animated film Goopi Gawaiya Bagha Bajaiya was based on the story Goopy Gyne Bagha Byne. The film is directed by Shilpa Ranade.