Prepress is the term used in the printing and publishing industries for the processes and procedures that occur between the creation of a print layout and the final printing. The prepress process includes the preparation of artwork for press, media selection, proofing, quality control checks and the production of printing plates if required. The artwork is often provided by the customer as a print-ready PDF file created in desktop publishing.
In most modern publishing environments, the tasks related to content generation and refinement are carried out separately from other prepress tasks, and are commonly characterized as part of graphic design.
Digital printing allows printing a lower volume or individually customised publications; this is also known as Variable Data Printing (VDP). Variable Data Printing starts with a static piece of artwork and has an element that changes which can be fed from a database, such as a customer's name. Conventional offset printing uses 4 printing plates for CMYK color publications making it only cost effective to print thousands of copies of each version. Digital printing is also cost effective for an individual publication with a fast turnaround. Toner cartridges or Inkjet Cartridges are used making them easy to operate and maintain. Advanced machines have options for additional spot colors with special inks such as metallic, fluorescent and white.
Managing color across the process involves having the right equipment and taking regular measurements. You need wide color gamut monitors [13] that can best replicate a CMYK color space and have been calibrated. [14] Pantone swatch guides are needed for color matching. A professional color profiling system like the ones listed at the International Color Consortium (ICC) [15] and using ICC color profiles are required. Spectrophotometers to validate the color of the CMYK ink and spot colors are also important in prepress. [16]
Images in a print-ready PDF should be uploaded at 300dpi resolution. Any vector artwork or text should stay vector including clipping paths embedded in images for cutouts, as the RIP will rasterize them at 2400dpi, it can take about 10gb of data to create the rasterized image for the printing plates. Text and vector can print at 2400dpi if it only uses one solid color as there will be no halftone dithering, that's why magazine text is so sharp. Images can only print at the equivalent of 300dpi because of the dithering needed for the gradients and mixed colors, although the dithering of the image is printed at 2400dpi (300dpi for images, and 2400dpi for text and vector are typical values stated by printers).
All artwork should be checked for imperfections in resolution, embedded fonts, color profiles, printers marks and any obvious mistakes that were missed during the writing, design, editing or proofreading stages, although prepress are not accountable as the artwork should already be agreed as print-ready.
Key prepress digital workflow software products include: Agfa Apogee, Fujifilm XMF, Heidelberg Prinect, Kodak Prinergy and Fiery Workflow Suite. Important features when choosing digital workflow software or cloud submission and proofing software include: A version control system that helps you keep track of who is changing what and when. A secure system that lets different people check in and check out files and records when they do so. A method to lock down files currently in use to prevent simultaneous modifications by others. A way to lock out files so that only particular people can open them and change them, but anyone can view them.
During the 1980s and 1990s, computer-aided prepress techniques began to supplant the traditional dark room and light table processes, and by the early 2000s the word prepress became, in some ways, synonymous with digital pre-press. Immediately before the mainstream introduction of computers to the process, much of the industry was using large format cameras to make emulsion-based (film) copies of text and images. This film was then assembled (planning (UK) or stripping) and used to expose another layer of emulsion on a plate, thus copying images from one emulsion to another. This method is still used; however, as digital pre-press technology has become less cost intensive, more efficient and reliable, and as the knowledge and skill required to use the new hardware and especially software have become more widespread within the labor force, digital automation has been introduced to almost every part of the process. Some topics related to digital but not analog prepress include preflighting (verifying the presence, quality and format of each digital component), color management, and RIPing.
PDF workflows also became predominant. Vendors of Prepress systems, in addition to the offset printing industry, embraced a subset of the PDF format referred to as PDF/X1-a. This industry specific subset is one version of the PDF/X (PDF for eXchange) set of standards.
In more recent years, prepress software has been developed which is designed to find as many efficiencies in prepress workflow as possible. These tools are accessed online, and allow different workers to work on one project at the same time, often from different locations. Key functionality automates common steps to reduce errors, reinforce quality standards and speed up production. Examples include automatically re-folioing pages, digital dummies for soft proofs, live linking with Adobe InDesign and pre-flight checking. These tools revolve around a Flatplan and are used in all sorts of prepress including book, magazine and catalog production.
Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing evolved from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. Printing by pressing an inked image onto paper appeared later that century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 AD and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.
Dye-sublimation printing is a term that covers several distinct digital computer printing techniques that involve using heat to transfer dye onto a substrate.
Agfa-Gevaert N.V. (Agfa) is a Belgian-German multinational corporation that develops, manufactures, and distributes analogue and digital imaging products, software, and systems.
