Bharatanatyam is an Indian classical dance form that originated in Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.
Kalakshetra Foundation, formerly simply Kalakshetra, is an arts and cultural academy dedicated to the preservation of traditional values in Indian art and crafts, especially in the field of Bharatanatyam dance and Gandharvaveda music. Based in Chennai, India, the academy was founded in January 1936 by Rukmini Devi Arundale and her husband George Arundale. Under Arundale's guidance, the institution achieved national and international recognition for its unique style and perfectionism. In 1962, Kalakshetra moved to a new 40-hectre campus in Besant Nagar, Chennai.
In India, a devadasi is a female artist who is dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication takes place in a ceremony that is somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learn and practice classical Indian dances such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their status as dancers, musicians, and consorts was an essential part of temple worship.
Rukmini Devi Arundale was an Indian theosophist, dancer and choreographer of the Indian classical dance form of Bharatanatyam, and an activist for animal welfare.
Veenai Dhanammal (1867–1938) was a highly accomplished Carnatic musician, and the torchbearer of the school of Carnatic music that goes by her name. She was both a vocalist and a performer on the Saraswati veena. The prefix "Veenai" in her name is an indicator of her exceptional mastery of that instrument.
Tanjore Balasaraswati, also known as Balasaraswati, was an Indian dancer, and her rendering of Bharatanatyam, a classical dance style originated in the South Indian state of Tamil Nadu, made this style of dancing well known in different parts of India and many parts of the world.
Satyajit Ray was an Indian filmmaker who worked prominently in Bengali cinema and who has often been regarded as one of the greatest and most influential directors in the History of cinema. Ray was born in Calcutta to a Bengali family and started his career as a junior visualiser. His meeting with French film director Jean Renoir, who had come to Calcutta in 1949 to shoot his film The River (1951), and his 1950 visit to London, where he saw Vittorio De Sica's Ladri di biciclette (1948), inspired Ray to become a film-maker. Ray made his directorial debut in 1955 with Pather Panchali and directed 36 films, comprising 29 feature films, five documentaries, and two short films.
Rabindranath Tagore is a 1961 Indian documentary film written and directed by Satyajit Ray about the life and works of noted Bengali author Rabindranath Tagore. Ray started working on the documentary in early 1958. Shot in black-and-white, the finished film was released during the birth centenary year of Rabindranath Tagore, who was born on 7 May 1861. Ray avoided the controversial aspects of Tagore's life in order to make it as an official portrait of the poet. Though Tagore was known as a poet, Ray did not use any of Tagore's poetry as he was not happy with the English translation and believed that "it would not make the right impression if recited" and people would not consider Tagore "a very great poet," based on those translations. Satyajit Ray has been reported to have said about the documentary Rabindranath Tagore in his biography Satyajit Ray: The Inner Eye by W. Andrew Robinson that, "Ten or twelve minutes of it are among the most moving and powerful things that I have produced."
The Inner Eye is a 1972 short documentary film made by Satyajit Ray on Benode Behari Mukherjee, a blind artist and a teacher from Visva-Bharati University, a university founded by Rabindranath Tagore at Santiniketan. The twenty minutes documentary features the life and works of Mukherjee in the form of paintings and photographs, starring himself. The documentary covers his journey from childhood till his blindness along with much of his works and features his words, "Blindness is a new feeling, a new experience, a new state of being". The documentary was awarded as Best Information Film (Documentary) at 20th National Film Awards in 1972.
Tanjore Viswanathan was a Carnatic musician specializing in the Carnatic flute and voice.
Tanjore Ranganathan was an Indian American Carnatic musician specializing in percussion instruments, particularly the mridangam, having studied under Palani Subramaniam Pillai.
The Kalaimamani is the highest civilian award in the state of Tamil Nadu, India. These awards are given by the Tamil Nadu Iyal Isai Nataka Mandram, a unit of the Directorate of Art and Culture, Government of Tamil Nadu, to recognise artists in the state for their achievements.
Adyar K. Lakshman was a noted Indian Bharatnatyam dancer, choreographer and guru.
Vannadil Pudiyaveettil Dhananjayan and Shanta Dhananjayan, together known as the Dhananjayans, are an Indian dancing couple who were awarded the Padma Bhushan in 2009.
Chandralekha Prabhudas Patel, commonly known as Chandralekha, was a dancer and choreographer from India. The niece of Vallabhbhai Patel, India's first deputy Prime Minister, she was an exponent of performances fusing Bharatanatyam with Yoga and martial arts like Kalarippayattu.
Kalanidhi Narayanan was an Indian dancer and teacher of Indian classical dance form of Bharatnatyam, who was the early non-devadasi girl to learn the dance form and perform it on stage in the 1930s and 1940s. After a brief career in the 1940s, she returned to dance in 1973 and became a notable teacher of abhinaya.
Aniruddha Knight is an artist of the Indian classical dance and music known as Bharatanatyam. He is a 9th-generation descendant of a 200-year-old family of dancers and musicians from southern India. The dances are traditionally performed by women - Knight is unusually the first male of his family to take up this style of dance. His grandmother Balasaraswati was a celebrated and prolific dancer, Newsweek said she has been "recognized as the greatest Indian dancer of all time".
Meenakshi Chitharanjan, an Indian classical dancer, teacher and choreographer, is known as an exponent of the Pandanallur style of the classical dance form of Bharatanatyam. She is the founder of Kaladiksha, an institution promoting Bharatanatyam and striving to preserve the Pandanallur tradition. A disciple of the father-son duo of Chokkalingam Pillai and Subbaraya Pillai, she is a recipient of several honours including Kalaimamani Award of the Government of Tamil Nadu and the Natya Kala Sarathi of Sri Parthasarathy Swami Sabha. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2008, for her contributions to classical dance.
Ananda Shankar Jayant is an Indian classical dancer, choreographer, scholar and bureaucrat, known for her proficiency in the classical dance forms of Bharatanatyam and Kuchipudi. She is the first woman officer in the Indian Railway Traffic Service on South Central Railway and her 2009 TED talk is ranked among the top twelve Incredible TED talks on cancer. She is a recipient of Sangeet Natak Akademi Award, Kalaimamani Award of the Government of Tamil Nadu and Kala Ratna Award of the Government of Andhra Pradesh. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2007, for her contributions to arts.
Jalaja or Natya Mahimai is a 1938 Indian Tamil-language dance film written by Manjeri S. Isvaran, Dr. V. Raghavan and G. K. Seshagiri. The film was directed by R. R. Gautam and G. K. Seshagiri and produced by the Sagar Renaissance Theatre, a joint production by G. K. Seshagiri’s Renaissance Theatre and Sagar Movietone. It stars Bhanumathi, Lakshmi, G. K. Seshagiri and K. S. Gopalakrishan in lead roles. The film is marked as India's first dance film. It is also dedicated to Bhanumathi’s cousin, Bharatanatya Art Expert Srimathi Varalakshmi, who died early on in the film’s production. No print of the film is known to survive, making it a lost film.
