Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
John Linnell was an English engraver, and portrait and landscape painter. He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer. He also associated with the amateur artist Edward Thomas Daniell, and with William Blake, to whom he introduced the painter and writer Samuel Palmer and others of the Ancients.
The Chandos portrait is an oil painted portrait thought to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio in 1623. It is named after the 3rd Duke of Chandos, who formerly owned the painting. The portrait was given to the National Portrait Gallery, London on its foundation in 1856, and it was the first portrait to be acquired for its collection.
Sir George Hayter was an English painter, specialising in portraits and large works involving sometimes several hundred individual portraits. Queen Victoria appreciated his merits and appointed Hayter her Principal Painter in Ordinary and also awarded him a Knighthood in 1841.
George Richmond was an English painter and portraitist. In his youth he was a member of The Ancients, a group of followers of William Blake. Later in life he established a career as a portrait painter, which included painting the portraits of the British gentry, nobility and royalty.
Lotherton Hall is a country house near Aberford in West Yorkshire, England. It is a short distance from the A1(M) motorway, 200 miles (320 km) equidistant from London and Edinburgh. It is one of nine sites in the Leeds Museums & Galleries group.
Peter Edwards,, is a British painter. He won the 1994 BP Portrait Award.
John Alais was a skilled engraver working in London and Argentina.
The House of Commons, 1833 is a large history painting by the British artist George Hayter. It depicts the first meeting of the House of Commons following the 1832 Great Reform Act and the subsequent general election that produced a landslide majority for the ruling Whig Government. In the Victorian era the painting was often known as The First Reformed Parliament.
The Portrait of Lord Hawkesbury is a work by the English artist Thomas Lawrence depicting the British politician and future Prime Minister Lord Hawkesbury, then in his mid-twenties. It is also known as the Portrait of Lord Liverpool, referring to the title he inherited in 1808 and by which he is better known. It is in the style of Romanticism.
The House of Commons, 1793–94 is a large history painting by the Austrian artist Anton Hickel. It was first exhibited in 1795 in the Haymarket. It depicts the House of Commons of the Parliament of Great Britain around the time of the country's first involvement in the French Revolutionary Wars. It shows the Prime Minister William Pitt the Younger at the despatch box engaged in debate. A large number of other political figures of the era are also depicted including opposition Whig leader Charles James Fox.
Sir Charles Stewart is an 1812 portrait by the English artist Thomas Lawrence of the Irish soldier and diplomat Charles Stewart. Stewart was a career soldier who had served in the Peninsular War as Adjutant General to Allied commander Lord Wellington. Stewart had returned home from Portugal when he posed for the portrait and was subsequently appointed British Ambassador to Prussia, launching a diplomatic career that saw him play a key role in forming the alliance that defeated Napoleon and attending the Congress of Vienna. He is shown in hussar uniform, a branch of light cavalry that became prominent during the Napoleonic Wars. He wears his Peninsular Medal earned for his service over the past four years.
John Philip Kemble as Cato is an 1812 portrait by the English artist Thomas Lawrence of the actor John Philip Kemble. Part of the Kemble dynasty he was, along with his sister Sarah Siddons, one of the most celebrated actors of the period. Lawrence had established himself as the leading portrait painter of the Regency era and had previously painted Kemble as Hamlet in 1801.
The Portrait of Julia, Lady Peel is an 1827 portrait painting by the English artist Sir Thomas Lawrence depicting Julia Peel, the wife of the politician Sir Robert Peel. She married Peel in 1820. When she sat for Lawrence her husband was Home Secretary and he later went on to serve for two spells as Prime Minister.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
The Portrait of Marc Isambard Brunel is a portrait painting by the English artist James Northcote depicting the French-born British engineer Marc Isambard Brunel. Brunel was a pioneering engineer of the Regency era known particularly for his creation of a block-making machine during the Napoleonic Wars and his later construction of the Thames Tunnel, a project which also involved his son Isambard Kingdom Brunel.
Portrait of Sir John Moore is a portrait painting by the British artist Thomas Lawrence of the Scottish army officer Sir John Moore, painted between 1800 and 1804.
Portrait of Sir Edward Pellew is a portrait painting by the English artist Thomas Lawrence of the British naval officer Sir Edward Pellew, produced around 1797.
Portrait of Lord Beresford is an 1815 portrait painting by the English artist William Beechey of the British general William Beresford, 1st Viscount Beresford.
Portrait of Harriet Mellon is a c.1815 portrait painting of the Irish actress Harriet Mellon by the English artist Sir William Beechey. It was exhibited at the Royal Academy's Annual Exhibition at Somerset House in 1818.
