The Alien | |
---|---|
Directed by | Satyajit Ray |
Written by | Satyajit Ray |
Based on | Bankubabur Bandhu by Satyajit Ray |
Starring | |
Music by | Satyajit Ray |
Production company | |
Distributed by | Columbia Pictures |
Countries | India United States |
Language | English |
The Alien was an unproduced Indian-American science fiction film in development in the late 1960s which was eventually cancelled. It was to be directed by Indian filmmaker Satyajit Ray and co-produced by Columbia Pictures. The script was written by Ray in 1967, loosely based on Bankubabur Bandhu (Banku Babu's Friend or Mr. Banku's Friend), a Bengali science fiction story he had written in 1962 for Sandesh , the Ray family magazine, which gained popularity among Bengalis in the early 1960s. Bankubabur Bandhu was eventually adapted into a television film by Satyajit Ray's son Sandip Ray, and a play by the theatre group Swapnasandhani Kaushik Sen, in 2006. [1]
The plot revolves around a spaceship that lands in a pond in rural Bengal. The villagers begin worshiping it as a temple risen from the depths of the earth. The alien, known as "Mr Ang", establishes contact with a young village boy named Haba (meaning "Dumb" in Bengali) through dreams and also plays a number of pranks on the village community in the course of its short stay on planet Earth. The plot contains the ebullient presence of an Indian businessman, a journalist from Calcutta and an American engineer.
Ray's biographer W. Andrew Robinson describes one particular scene from the screenplay as follows: "In a series of fantastically quick, short steps over the lotus leaves, the Alien reaches the shore of the pond. He looks down at the grass, examines the blade and is off hopping into the bamboo grove. There the Alien sees a small plant. His eyes light up with a yellow light. He passes his hand over the plant, and flowers come out. A thin, soft high-pitched laugh shows the Alien is pleased." [2]
The Alien had Columbia Pictures as producer for this planned US–India co-production, and Peter Sellers and Marlon Brando acting in lead roles. However, Ray was surprised to find that the script he had written had already been copyrighted and the fee appropriated by Michael Wilson, a Colombo-based producer who acted as Ray's representative in Hollywood. [3] Wilson had copyrighted the script as co-writer, despite not being involved in any way in its creation. Marlon Brando later dropped out of the project and though an attempt was made to bring James Coburn in his place, Ray became disillusioned and returned to Calcutta. Columbia expressed interest in reviving the project several times in the 1970s and 1980s but nothing came of it.
When the film E.T. the Extra-Terrestrial was produced in 1982, Ray noted similarities in the movie to his own earlier script. Ray discussed the collapse of the project in a 1980 Sight & Sound feature, with further details revealed by his biographer Andrew Robinson (in The Inner Eye, 1989). Ray claimed that Steven Spielberg's film "would not have been possible without my script of The Alien being available throughout America in mimeographed copies." When the issue was raised by the press, Spielberg denied this claim and said "I was a kid in high school when his script was circulating in Hollywood." [4] Star Weekend Magazine disputes Spielberg's claim, pointing out that he had graduated from high school in 1965 and began his career as a director in Hollywood in 1969. [5] The Times of India noted that E.T. and Close Encounters of the Third Kind (1977) had "remarkable parallels" with The Alien. [4] [6] These parallels include the physical nature of the alien. In his screenplay, which Ray wrote entirely in English, he described the alien as "a cross between a gnome and a famished refugee child: large head, spindly limbs, a lean torso. Is it male or female or neuter? We don't know. What its form basically conveys is a kind of ethereal innocence, and it is difficult to associate either great evil or great power with it; yet a feeling of eeriness is there because of the resemblance to a sickly human child." [7]
The 2003 Hindi film Koi... Mil Gaya , directed by Rakesh Roshan, appears to be based on Satyajit Ray's The Alien. In particular, the film appears to parallel The Alien more closely than E.T. in that it revolves around an intellectually disabled person coming in contact with a friendly alien. [8]
In 2003, Satyajit Ray's son Sandip Ray began working on adapting Ray's original 1962 story Bankubabur Bandhu into a Bengali television movie of the same name. [4] The adapted film, directed by Kaushik Sen, was eventually shown on television in India in 2006. This version is based on Ray's original story Bankubabur Bandhu where the protagonist was a school teacher named Banku Babu, in contrast to his script for The Alien where the protagonist was a boy named Haba. [1]
Koi... Mil Gaya is a 2003 Indian science fiction-drama film directed and produced by Rakesh Roshan. It stars Hrithik Roshan, Preity Zinta and Rekha. In addition to writing the story, Rakesh Roshan also wrote the screenplay with Sachin Bhowmick, Honey Irani, and Robin Bhatt. Koi... Mil Gaya focuses on Rohit Mehra, a developmentally disabled man who contacts an extraterrestrial being later named Jadoo with his late father Sanjay's supercomputer. The film follows his relationship with Nisha, Rohit's friend, who falls in love with him.
Ghare Baire is a 1984 Indian Bengali-language romantic drama film directed and written by Satyajit Ray. Based on Rabindranath Tagore's novel of the same name, starring Soumitra Chatterjee, Victor Banerjee, Jennifer Kendal and Swatilekha Chatterjee. The film has a complex portrayal of several themes including nationalism, women emancipation, spiritual and materialistic take on life, tradition versus modernism, and others.
Goopy Gyne Bagha Byne is a 1969 Indian fantasy adventure comedy film written and directed by Satyajit Ray and based on a story by his grandfather Upendrakishore Ray Chowdhury. It is a fantasy musical, with music and lyrics composed and written by Ray himself. This is the first film of the Goopy–Bagha series, and there are two sequels – Hirak Rajar Deshe, which was released in 1980, and Goopy Bagha Phire Elo, written by Satyajit Ray but directed by his son Sandip Ray, which was released in 1992.
