Prayers on Fire

Last updated

Prayers on Fire
TheBirthdayPartyPrayersOnFire.jpg
Studio album by
Released6 April 1981 (1981-04-06)
RecordedDecember 1980 – January 1981
StudioA.A.V. Studio 2 and Richmond Recorders, Melbourne, Australia
Genre Post-punk
Length36:06
Label Missing Link
Producer Tony Cohen, the Birthday Party
The Birthday Party chronology
The Birthday Party
(1980)
Prayers on Fire
(1981)
Drunk on the Pope's Blood
(1982)

Prayers on Fire is the debut studio album by Australian rock group the Birthday Party, released on 6 April 1981 on the Missing Link label in Australia, later licensed to the 4AD label. This was the band's first full-length release on an international record label and the first after changing the group's name from the Boys Next Door to the Birthday Party. It was recorded at Armstrong's Audio Visual Studios in Melbourne and Richmond Recorders in the nearby suburb of Richmond, between December 1980 and January 1981.

Contents

Background

In February 1980 Melbourne-based new wave group, the Boys Next Door, changed their name to the Birthday Party. [1] They consisted of the same lineup of Phill Calvert on drums, Nick Cave on vocals, Mick Harvey on guitar and organ, Rowland S. Howard on guitar and Tracy Pew on bass guitar. [1] They relocated to London and signed with the 4AD label which issued the extended play, The Friend Catcher in the United Kingdom. In July, their Australian label, Missing Link Records, released "Mr Clarinet" from the EP as a single. [1] In November, Missing Link released the album, The Birthday Party / The Boys Next Door, which combined previously unreleased material with tracks that has been issued under the Boys Next Door name. [1]

Also in November 1980, the Birthday Party returned to Australia and toured. [1] According to Australian music historian, Ian McFarlane, "It was during this time that the band cemented its reputation as a peerless live act, with its omnipresent influence settling over the Melbourne scene". [1] On 6 April 1981 they issued the album and followed in June with its lead single, "Nick the Stripper". [1] The group returned to London. [1]

Members of Melbourne post-punk band Equal Local contributed the brass section to "Nick the Stripper" – tenor saxophonist Mick Hauser was mis-credited as "Mick Hunter". Equal Local had formed in 1980 by Dean Richards on guitar, Philip Jackson on synthesisers, trumpet and rhythm generator, Melissa Webb on synthesiser and piano, Bryce Perrin on acoustic bass, and Hauser. [2] Richards and Jackson were bandmates from the post-punk group Whirlywirld and contemporaries of the Boys Next Door. [2] Equal Local disbanded in early 1982. [2]

Composition and recording

In Melbourne, in December 1980 and January 1981, they joined engineer and producer, Tony Cohen, in Armstrong's Audio Visual Studios (A.A.V. Studio 2) and Richmond Recorders, to record their tracks. [1] Music journalist, Toby Creswell, noted that the band "struggled with creating their own identity some of them also began indulging an appetite for alcohol and heroin". [3] Cave was embarrassed by "Zoo Music Girl" but noted "we were digging for something and we kind of just found it with some songs" and cited "King Ink" as an example of "a certain kind of sound that we wanted to work with on records after that". [3] Eight of the eleven tracks on Prayers on Fire were written or co-written by Cave, "[it] was a kind of reaction to the major disappointments we felt when we went to England... [we] began to see a vision and I don't think we were positively influenced ... we didn't want to be like the English New Wave pop groups of the time". [3] Pew observed "[it] stinks, quite honestly ... The engineer slept through the entire session for a start". [3]

Reception

Professional ratings
Review scores
SourceRating
About.com Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [4]
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [5]
The Austin Chronicle Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [6]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg[ citation needed ]
The Great Rock Discography 8/10[ citation needed ]
MusicHound Rock Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg[ citation needed ]
Ondarock 8/10 [7]
Record Mirror Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [8]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [9]
Spin Alternative Record Guide 9/10 [10]

About.com's Anthony Carew felt Prayers on Fire was able to "capture the qualities of their infamous live-shows on record ... the evocatively-produced set dared dress key cuts in blaring brass; giving a sense of perverted-cabaret to their mordant racket, turning Cave from nihilist, self-destructive savant to theatrical, flamboyant showman". [4] AllMusic's Greg Maurer found "a fascination with the dark, (self-)destructive side of religion is more than evident in his later work... While there might not be any of the explicit Biblical imagery on [the album] that Cave would later ejaculate, the title ... is apt". [5] Ian McFarlane stated it showed the band was "irrevocably and unashamedly changing for the better, being more aggressive than anything they had ever recorded". [1] SoundStageDirect described it as "a creepy carnival of tribal rhythms, wonky discordance and garbled surrealism". [11] Music critic Ed St John summarised, "this is an expression which ebbs out beyond the confines of proficiently played music ... [it] is akin to watching a film of Jackson Pollock painting or listening to Dylan Thomas in full alcoholic flight". [3]

The track "Ho-Ho" is featured in the 2004 German film, Head-On .

Accolades

Publication/SourceCountryAccoladeYearRank
Neil Strauss USThe 100 Most Influential Alternative Albums1993- [12]
Sounds UKThe Top 80 Albums from the '80s198943[ citation needed ]
The Guardian UK1000 Albums to Hear Before You Die2007- [13]
Uncut UKThe 100 Greatest Debut Albums200693 [14]
The Ultimate Record Collection - The 1980's2018- [15]
Rockdelux SpainThe 100 Best Albums of the 1980s199057 [16]
Rolling Stone Australia AustraliaThe 100 Greatest Albums of the 80s199033[ citation needed ]
Triple J AustraliaHottest 100 Australian Albums201566 [17]
Paste USThe 50 Best Post-Punk Albums201637 [18]
PopMatters USThe 50 Best Post-Punk Albums Ever201741 [19]

Track listing

No.TitleLyricsMusic byLength
1."Zoo-Music Girl"Nick Cave Rowland S. Howard 2:38
2."Cry"CaveCave2:42
3."Capers" Genevieve McGuckin Howard2:39
4."Nick the Stripper"CaveCave3:52
5."Ho-Ho"HowardMcGuckin3:07
6."Figure of Fun"CaveCave, Howard2:48
7."King Ink"CaveCave, Howard4:41
8."A Dead Song" Anita Lane Cave2:13
9."Yard"CaveCave5:04
10."Dull Day"HowardHoward3:04
11."Just You and Me"Cave Mick Harvey 2:03
CD reissue bonus tracks
No.TitleLyricsMusic byLength
12."Blundertown"HowardHoward3:10
13."Kathy's Kisses"CaveCave4:05

Personnel

The Birthday Party members [20]
Equal Local members on "Nick the Stripper"
Recording details
Art work

Chart positions

Chart (1981)Peak
position
Australian Albums (Kent Music Report) [21] 96
UK Independent Albums (Record Business) [22] 4

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References

General
Specific
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  2. 1 2 3 McFarlane, 'Equal Local' entry. Archived from the original on 13 August 2004. Retrieved 26 May 2012.
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  19. Fitzgerald, Colin (22 January 2017). "The 50 Best Post-Punk Albums Ever: Part 1, Gang of Four to the Birthday Party". PopMatters . Retrieved 19 December 2020.
  20. Prayers on Fire (liner notes). The Birthday Party. 4AD. 1981. CAD 104.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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