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Pizzazz | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 23, 1979 | |||
Recorded | 1978–1979 | |||
Studio | Conway, Hollywood, California | |||
Genre | Disco, R&B, jazz funk | |||
Length | 38:44 | |||
Label | Elektra | |||
Producer |
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Patrice Rushen chronology | ||||
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Pizzazz is the fifth album by American singer Patrice Rushen, released in 1979 on Elektra Records. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
DownBeat | [3] |
The Boston Globe called Pizzazz a "really a good disco album, with a few non-disco numbers to break the monotony... The non-disco cuts are slower funk tunes which often recall Earth, Wind and Fire." [4] Steven Reddicliffe of the Miami Herald called the album "jolly, sweet, optimistic ... and a very happy dance record at that." [5]
Alex Henderson of AllMusic wrote, "Rushen's profile in the R&B world continued to increase with Pizzazz, her second album for Elektra and fifth overall... Drawing on such influences as Earth, Wind & Fire, Minnie Riperton, Stevie Wonder, and the Emotions, Rushen has no problem holding an R&B lover's attention... Pizzazz might have received tongue-lashings from jazz critics, but from an R&B/pop perspective, it's among Rushen's most rewarding and essential albums." [2]
Pizzazz features a hit single entitled "Haven't You Heard." The single soared to the top of R&B radio playlists and is among Rushen's biggest hits.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Let the Music Take Me" |
| 6:51 |
2. | "Keepin' Faith in Love" |
| 4:08 |
3. | "Settle for My Love" |
| 5:15 |
4. | "Message in the Music" | P. Rushen | 3:01 |
5. | "Haven't You Heard" |
| 6:45 |
6. | "Givin' It Up is Givin' Up" |
| 4:59 |
7. | "Call On Me" |
| 6:48 |
8. | "Reprise (Message in the Music)" | P. Rushen | 0:57 |
Handclaps
Horns / Horn Contractors
Strings
Chart (1980) | Peak position |
---|---|
Billboard Pop Albums [6] | 39 |
Billboard Top Soul Albums [6] | 11 |
Billboard Top Jazz Albums | 2 |
Year | Single | Chart positions | ||
---|---|---|---|---|
US Pop [6] | US R&B [6] | US Dance [6] | ||
1980 | "Givin' It Up Is Givin' Up" | - | 47 | - |
"Haven't You Heard" | 42 | 7 | 5 | |
"Let The Music Take Me" | - | 50 | - | |
Straight from the Heart is the seventh studio album by American recording artist Patrice Rushen, released on April 14, 1982, by Elektra Records. It features her most recognizable song, "Forget Me Nots", the oft-sampled "Remind Me" and the popular instrumental workout "Number One". Straight from the Heart scored Rushen her first two nominations at the 1983 Grammy Awards for Best Female R&B Vocal Performance for "Forget Me Nots" and Best R&B Instrumental Performance for "Number One".
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Patrice is the fourth, self-titled album by R&B singer Patrice Rushen.
Posh is a 1980 album released by R&B singer Patrice Rushen, her third album for Elektra Records and sixth album overall. The album was recently re-released on Wounded Bird Records, as were several other Rushen albums from the time. Following the Pizzazz album, Posh was the continuation of a string of R&B/pop albums that established Rushen as an R&B singer.
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We're the Best of Friends is a 1979 duet album by American vocalists Natalie Cole and Peabo Bryson. It was released on November 2, 1979, by Capitol Records.
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The Benoit Freeman Project is an album by American pianist David Benoit and American guitarist Russ Freeman that was released in 1994 and recorded for the GRP label. The album reached No. 2 on the jazz chart at Billboard magazine. Freeman is the founder and leader of the Rippingtons.
Comin' Through is an album by the American jazz trumpeter Eddie Henderson, recorded in 1977 and released by Capitol. The album rose to No. 6 on the Blues & Soul Top British Soul Albums chart.
Dream On is the fifteenth studio album by American keyboardist and record producer George Duke. It was released in 1982 through Epic Records. The recording sessions for the album took place at Le Gonks West Studio in West Hollywood, California, except for horns on "Positive Energy" and strings, which were recorded at Westlake Recording Studios and A&M Studios respectively. It was mastered by Brian Gardner at Allen Zentz Mastering in Hollywood.
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