Portrait of the Duke of Argyll | |
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Artist | William Aikman |
Year | c.1720 |
Type | Oil on canvas, portrait painting |
Dimensions | 125.7 cm× 101 cm(49.5 in× 40 in) |
Location | National Portrait Gallery, London |
Portrait of the Duke of Argyll is a c.1720 portrait painting by the Scottish artist William Aikman. [1] It depicts the British general and politician John Campbell, Duke of Argyll, a prominent figure during the reigns of Queen Anne and George I. Argyll was noted for his military service during the War of the Spanish Succession and his command of pro-Hanoverian forces during the Jacobite Rising of 1715. He was also one of the Scottish commissioners for the 1707 Act of Union.
Argyll supported Aikman when he arrived in London, and the artist partly made his name by painting the Duke and other Campbells. [2] Until his early death in 1731 Aikman was one the capital's leading portraitists. [3] The painting remained in the possession of the Dukes of Argyll at Hamilton Palace until 1882. Today it is in the collection of the National Portrait Gallery in London, having been acquired in 1885. [4]
Clan Campbell is a Highland Scottish clan, historically one of the largest and most powerful of the Highland clans. The Clan Campbell lands are in Argyll and within their lands lies Ben Cruachan. The chief of the clan became Earl of Argyll and later Duke of Argyll.
Allan Ramsay was a Scottish portrait painter.
John George Edward Henry Douglas Sutherland Campbell, 9th Duke of Argyll, known by the courtesy title Marquess of Lorne, by which he was known between 1847 and 1900, was a British nobleman who was Governor General of Canada from 1878 to 1883. He was the husband of Princess Louise, fourth daughter of Queen Victoria. He was the first president of Rangers Football Club, thanks to his Argyll ties to the original founders of the football club.
Field Marshal John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich,, styled Lord Lorne from 1680 to 1703, was a Scottish nobleman and senior commander in the British Army. He served on the continent in the Nine Years' War and fought at the Siege of Kaiserswerth during the War of the Spanish Succession. He then went on to serve as a brigade commander during the later battles of the War of the Spanish Succession, and was subsequently given command of all British forces in Spain at the instigation of the Harley Ministry. After conducting a successful evacuation of the troops from Spain, he became Commander-in-Chief, Scotland. During the Jacobite Rebellion, he led the government army against the Jacobite forces led by the Earl of Mar at the Battle of Sheriffmuir. Afterwards he served as Lord Steward and then Master-General of the Ordnance under the Walpole–Townshend Ministry.
Archibald Campbell, 3rd Duke of Argyll, 1st Earl of Ilay, was a Scottish nobleman, politician, lawyer, businessman, and soldier. He was known as Lord Archibald Campbell from 1703 to 1706, and as the Earl of Ilay from 1706 until 1743, when he succeeded to the dukedom. He was the dominant political leader in Scotland in his day, and was involved in many civic projects.
Robert Roy MacGregor was a Jacobite Scottish outlaw, who later became a Scottish and Jacobite folk hero.
National Galleries Scotland: Portrait is an art museum on Queen Street, Edinburgh. Portrait holds the national collections of portraits, all of which are of, but not necessarily by, Scots. It also holds the Scottish National Photography Collection.
John Campbell, 1st Earl of Breadalbane and Holland, known as Sir John Campbell, 5th Baronet from 1670 to 1681, was a member of Scottish nobility during the Glorious Revolution and Jacobite risings and also known as "Slippery John". An astutely political man, Campbell was one of the men implicated in the Massacre of Glencoe.
William Aikman was a Scottish painter.
The Battle of Sheriffmuir was an engagement in 1715 at the height of the Jacobite rising in Scotland. The battlefield has been included in the Inventory of Historic Battlefields in Scotland and protected by Historic Scotland under the Scottish Historical Environment Policy of 2009. Sheriffmuir is a remote elevated plateau of moorland lying between Stirling and Auchterarder on the north fringe of the Ochil Hills.
Archibald Campbell Fraserof Lovat, was British consul at Tripoli and Algiers, and later colonel of the 1st Inverness local militia. Upon the death of his brother, Simon Fraser (1726–1782), Archibald became the 20th MacShimidh (chief) of Clan Fraser of Lovat, and sat in the House of Commons from 1782 to 1784.
William Wentworth, 2nd Earl of Strafford, styled Viscount Wentworth until 1739 was a British peer and member of the House of Lords of Great Britain.
The Jacobite rising of 1715 was the attempt by James Edward Stuart to regain the thrones of England, Ireland and Scotland for the exiled Stuarts.
Cosmo Alexander was a Scottish portrait painter. A supporter of James Edward Stuart's claim to the English and Scottish thrones, Alexander spent much of his life overseas following the defeat of the Jacobite cause in 1745.
Captain Lord George Graham was a Scottish officer of the Royal Navy who saw service during the War of the Austrian Succession. He embarked on a political career, and was a Member of Parliament.
Portrait painting in Scotland includes all forms of painted portraiture in Scotland, from its beginnings in the early sixteenth century until the present day. The origins of the tradition of portrait painting in Scotland are in the Renaissance, particularly through contacts with the Netherlands. The first portrait of a named person that survives is that of Archbishop William Elphinstone, probably painted by a Scottish artist using Flemish techniques around 1505. Around the same period Scottish monarchs turned to the recording of royal likenesses in panel portraits, painted in oils on wood. The tradition of royal portrait painting in Scotland was probably disrupted by the minorities and regencies it underwent for much of the sixteenth century. It began to flourish after the Reformation, with paintings of royal figures and nobles by Netherlands artists Hans Eworth, Arnold Bronckorst and Adrian Vanson. A specific type of Scottish picture from this era was the "vendetta portrait", designed to keep alive the memory of an atrocity. The Union of Crowns in 1603 removed a major source of artistic patronage in Scotland as James VI and his court moved to London. The result has been seen as a shift "from crown to castle", as the nobility and local lairds became the major sources of patronage.
Events from the year 1715 in Scotland.
The Skirmish of Dunfermline was a conflict that took place on 24 October 1715 in Dunfermline, Scotland and was part of the Jacobite rising of 1715. It was fought between the forces of John Campbell, 2nd Duke of Argyll who supported the British-Hanoverian Government against a Jacobite force.
Perseus and Andromeda is a painting by the Italian Renaissance artist Titian, now in the Wallace Collection, in London. It was painted in 1554–1556 as part of a series of mythological paintings called "poesie" ("poetry") intended for King Philip II of Spain. The paintings took subjects from the Roman poet Ovid's Metamorphoses, in this case Book IV, lines 663–752, and all featured female nudes.
An Incident in the Rebellion of 1745 is an oil painting painted by Swiss-born artist David Morier sometime between 1746 and 1765. It is currently part of the art collection of the British royal family. The painting depicts a scene during the 1746 Battle of Culloden, in which a group of Jacobite Army troops charge against a line of British government soldiers.