The Eclectic Vince Guaraldi | ||||
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Studio album by | ||||
Released | March 1969 [1] | |||
Recorded | Late 1968-Early 1969 | |||
Studio | Golden State Studios, San Francisco, California [2] | |||
Genre | ||||
Length | 45:28 | |||
Label | Warner Bros.-Seven Arts | |||
Producer | Vince Guaraldi | |||
Vince Guaraldi chronology | ||||
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The Eclectic Vince Guaraldi is the 11th and penultimate studio album by American jazz pianist Vince Guaraldi, released in the U.S. by Warner Bros.-Seven Arts in March 1969. [1] In a departure from his standard jazz output, Guaraldi experimented with electric keyboard and electric harpsichord in preparation of the release of the album, which he also produced and arranged. [1]
Vince Guaraldi's final three albums released during his lifetime were recorded for Warner Bros.-Seven Arts after spending considerable time struggling to extricate himself from Fantasy Records. [2] Warner signed Guaraldi to a three-record deal, and insisted that his inaugural release consist of his Peanuts songs. Guaraldi responded with new renditions of eight of his most popular scores from those programs on his first release, Oh Good Grief! in 1968. [3]
Guaraldi was then given complete artistic control over his sophomore, self-produced Warner effort, The Eclectic Vince Guaraldi, resulting in an unfocused and overindulgent album that was not well received by both critics and consumers. [1] Only one track, "Lucifer's Lady", would eventually be featured in the film A Boy Named Charlie Brown (1969) and the television special, Play It Again, Charlie Brown (1971). [2]
A remastered edition of The Eclectic Vince Guaraldi was released in July 6, 2018, by Omnivore Recordings as part of the 2-CD set The Complete Warner Bros.–Seven Arts Recordings . [3]
The recording process for The Eclectic Vince Guaraldi marked a departure from his earlier work. Previously limited by the tight production schedules at Fantasy Records, Guaraldi gained more creative control after signing with Warner Bros.-Seven Arts. This allowed him to experiment with different styles, instruments, and recording techniques. Unlike his earlier albums, which were typically completed in a few sessions, The Eclectic Vince Guaraldi was recorded over several months. Guaraldi took advantage of this extended timeline to collaborate with various musicians and explore new approaches to jazz. [4]
The album’s title reflects its diverse range of genres, including traditional jazz, rock, folk, and string arrangements. Guaraldi played piano, electric harpsichord, and guitar on the album, supported by musicians such as Eddie Duran, Peter Marshall, Bob Maize, and Jerry Granelli. A string section was also added to several tracks. This experimental approach was a significant shift from his earlier, more straightforward jazz recordings. The album also marked Guaraldi’s vocal debut on two tracks: "Black Sheep Boy" and "Reason to Believe," both covers of Tim Hardin songs. It featured a mix of original compositions and covers, including Ervin Drake's "It Was a Very Good Year and The Beatles’ "Yesterday". [4]
The album exhibits a wide variety of styles, with certain tracks emphasizing jazz, while others incorporate rock or orchestral elements. Tracks such as "Lucifer's Lady" and "Coffee and Doe-Nuts" highlight Guaraldi's experimental tendencies, combining extended keyboard melodies with intense guitar solos. In contrast, the string arrangements on covers of "Yesterday" and "Nobody Else" are seen as conflicting with the jazz components, leading to a sense of stylistic inconsistency. The use of the electric harpsichord on "The Beat Goes On" was noted for its tonal limitations, as critics pointed out that the notes either abruptly stopped or sustained at a constant volume, which detracted from the overall sound. [4]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Five Cents Please | [1] |
The Eclectic Vince Guaraldi received mixed reviews from critics. While Guaraldi's innovative efforts were acknowledged, critics felt the album lacked cohesion and focus, with its mix of jazz, rock, and string arrangements creating a disjointed effect. Even Ralph Gleason, a longtime supporter of Guaraldi, offered only mild praise. Warner Bros.-Seven Arts, dissatisfied with the album’s commercial performance, did little to promote it, contributing to its lack of success. After the success of Oh, Good Grief!, this second Warner Bros.-Seven Arts album failed to capture the same level of attention and admiration. [4]
In a retrospective review by Richard S. Ginell on AllMusic, he commented that Guaraldi "roams farther afield than ever — playing piano and electric harpsichord, experimenting with sleek string backdrops, dabbling with the guitar." Ginell also called Guaraldi's "amateur Bohemian vocal" attempts at singing Tim Hardin's "Black Sheep Boy" and "Reason to Believe" "rather endearing." Ginell concluded by saying Guaraldi "generally keeps things at a low-key level, which gives this scattershot album at least a veneer of unity." [2]
Guaraldi historian Derrick Bang offered a mediocre review, saying "everybody's allowed to be grotesquely self-indulgent once, but this overproduced album...is well-named even by the most magnanimous standards," and adding that Guaraldi's vocals are "untrained at best, off-key at worst, and ill-advised in both cases." Bang points out that Guaraldi's "traditional acoustic jazz persona" is only represented by "Once I Loved" and "It Was a Very Good Year". [1]
All tracks are written by Vince Guaraldi, except where noted
No. | Title | Writer(s) | Length |
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1. | "Nobody Else" | 3:15 | |
2. | "Lucifer's Lady" | 6:56 | |
3. | "Black Sheep Boy" | Tim Hardin | 2:42 |
4. | "Once I Loved" | 8:30 |
No. | Title | Writer(s) | Length |
---|---|---|---|
5. | "The Beat Goes On" | Sonny Bono | 3:54 |
6. | "Yesterday" | 3:36 | |
7. | "Coffee and Doe-Nuts" | 7:03 | |
8. | "Reason to Believe" | Hardin | 2:57 |
9. | "It Was a Very Good Year" | Ervin Drake | 6:35 |
Total length: | 45:28 |
Vincent Anthony Guaraldi was an American jazz pianist best known for composing music for animated television adaptations of the Peanuts comic strip. His compositions for this series included their signature melody "Linus and Lucy" and the holiday standard "Christmas Time Is Here". Guaraldi is also known for his performances on piano as a member of Cal Tjader's 1950s ensembles and for his own solo career. Guaraldi's 1962 composition "Cast Your Fate to the Wind" became a radio hit and won a Grammy Award in 1963 for Best Original Jazz Composition. He died of a heart attack on February 6, 1976, at age 47, moments after concluding a nightclub performance in Menlo Park, California.
