| "Pillow Talk" | ||||
|---|---|---|---|---|
 Side-A label of the 7-inch single | ||||
| Single by Sylvia | ||||
| from the album Pillow Talk | ||||
| B-side | "My Thing" | |||
| Released | March 1973 | |||
| Genre | ||||
| Length | 4:20 | |||
| Label | Vibration | |||
| Songwriter(s) |
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| Producer(s) |
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| Sylvia singles chronology | ||||
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"Pillow Talk" is a 1973 song by American singer and songwriter Sylvia, written by Sylvia along with Michael Burton. [2]
According to Billboard , the song is about sex. [3] Sylvia had originally hoped the song would be recorded by Al Green, who turned it down as he thought it was too risqué and against his religious beliefs. Thereafter, Sylvia decided to return as a musical artist and record "Pillow Talk" herself, finally releasing the song in 1973. "Pillow Talk" is an early example of prototypical disco music. The vocals are replete with moaning and heavy breathing, predating Donna Summer's orgasmic moans on 1975's "Love to Love You Baby". At the coda section, Sylvia growls out the phrase: "Aw, Would Ya". Several AM radio stations shortened the song, due to its sexual content, omitting the coda portions where Sylvia intones in a whisper" "Oh, My God", and repeatedly, "Nice steady!".
"Pillow Talk" spent two weeks at number one on the Best Selling Soul Singles chart and peaked at number three on the Billboard Hot 100. [4]
The song was nominated for Best Female R&B Vocal Performance at the 1974 Grammy Awards, losing to "Master of Your Eyes (The Deepness of Your Eyes)" by Aretha Franklin.
Weekly charts
| Year-end charts
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"Let the Music Play" is a song recorded by American singer Shannon and released on September 19, 1983, as both her debut single and the lead single from her 1984 debut studio album of the same name. Written by Chris Barbosa and Ed Chisolm, and produced by Barbosa and Mark Liggett, "Let the Music Play" was the first of Shannon's four number ones on the US Dance Club Songs chart, reaching the top spot in October 1983. It also became a huge crossover hit in the US, peaking at number two on the Hot R&B/Hip-Hop Songs chart and number eight on the Billboard Hot 100 in February 1984. It was Shannon's only Top 40 hit in the US. Some mark "Let the Music Play" as the beginning of the "dance-pop" era. "Let the Music Play" was ranked 43rd on the 2009 VH1 Special 100 Greatest One-Hit Wonders of the 1980s, while Rolling Stone and Billboard featured it in their lists of "200 Greatest Dance Songs of All Time" and "500 Best Pop Songs of All Time" in 2022 and 2023. The song also appears in the video games Dance Central 3 and Scarface: The World Is Yours.
All Platinum Records was a record company started in 1967 by singer/writer/producer Sylvia Robinson and her husband, businessman Joe Robinson, who had previously worked in the recording industry.
"I'm Every Woman" is a song by American singer Chaka Khan, released in September 1978 by Warner Bros. as her debut solo single from her first album, Chaka (1978). It was Khan's first hit outside her recordings with the funk band Rufus. "I'm Every Woman" was produced by Arif Mardin and written by the successful songwriting team Nickolas Ashford and Valerie Simpson. The single established Chaka's career outside the group Rufus, whom she would leave after their eighth studio album, Masterjam, was released in late 1979.
"Handy Man" is a song written by singer Jimmy Jones and songwriter Otis Blackwell. Recordings by Del Shannon and also The Sparks Of Rhythm list Charles Merenstein as a co-writer, as does BMI. The Sparks Of Rhythm version on the Apollo 541 single version released in 1959 credits Andrew Barksdale and Merenstein as writers omitting Jimmy Jones. The song is noted for Jones singing "Come-a, come-a come-a come-a, come come-a, yeah" lyrics, which are heard at the beginning as well as in the coda of the song, before the song's fade.
"Sunshine on My Shoulders" is a song recorded and co-written by American singer-songwriter John Denver. It was originally released as an album track on 1971's Poems, Prayers & Promises and later, as a single in 1973. It went to No.1 on the Billboard Hot 100 chart in the U.S. in early 1974.
"Play That Funky Music" is a song written by Rob Parissi and recorded by the band Wild Cherry. The single was the first released by the Cleveland-based Sweet City record label in April 1976 and distributed by Epic Records. The performers on the recording included lead singer Parissi, electric guitarist Bryan Bassett, bassist Allen Wentz, and drummer Ron Beitle, with session players Chuck Berginc, Jack Brndiar (trumpets), and Joe Eckert and Rick Singer (saxes) on the horn riff that runs throughout the song's verses. The single hit No. 1 on the Billboard Hot 100 on September 18, 1976; it was also No. 1 on the Billboard Hot Soul Singles chart. The single was certified platinum by the Recording Industry Association of America for shipments of over 2 million records and eventually sold 2.5 million in the United States alone.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose. The song was released as a single from both the soundtrack and her album of the song's same name on February 14, 1984, by Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984, also topping the dance and R&B charts, and peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.
"Yes, I'm Ready" is a song by Barbara Mason from her album Yes, I'm Ready (1965). It has been covered by numerous artists, and was a hit single for Teri DeSario and K.C. when they recorded a duet version in 1980.
"Working My Way Back to You" is a song made popular by the Four Seasons in 1966 and the Spinners in 1980.
"Love's Theme" is an instrumental piece written by Barry White around 1965. Recorded and released as a single by White's Love Unlimited Orchestra in 1973, it was one of the few instrumental and purely orchestral singles to reach #1 on the Billboard Hot 100 chart in the United States, which it did in early 1974. Billboard ranked it as #3 on the Year-End Hot 100 singles of 1974.
"He's the Greatest Dancer" is a 1979 song by the American vocal group Sister Sledge. Released on February 3, 1979, the song was written and composed by Bernard Edwards and Nile Rodgers, and recorded for the group's successful 1979 album We Are Family. Billboard named the song No. 66 on its list of "100 Greatest Girl Group Songs of All Time."
"Shame" is a 1977 single recorded by American singer Evelyn "Champagne" King, written by John H. Fitch Jr. and Reuben Cross, and released by RCA Records. It was released by RCA Records as part of King's debut album, Smooth Talk. The extended remix was produced for the twelve-inch vinyl single and would later replace the album version of the song in late-1970s reprints of the album. "Shame" was successful on Billboard music charts and would become one of King's signature songs, though it varied on international music charts. The song was covered by Zhané for the 1994 film A Low Down Dirty Shame and Kim Wilde in 1996.
"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Do It ('Til You're Satisfied)" is a popular song by funk group B. T. Express, written by songwriter Billy Nichols.
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"Always and Forever" is an R&B song written by Rod Temperton and produced by Barry Blue. It was first recorded by the British-based multinational funk-disco band Heatwave in 1976. Released as a single on December 3, 1977, the song is included on Heatwave's debut album Too Hot to Handle (1976) and has been covered by numerous artists, becoming something of a standard.
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