Play It Again, Charlie Brown | |
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![]() Title card | |
Genre | Animated television special |
Written by | Charles M. Schulz |
Directed by | Bill Melendez |
Voices of | Danny Hjelm Pamelyn Ferdin Stephen Shea Lynda Mendelson Hilary Momberger Christopher DeFaria Chris Inglis |
Theme music composer | Vince Guaraldi Ludwig van Beethoven |
Opening theme | "Piano Sonata No. 3 in C Major, Opus 2, No. 3; I: Allegro Con Brio" |
Ending theme | "Play It Again, Charlie Brown" (aka "Charlie's Blues"/"Charlie Brown Blues") |
Composers | Vince Guaraldi Ludwig van Beethoven John Scott Trotter Harry Bluestone |
Country of origin | United States |
Original language | English |
Production | |
Producers | Lee Mendelson Bill Melendez |
Editors | Bob Gillis Chuck McCann Rudy Zamora, Jr. |
Running time | 25 minutes |
Production companies | Lee Mendelson Film Productions Bill Melendez Productions |
Original release | |
Network | CBS |
Release | March 28, 1971 |
Related | |
Play It Again, Charlie Brown is the seventh prime-time animated TV special based upon the comic strip Peanuts, by Charles M. Schulz. It originally aired on CBS on March 28, 1971. [1]
This was the first Peanuts TV special of the 1970s, airing nearly a year and a half after It Was a Short Summer, Charlie Brown . (The feature film A Boy Named Charlie Brown had been released in between the two specials.) It was also the first special to focus on a character other than Charlie Brown or Snoopy.
It also marked the first time someone other than Peter Robbins voiced Charlie Brown, which in this case was Chris Inglis as the character, since Robbins' voice deepened after the previous special. Also, all the other remaining original actors from the first special, except for Bill Melendez, were replaced by someone else. This left Bill Melendez as the only original actor remaining, until his death on September 2, 2008. However, recordings of his voice were used in later Peanuts animated media.
Lucy repeatedly attempts to capture Schroeder's attention as he practices diligently on his toy piano. True to character, Schroeder remains entirely focused on his music, particularly the works of Ludwig van Beethoven, and shows no interest in Lucy's persistent romantic overtures. Frustrated by his indifference, Lucy devises a plan that she believes will both elevate Schroeder's musical talents and bring him closer to her.
She arranges for Schroeder to perform at the school's upcoming PTA meeting, hoping that a public performance will garner admiration for him and, by extension, for her efforts. Upon learning of the invitation, Schroeder is initially apprehensive but ultimately agrees, under the impression that he will be allowed to present selections from the classical repertoire he so reveres.
However, on the day of the performance, Schroeder is taken aback to discover that the PTA organizers expect him to play popular or contemporary music instead of classical pieces. They regard Beethoven and other classical composers as outdated and unsuitable for the event's tone. Schroeder, deeply offended and unwilling to compromise his artistic principles, refuses to alter his program. Lucy attempts to persuade him to conform to the PTA's expectations, but Schroeder remains resolute in his decision. The disagreement culminates in the cancellation of the recital. Lucy is left disappointed, her well-intentioned plan having failed to achieve either artistic success or emotional connection.
Lucy makes one last appeal to Schroeder, who, undeterred by the day's events, resumes playing his piano in solitude.
The majority of music cues for Play It Again, Charlie Brown consist of works composed by Ludwig van Beethoven. Eight different piano sonatas and one symphony appear in the television special. Remaining cues were divided between Vince Guaraldi, John Scott Trotter and Harry Bluestone and are noted as such. [2] Trotter also conducted and arranged the score, and received an Emmy nomination for his work on the special. [3]
No official soundtrack for Play It Again, Charlie Brown has been released. However, recording session master tapes for seven 1970s-era Peanuts television specials scored by Vince Guaraldi were discovered by his son, David Guaraldi, in the mid-2000s. A version of the program's eponymous song featured in There's No Time for Love, Charlie Brown (1973) was released in 2007 on the compilation album, Vince Guaraldi and the Lost Cues from the Charlie Brown Television Specials . [4] [5]
Harpsichordist Lillian Steuber performed all Beethoven piano sonatas. [6]