A Charlie Brown Christmas is the eighth studio album by the American jazz pianist Vince Guaraldi. It was released in December 1965 by Fantasy Records to coincide with the television debut of the television special A Charlie Brown Christmas featuring the Peanuts comic characters.
Oh Good Grief! is the 10th studio album by Vince Guaraldi, released in the U.S. in May 1968. The album was the artist's first release with Warner Bros.-Seven Arts after leaving Fantasy Records in 1966.
Vince Guaraldi, Bola Sete and Friends is a collaboration between pianist Vince Guaraldi and guitarist Bola Sete released in January 1964 by Fantasy Records. It was Guaraldi's fourth studio album and the first of three studio collaborations with Sete.
From All Sides is a collaboration between pianist Vince Guaraldi and guitarist Bola Sete released in February 1965 by Fantasy Records. It was Guaraldi's seventh studio album and the second of three collaborations with Sete.
Edward Lozano Duran was an American jazz guitarist from San Francisco. He recorded often with Vince Guaraldi and was a member of the Benny Goodman orchestra during the 1970s.
Jazz Impressions of A Boy Named Charlie Brown is the sixth studio album by American jazz pianist Vince Guaraldi, released in the U.S. by Fantasy Records in December 1964. It is the soundtrack to the unreleased television documentary film entitled A Boy Named Charlie Brown.
Vince Guaraldi and the Lost Cues from the Charlie Brown Television Specials is a compilation soundtrack album by Vince Guaraldi released by D & D Records in 2007. The album consists of select music cues featured on several Peanuts television specials produced between 1972 and 1975.
Vince Guaraldi and the Lost Cues from the Charlie Brown Television Specials, Volume 2 is a compilation soundtrack album by Vince Guaraldi released by D & D Records in 2008. The album is a follow-up to the 2007 release, Vince Guaraldi and the Lost Cues from the Charlie Brown Television Specials, which consisted of previously unreleased music cues featured on several Peanuts television specials produced in the 1970s.
The Latin Side of Vince Guaraldi is the fifth studio album by Vince Guaraldi released by Fantasy Records in 1964. In a departure from his standard jazz output, Guaraldi combined elements of Brazilian and Caribbean styles of Latin jazz, utilizing a string quartet on five tracks.
The Charlie Brown Suite & Other Favorites is a 2003 compilation album by jazz pianist Vince Guaraldi released by RCA/Bluebird Records. The album is a mix of previously released material, newly discovered studio recordings, plus an archived 1969 live concert recording entitled The Charlie Brown Suite.
Charlie Brown's Holiday Hits is a compilation soundtrack album by jazz pianist Vince Guaraldi released by Fantasy Records in 1998. The album was the first of several posthumous releases containing a mix of previously released material in addition to nine previously unavailable songs featured in prime-time animated television specials based on the Peanuts comic strip by Charles M. Schulz.
Alma-Ville is the 12th and final studio album by American jazz pianist Vince Guaraldi, released in the U.S. by Warner Bros.-Seven Arts in December 1969.
The Definitive Vince Guaraldi is Fantasy/Concord Records compilation album of songs by American jazz pianist/composer Vince Guaraldi released on November 3, 2009. It contains 31 tracks over two CDs, highlighting Guaraldi's Peanuts work as well his collaborations with guitarist Bola Sete.
An Afternoon with the Vince Guaraldi Quartet is a live performance double CD by American jazz pianist Vince Guaraldi, released on November 24, 2011, by V.A.G. Publishing. To date, it is the last album compiled and produced by Guaraldi's son, David.
Greatest Hits is the second compilation album of songs by American jazz pianist/composer Vince Guaraldi released in 1980 in the U.S., Canada and Europe.
Peanuts Greatest Hits is the seventh compilation album by jazz pianist Vince Guaraldi released by Fantasy/Concord Records on July 31, 2015. The album gathers Guaraldi's most iconic compositions featured in the animated television specials based on the Peanuts comic strip by Charles M. Schulz.
The Complete Warner Bros.–Seven Arts Recordings is a double CD compilation of songs by American jazz pianist/composer Vince Guaraldi released by Omnivore Recordings on July 6, 2018. It contains 30 tracks, containing remastered versions of Guaraldi's complete recorded output for Warner Bros.-Seven Arts, plus four bonus tracks.
The 1969 animated film A Boy Named Charlie Brown, based on Charles M. Schulz's comic strip Peanuts, had two different soundtrack albums. These albums were released individually in 1970 and 2017.
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