The Birthday Party discography | |
---|---|
Studio albums | 4 |
Live albums | 2 |
Compilation albums | 5 |
Video albums | 1 |
Music videos | 2 |
EPs | 6 |
Singles | 9 |
Box sets | 1 |
Other appearances | 16 |
The discography of The Birthday Party, an Australian post-punk band, consists of four studio albums, two live albums, six compilation albums, six extended plays and nine singles. The group began under various names in Melbourne in 1973; formed by vocalist Nick Cave, guitarist Mick Harvey, drummer Phill Calvert, guitarist John Cocivera, bassist Brett Purcell, and saxophonist Chris Coyne —all of whom were students at Caulfield Grammar School. [1] By 1978, following several membership changes, the band consisted of Cave, Harvey and Calvert with bassist Tracy Pew and guitarist Rowland S Howard. [2] Under the name The Boys Next Door, the band released several singles and two studio albums, Door, Door in 1979 on Mushroom Records and The Birthday Party in 1980 on Missing Link Records.
Despite moderate success in Australia, The Boys Next Door relocated to London, England in 1980 and changed their name to The Birthday Party. In London, the band experienced underground critical success with a series of singles and two further studio albums, Prayers on Fire (1981) and Junkyard (1982); [2] Junkyard was also a minor commercial success, peaking at number 72 on the UK Albums Chart upon its release. [3] In 1982, the band relocated to West Berlin, Germany and Calvert departed. The band, now featuring Harvey on dual guitar and drumming duties, released as two EPs, The Bad Seed and Mutiny!, in 1983 on 4AD and Mute Records. Featuring Einstürzende Neubauten member Blixa Bargeld as a guest musician, they were the band's final recordings prior to their disbandment in late 1983. [1]
Cave, Harvey, Barry Adamson and Bargeld formed Nick Cave and the Bad Seeds in December 1983 and Howard joined Crime and the City Solution, as well as forming These Immortal Souls in the wake of The Birthday Party's break-up. [1] [2] The band's back catalogue has been reissued several times, usually in the form of compilation albums such as Mutiny/The Bad Seed (1989) and Hits (1992), and several unreleased recordings and video albums have been released since their disbandment. Though the band did not experience commercial success during their career, they have been recognised as having a major impact on the gothic rock genre and influencing several subsequent bands, [4] including My Bloody Valentine, [5] Gogol Bordello [6] and LCD Soundsystem. [7]
Title | Album details | Peak chart positions | ||
---|---|---|---|---|
AUS [8] | UK [3] | UK Indie [9] | ||
Door, Door | 93 | — | — | |
The Birthday Party |
| — | — | — |
Prayers on Fire | 96 | — | 4 | |
Junkyard |
| — | 72 | 1 |
"—" denotes a release that did not chart |
Title | Album details | Peak chart positions | |
---|---|---|---|
UK Indie [9] | |||
It's Still Living | 19 | ||
Live 1981–82 | — | ||
"—" denotes a release that did not chart |
Title | Album details |
---|---|
A Collection… |
|
Hee-Haw |
|
Mutiny/The Bad Seed |
|
Hits |
|
The John Peel Sessions |
|
Title | Album details |
---|---|
Definitive Missing Link Recordings 1979–1982 |
|
Title | Album details | Peak chart positions | |
---|---|---|---|
UK Indie [9] | |||
Hee-Haw | — | ||
Drunk on the Pope's Blood/The Agony Is the Ecstacy (The Birthday Party/Lydia Lunch) |
| 2 | |
The Bad Seed |
| 3 | |
Mutiny! | 3 | ||
The Peel Sessions |
| 7 | |
The Peel Sessions II |
| 11 | |
"—" denotes a release that did not chart |
Single | Year | Peak chart positions | Album | Notes |
---|---|---|---|---|
UK Indie [9] | ||||
"These Boots Are Made for Walking" | 1978 | — | Non-LP single | Released under The Boys Next Door, backed with non-LP track "Boy Hero" |
"Shivers" | 1979 | — | Door, Door | Released under The Boys Next Door |
"Happy Birthday" | 1980 | — | The Birthday Party | |
"The Friend Catcher" | 21 | N/A | ||
"Mr. Clarinet" | 18 | |||
"Nick the Stripper" | 1981 | — | Prayers on Fire | 12" backed with non-LP tracks "Blundertown" and "Kathy's Kisses" |
"Release the Bats" | 3 | Non-LP single | Backed with non-LP "Blast Off" | |
"Dead Joe" | 1982 | — | Junkyard | N/A |
"—" denotes a release that did not chart |
Single | Year | Other artist | Notes |
---|---|---|---|
"Scatterbrain"/"Early Morning Brain" | 1979 | Models | Released under The Boys Next Door, non-LP track |
Song | Year | Album | Notes | Ref |
---|---|---|---|---|
"Figure of Fun" | 1980 | Fast Forward No 2 | Released exclusively and issued free with Fast Forward magazine | [23] |
"Sex Crimes" | 2005 | Inner City Sound | Exclusively released on this compilation, unreleased song | [24] |
Title | Year | Director | Ref |
---|---|---|---|
"Nick the Stripper" | 1981 | Paul Goldman | [25] |
"Deep in the Woods" | 1983 | Glenn Auchinachie |
Title | Album details |
---|---|
Pleasure Heads Must Burn |
|
Head over Heels is the second studio album by Scottish alternative rock band Cocteau Twins. The album was released on 24 October 1983 through the label 4AD. It featured the band's signature sound of "Guthrie's lush guitars under Fraser's mostly wordless vocals" and is considered an archetype of early ethereal wave music.