JDF is a technical standard developed by the graphic arts industry to facilitate cross-vendor workflow implementations of the application domain. It is an XML format about job ticket, message description, and message interchange. JDF is managed by CIP4, the International Cooperation for the Integration of Processes in Prepress, Press and Postpress Organization. JDF was initiated by Adobe Systems, Agfa, Heidelberg and MAN Roland in 1999 but handed over to CIP3 at Drupa 2000. CIP3 then renamed itself CIP4.
Giclée describes digital prints intended as fine art and produced by inkjet printers. The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process invented in the late 1980s. It has since been used widely to mean any fine-art printing, usually archival, printed by inkjet. It is often used by artists, galleries, and print shops for their high quality printing, but is also used generically for art printing of any quality.
Digital printing is a method of printing from a digital-based image directly to a variety of media. It usually refers to professional printing where small-run jobs from desktop publishing and other digital sources are printed using large-format and/or high-volume laser or inkjet printers.
Creo, now part of Eastman Kodak Company, was a Burnaby, British Columbia, Canada-based company, involved in imaging and software technology for computer to plate and digital printing. The name derives from the Latin creo, "I create."
In printing, trap expresses the degree to which ink already printed on a substrate accepts another layer printed on top of it compared to how well the substrate accepts that ink.
An Iris printer is a large-format color inkjet printer designed for prepress proofing. It was introduced in 1985 by Iris Graphics, originally of Stoneham, Massachusetts, and is currently manufactured by the Graphic Communications Group of Eastman Kodak. It is also used in the fine art reproduction market as a final output digital printing press, as in Giclée.
In printing, Preflight is the process of confirming that the digital files required for the printing process are all present, valid, correctly formatted, and of the desired type. The basic idea is to prepare the files to make them feasible for the correct process such as offset printing and eliminate costly errors and facilitate a smooth production. It is a standard prepress procedure in the printing industry. The term originates from the preflight checklists used by pilots. The term was first used in a presentation at the Color Connections conference in 1990 by consultant Chuck Weger, and Professor Ron Bertolina was a pioneer for solutions to preflighting in the 1990s.
Web-to-print, also known as Web2Print, remote publishing or print e-commerce is commercial printing using web sites. Companies and software solutions that deal in web-to-print use standard e-commerce and online services like hosting, website design, and cross-media marketing.
Prinergy is a prepress workflow system created by Creo in 1999 and maintained and sold through Kodak. It is a client/server system that integrates PDF creation, job proofing, imposition, and a raster image processor (RIP) into one unified workflow.
In color management, an ICC profile is a set of data that characterizes a color input or output device, or a color space, according to standards promulgated by the International Color Consortium (ICC). Profiles describe the color attributes of a particular device or viewing requirement by defining a mapping between the device source or target color space and a profile connection space (PCS). This PCS is either CIELAB (L*a*b*) or CIEXYZ. Mappings may be specified using tables, to which interpolation is applied, or through a series of parameters for transformations.
A contract proof usually serves as an agreement between customer and printer and as a color reference guide for adjusting the press before the final press run. Most contract proofs are a prepress proof.
Kodak Proofing Software is an application from Eastman Kodak for managing and controlling the process of Prepress proofing. It supports the Veris printer, Kodak Approval and various inkjet printers from Epson and Hewlett Packard.
Electronics for Imaging, Inc. (EFI) is an international company based in Silicon Valley that specializes in digital printing technology. Formerly located in Foster City, California, the company is now based in Fremont. On July 1, 2015, EFI entered the textile printing marketing with the acquisition of Italian digital textile company Reggiani Macchine. On June 16, 2016, EFI acquired Optitex, a 3D digital workflow provider.
The G7 Method is a printing procedure used for visually accurate color reproduction by putting emphasis on matching grayscale colorimetric measurements between processes. G7 stands for grayscale plus seven colors: the subtractive colors typically used in printing and the additive colors. The method is used in many applications of printing such as offset lithography, flexography, and gravure since it uses a one-dimensional neutral print density curve (NPDC) to match neutral tonality between two G7 calibrated printing systems. The G7 method is not a completely accurate color management system nor is it officially standardized by the International Color Consortium (ICC).
Within the printing industry, the Approval proofer, also known as the Approval Digital Imaging System or Kodak Approval System, was designed for use in Prepress proofing, especially for the highest quality contract proofs.
Media Standard Print is a publication of the Bundesverband Druck und Medien (BVDM), available on its website. The publication contains instructions on how to produce data and proofs that are to be sent to a printer. It is based on ProcessStandard Offset and therefore on the ISO standards 12647 and 15930. As such, it serves as the foundation for smooth cooperation between customer, prepress service provider and printer during media production, covering data formats, colour spaces, printing conditions, workflows, means of proofing, standards, black composition and much more.
The European Color Initiative (ECI) is an expert group that is concerned with media-neutral reproduction of color data in digital publication systems. It was formed in June 1996 by German publishers Bauer, Burda, Gruner + Jahr and Springer in Hamburg.