Posh | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 11, 1980 | |||
Recorded | 1980 | |||
Studio |
| |||
Genre | R&B | |||
Length | 46:42 | |||
Label | Elektra | |||
Producer |
| |||
Patrice Rushen chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
Posh is a 1980 album released by R&B singer Patrice Rushen, her third album for Elektra Records and sixth album overall. The album was recently re-released on Wounded Bird Records, as were several other Rushen albums from the time. Following the Pizzazz album, Posh was the continuation of a string of R&B/pop albums that established Rushen as an R&B singer.
"Look Up!," "I Need Your Love," "The Funk Won't Let You Down," "Time Will Tell" highlighted Patrice's reach into R&B territory. Whereas, songs such as the Stevie Wonder-esque "I Need Your Love" and the rock-leaning "Time Will Tell" were representative of her new progressive sound.
This album was released just before her 1982 breakthrough album, Straight from the Heart .
Handclaps
Horns
Strings
Straight from the Heart is the seventh studio album by American recording artist Patrice Rushen, released on April 14, 1982, by Elektra Records. It features her most recognizable song, "Forget Me Nots", the oft-sampled "Remind Me" and the popular instrumental workout "Number One". Straight from the Heart scored Rushen her first two nominations at the 1983 Grammy Awards for Best Female R&B Vocal Performance for "Forget Me Nots" and Best R&B Instrumental Performance for "Number One".
Lisa Dal Bello is the self-titled debut album by Canadian singer Lisa Dalbello. The album was produced by David Foster and won the Juno Award for Most Promising Female Vocalist.
Before the Dawn is the second album by jazz/R&B musician Patrice Rushen; while 1974's Prelusion was essentially a straight-ahead record with fusion references, 1975's Before the Dawn was essentially a fusion album. With this album, Rushen brings a fusion of R&B, pop, and rock elements to her jazz foundation.
Shout It Out is the third album by singer Patrice Rushen. This album was the last Patrice released with Prestige Records before signing with Elektra Records. With this album, Rushen performs songs ranging from jazz, funk and fusion to R&B.
Patrice is the fourth, self-titled album by R&B singer Patrice Rushen.
Pizzazz is the fifth album by American singer Patrice Rushen, released in 1979.
Now is the eighth studio album by American singer-songwriter and pianist Patrice Rushen issued in May 1984 on Elektra Records. The album rose to No. 7 on the Billboard Traditional Jazz Albums chart, No. 4 on the Billboard Top Soul Albums chart and No. 40 on the Billboard 200 chart.
Watch Out! is a 1987 album released by R&B singer Patrice Rushen. This album was the only album Rushen released with Arista Records after leaving Elektra Records. The album produced several R&B hits for Rushen.
Carasmatic is Irene Cara's third and final studio album released in 1987. It was her only album for Elektra Records. The album was mostly produced by George Duke. Many popular musicians also contributed to this album such as Luther Vandross, Lynn Davis, James Ingram, Patrice Rushen, Bonnie Raitt, Carole King, John Farrar and Michael Bolton. The album, however, sold poorly and failed to make an impression on the charts.
Patti Austin is the fifth studio album by American R&B singer Patti Austin, released on March 5, 1984, by Qwest Records.
All This Love is the second studio album by DeBarge, released by Gordy Records on July 22, 1982.
No Strings is the eleventh studio album by Scottish-born singer Sheena Easton released in 1993 by MCA Records. The album was a departure from the pop and R&B style of her earlier recordings with jazz-tinged production arrangements by Patrice Rushen.
Robbery is the fifth studio album by American singer-songwriter Teena Marie, released in September 18, 1983. It is her first album for Epic Records, following her acrimonious departure from Motown the previous year. The album was written and produced by Marie herself and features contributions from Patrice Rushen, Paulinho da Costa, and Steve Ferrone among others. However, the album did not repeat the success of her last Motown release It Must Be Magic (1981) stalling at number 13 on the Black Albums chart and only reaching number 119 on the Billboard Albums chart.
Brenda Russell is the self-titled debut studio album by American singer-songwriter Brenda Russell, released on 25 July 1979 by A&M Records on the Horizon label. The album peaked at No. 20 on the Billboard R&B albums chart.
Givin' It Up is a collaborative album by American musicians George Benson and Al Jarreau, released on October 24, 2006, by Concord Records. It contains songs previously recorded by both artists (Benson's "Breezin" and Jarreau's "Mornin" and original music. Other vocalists and musicians featured are Jill Scott, Patti Austin, Herbie Hancock, Stanley Clarke, Abe Laboriel, Chris Botti, Marcus Miller, and Paul McCartney. This project also includes standards by Billie Holiday and Sam Cooke, pop songs by Seals and Crofts and Daryl Hall along with the jazz-swing "Four" by Miles Davis, and "Ordinary People" by John Legend.
Dangerous is a 1985 album by American singer Natalie Cole released on May 15, 1985, through the Atco Records-distributed Modern Records label. The album reached peak positions of number 140 on the Billboard 200 and number 48 on Billboard's R&B Albums chart.
Blink of an Eye is the fourth solo studio album by American singer-songwriter Michael McDonald, released on August 3, 1993, by Reprise Records, three years after his previous studio album, Take It to Heart (1990).
Mathematics is the twelfth studio album by singer-songwriter Melissa Manchester, issued in April 1985.
Dream On is the fifteenth studio album by American keyboardist and record producer George Duke. It was released in 1982 through Epic Records. The recording sessions for the album took place at Le Gonks West Studio in West Hollywood, California, except for horns on "Positive Energy" and strings, which were recorded at Westlake Recording Studios and A&M Studios respectively. It was mastered by Brian Gardner at Allen Zentz Mastering in Hollywood.
Guardian of the Light is the sixteenth studio album by American keyboardist and record producer George Duke. It was released in 1983 through Epic Records. Recording sessions for the album took place in Los Angeles at The Complex, Le Gonks West, and Ocean Way Recording. Duke used a variety of keyboard instruments, such as Rhodes electric piano, Sequential Circuits Prophet-5, Korg Polysix, ARP Odyssey, Clavitar Solo, Minimoog, melodeon, melodica, and also Sennheiser and Roland vocoders, and LinnDrum machine. The album features contributions from various musicians, including vocalists Jeffrey Osborne and Lynn Davis, guitarists Michael Sembello and Charles Fearing, bassists Louis Johnson and Byron Miller, drummers John Robinson and Leon "Ndugu" Chancler, percussionist Paulinho da Costa, trumpeters Gary Grant and Jerry Hey, trombonist Lew McCreary, conductor George Del Barrio with a musical ensemble of string instrument players.