From Her to Eternity is the debut studio album by Nick Cave and the Bad Seeds, released in May 1984 on Mute. Produced by Flood and the band itself, the album's title is a pun on the James Jones novel, From Here to Eternity, and its subsequent 1953 film adaptation.
Anita Louise Lane was an Australian singer-songwriter who was briefly a member of the Bad Seeds with Nick Cave and Mick Harvey and collaborated with both bandmates. Lane released two solo albums, Dirty Pearl (1993) and Sex O'Clock (2001).
Prayers on Fire is the debut studio album by Australian rock group the Birthday Party, released on 6 April 1981 on the Missing Link label in Australia, later licensed to the 4AD label. This was the band's first full-length release on an international record label and the first after changing the group's name from the Boys Next Door to the Birthday Party. It was recorded at Armstrong's Audio Visual Studios in Melbourne and Richmond Recorders in the nearby suburb of Richmond, between December 1980 and January 1981.
Tin Drum is the fifth and final studio album by English band Japan, released in November 1981 by Virgin Records. It peaked at No. 12 on the UK charts, and featured the top 5 single "Ghosts". It has received acclaim as the band's best and most original work.
On the Sunday of Life... is the debut album of English progressive rock band Porcupine Tree, first released on May 12, 1992. It compiles tracks that Steven Wilson produced and recorded for two cassette-only releases, Tarquin's Seaweed Farm (1989) and The Nostalgia Factory (1991). The rest of the music from these tapes was released three years later in the compilation album Yellow Hedgerow Dreamscape.
The Black Album is the fourth studio album by English punk rock band the Damned, and the first to feature Paul Gray on bass guitar. It was released on 3 November 1980 by Chiswick as a double album, with "Curtain Call" filling the whole of side 3, and a selection of live tracks recorded at Shepperton Studios at a special concert for Damned fan club members on side 4. The song "13th Floor Vendetta" paid tribute to the film The Abominable Dr. Phibes (1971), opening with the lyrics "...the organ plays to midnight on Maldine Square tonight".
Junkyard is the third studio album by Australian post-punk group the Birthday Party. It was released on 10 July 1982 through the label 4AD in the UK and through Missing Link Records in Australia. It was the group's last full-length studio recording. It has received critical acclaim.
"Drama!" is the first single released from English synth-pop duo Erasure's fourth studio album, Wild! (1989). Written by Vince Clarke and Andy Bell, the song begins with a low-key keyboard line and a subdued vocal from Bell. As the song progresses, the instrumentation and vocals become more hectic, ultimately ending as a full-blown dance track. "Drama!" contains a "Guilty!" exclamation throughout, provided by Scottish band the Jesus and Mary Chain, who were recording in the studio next door. The song was met with critical acclaim from both music critics and fans.
"Breath of Life" is a song by English synth-pop duo Erasure, released as the fourth and final single from their fifth studio album, Chorus (1991), in March 1992. It was written by Erasure members Vince Clarke and Andy Bell with additional input from Pat O'Brien. An uptempo synth-pop song, its dance music elements were strongly accentuated for the club remixes. For the single release, it was remixed slightly, including a shortened intro. In the United States, it was the third single released from the album.
"I Love Saturday" is a song by English synth-pop duo Erasure, released as the third single from their sixth studio album, I Say I Say I Say (1994), on 18 November 1994 in Japan. The track was written by Vince Clarke and Andy Bell, and produced by Martyn Ware. In the United Kingdom, Mute credited the first CD single as the I Love Saturday EP, which contains several new tracks; it was released on 21 November 1994.
Hee Haw is the second release and first EP by the Australian post-punk band the Boys Next Door. The Hee Haw EP was released in 1979 by the independent label, Missing Link Records.
The Birthday Party is a 1980 album by Australian rock band The Boys Next Door. The album was produced by The Boys Next Door, Tony Cohen, and Keith Glass; it was recorded with Cohen engineering at Richmond Recorders Studios in Melbourne from July 1979 to February 1980.
Rhythm of Life is the debut studio album by the Scottish musician Paul Haig, released in November 1983 by Island Records. It was recorded at Sigma Sound Studios in New York City and RAK Studios in London with renowned record producer Alex Sadkin, known for his work on multiple albums by Grace Jones, and Thompson Twins. The album features guest musicians such as Bernie Worrell of Parliament-Funkadelic, Anton Fier of the Feelies and the Golden Palominos, and Tom Bailey of Thompson Twins. Four singles were released from Rhythm of Life: "Heaven Sent", "Never Give Up ", "Justice" and "Blue for You". The track "Adoration" was originally performed while Haig was still a member of the post-punk band Josef K. The album spent 2 weeks on the UK Albums Chart, peaking at No. 82.
"Metropolis" is a song by Australian alternative rock band the Church. It was released as the lead single from their sixth album, Gold Afternoon Fix (1990), and the songwriting credits were given to all four members of the band. The song topped the US Billboard Modern Rock Tracks chart and reached number 19 in Australia. A music video directed by David Hogan and produced by Chris O'Brien was made for the song.
"Shivers" is a song by the Australian post-punk band the Boys Next Door, who would later become the Birthday Party. It is the tenth and final track from the band's debut studio album Door, Door, released in 1979 on Mushroom Records. It was released as the album's only single in May 1979, backed with the B-side "Dive Position".
Extractions is the third studio album by English band Dif Juz, released in 1985 by record label 4AD.
"Caroline" is a song from American alternative rock band Concrete Blonde, which was released in 1990 as the third single from their third studio album Bloodletting. The song was written by Johnette Napolitano, and produced by Concrete Blonde and Chris Tsangarides. The song reached number 23 on the US Billboard Modern Rock Tracks chart.
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