Satyajit Ray was an Indian filmmaker who worked prominently in Bengali cinema and who has often been regarded as one of the greatest and most influential directors in the History of cinema. Ray was born in Calcutta to a Bengali family and started his career as a junior visualiser. His meeting with French film director Jean Renoir, who had come to Calcutta in 1949 to shoot his film The River (1951), and his 1950 visit to London, where he saw Vittorio De Sica's Ladri di biciclette (1948), inspired Ray to become a film-maker. Ray made his directorial debut in 1955 with Pather Panchali and directed 36 films, comprising 29 feature films, five documentaries, and two short films.
Satyajit Ray (1921–1992), a Bengali film director from India, is well known for his contributions to Bengali literature. He created two of the most famous characters in Feluda the sleuth and Professor Shanku the scientist. He wrote several short novels and stories in addition to those based on these two characters. His fiction was targeted mainly at younger readers, though it became popular among children and adults alike.
Rabindranath Tagore is a 1961 Indian documentary film written and directed by Satyajit Ray about the life and works of noted Bengali author Rabindranath Tagore. Ray started working on the documentary in early 1958. Shot in black-and-white, the finished film was released during the birth centenary year of Rabindranath Tagore, who was born on 7 May 1861. Ray avoided the controversial aspects of Tagore's life in order to make it as an official portrait of the poet. Though Tagore was known as a poet, Ray did not use any of Tagore's poetry as he was not happy with the English translation and believed that "it would not make the right impression if recited" and people would not consider Tagore "a very great poet," based on those translations. Satyajit Ray has been reported to have said about the documentary Rabindranath Tagore in his biography Satyajit Ray: The Inner Eye by W. Andrew Robinson that, "Ten or twelve minutes of it are among the most moving and powerful things that I have produced."
Sandip Ray is an Indian film director and music director who mainly works in Bengali cinema. He is the only child of the famous Indian director Satyajit Ray and Bijoya Ray.
Parallel cinema or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema.
Two: A Film Fable is a 1964 Indian black-and-white short film directed by Satyajit Ray. The film was made under the banner of Esso World Theater at the request of a non-profit American public broadcasting television, PBS. It was made as part of a trilogy of short films from India. The other two films in the trilogy featured Indian Sitar player, Pandit Ravi Shankar and a Ballet troupe from Mumbai, then known as "Bombay". Ray, who worked prominently for Bengali cinema, was requested to make a film in English language with a Bengali setting, however Ray being an admirer of silent film decided to make a film without any dialogue as a tribute to the genre.
Sandesh is a Bengali children's magazine. It was first published by Upendrakishore Ray in 1913 through his publishing company, M/s U. Ray and Sons. The original partners of the venture were Upendrakishore and his sons Sukumar and Subinoy. Its publication had to be stopped twice. The current phase is the third and longest running one, spanning more than 59 years.
Indraneil Sengupta is an Indian film and television actor, and a model living in Kolkata since 2004.
The genre of science fiction has been prevalent in the Indian film industry since the second half of the 20th century. Beginning in 1952, the English-Tamil film Kaadu was made, which was an Indian-American co-production. The 1963 Tamil film Kalai Arasi, 1965 Telugu film Dorikithe Dongalu, and 1967 Hindi film Chand Par Chadayee also have science fiction in their storyline. The Alien was a science fiction film under production in the late 1960s which was eventually cancelled. The film was being directed by Bengali Indian director Satyajit Ray and produced by Hollywood studio Columbia Pictures. The script was written by Ray in 1967, based on "Bankubabur Bandhu", a Bengali story he had written in 1962 for Sandesh, the Ray family magazine.
Satyajit Ray was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and composer. Ray is widely considered one of the greatest and most influential film directors in the history of cinema. He is celebrated for works including The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963), Charulata (1964), and the Goopy–Bagha trilogy (1969–1992).[a]
Sabyasachi Chakrabarty is an Indian actor of theatre, films and television. He is best known for portraying iconic Bengali detective characters, Feluda, and Kakababu.
Cinema of West Bengal, also known as Tollywood or Bengali cinema, is an Indian film industry of Bengali-language motion pictures. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the Indian National Film Awards as well as international acclaim.
Swapnasandhani is a Bengali theater group from Kolkata. The group was founded on 29 May 1992. Swapnasandhani has been marked by the acting and direction of Kaushik Sen.
Paran Bandopadhyay is an Indian Bengali film, television and stage actor based in Kolkata. He has worked with Bengali film director Sandip Ray, the son of filmmaker and author Satyajit Ray.
Feluda is an Indian-Bengali detective media franchise created by Indian-Bengali film director and writer Satyajit Ray, featuring the character, Feluda. The titular character is a private investigator starring in a series of Bengali novels and short stories. The detective resides at 21 Rajani Sen Road, Ballygunge, Kolkata, West Bengal, India. Feluda first made his appearance in a Bengali children's magazine called Sandesh (সন্দেশ) in 1965, under the editorialship of Satyajit and Subhas Mukhopadhyay. His first adventure was Feludar Goendagiri.
Phatik Chand is a Bengali children's film directed by Sandip Ray based on the novel of Satyajit Ray in the same name. This was the directorial debut of Sandip Ray, and was released in 1983. This film received Best feature film award at the International Children's Film Festival in Vancouver in 1984.
Professor Shonku O El Dorado is a Bengali science fiction adventure drama film directed by Sandip Ray based on Nakur Babu O El Dorado, a story of Satyajit Ray. Dhritiman Chatterjee portrayed the protagonist character of Professor Shonku. The film released theatrically on 20 December 2019.