Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title composition was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands."
Now! is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label. The album is the first of Hutcherson's to feature vocals, contributed by Gene McDaniels and a chorus. The CD reissue includes four tracks recorded live at the Hollywood Bowl, in 1977.
The Sidewinder is a 1964 album by the jazz trumpeter Lee Morgan, recorded at the Van Gelder Studio in Englewood Cliffs, New Jersey, U.S. It was released on the Blue Note label as BLP 4157 (mono) and BST 84157 (stereo).
Mysterious Traveller is the fourth studio album by the jazz and jazz fusion ensemble Weather Report and was released in 1974. This was their final recording with founding bassist Miroslav Vitouš, who left due to creative differences. Vitouš was replaced by Alphonso Johnson. Another addition to the line-up is drummer Ishmael Wilburn. Greg Errico was the drummer for the tour between the previously released Sweetnighter and this album, but declined an invitation to be a permanent member of the band.
Afro Blue Impressions is an album of a performance by jazz musician John Coltrane that was recorded live in 1963. The album was originally released many years later, in 1977, on the Pablo label, as a double LP.
Search for the New Land is an album by jazz trumpeter Lee Morgan. A set with a group of regular Blue Note sidemen, Search for the New Land was recorded before The Sidewinder was released. Although it was recorded in 1964, the album was shelved for two years, then issued with the original catalogue number 84169.
The Rumproller is an album by jazz trumpeter Lee Morgan released on the Blue Note label. It was recorded mainly on April 21, 1965 and features performances by Morgan with Joe Henderson, Ronnie Mathews, Victor Sproles, and Billy Higgins.
Breaking Point! is an album by trumpeter Freddie Hubbard, recorded on May 7, 1964, and released on the Blue Note label. This album features Joe Chambers' recording debut. Although it features performances by Hubbard's recent collaborators Ronnie Mathews and Eddie Khan, it was a departure in style from his work with Mathews and the Jazz Messengers.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.
Asante is an album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded in 1970 and features performances by Tyner with alto saxophonist Andrew White, guitarist Ted Dunbar, bassist Buster Williams, drummer Billy Hart, percussionist Mtume and vocalist "Songai" Sandra Smith appearing on two tracks.
The Kicker is the sixth album by jazz tenor saxophonist Joe Henderson, and his first to be released on the Milestone label. It was recorded on August 10, 1967, with one track originating from a later session on September 27, and contains performances by Henderson with trumpeter Mike Lawrence, trombonist Grachan Moncur III, pianist Kenny Barron, bassist Ron Carter and drummer Louis Hayes. The AllMusic review by Scott Yanow states: "Joe Henderson's first recording for Milestone was very much a continuation of the adventurous acoustic music he had recorded previously for Blue Note".
Zawinul is the third studio album by jazz composer and pianist Joe Zawinul recorded in 1970 by Zawinul performing music arranged for two electric pianos, flute, trumpet, soprano saxophone, two contrabasses, and percussion. The album reached number 17 in the Billboard Jazz album charts.
Joe Henderson in Japan is a live album by American saxophonist Joe Henderson, recorded in 1971 at Junk Club in Tokyo, and released on Milestone Records in 1973. Henderson is joined by Japanese musicians Hideo Ichikawa on electric piano, bassist Kunimitsu Inaba and drummer Motohiko Hino.
Blowing In from Chicago is a studio album by the American jazz saxophonists Clifford Jordan and John Gilmore. It was released through Blue Note Records in July 1957. The recording was made on March 3, 1957 and the quintet assembled for the session features rhythm section Horace Silver, Curly Russell and Art Blakey.
Fever is the second album by American saxophonist Ronnie Laws released in 1976 by Blue Note Records. The album reached No. 13 on the Billboard Top Soul LPs chart.
Free is an album by Brazilian jazz drummer and percussionist Airto Moreira with performances recorded in 1972. The album was released by CTI Records and reached No. 30 on the jazz album chart at Billboard magazine.
There Comes a Time is an album by the jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1975 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper and Ryo Kawasaki. The album was re-released with an altered tracklist on CD in 1988.
Lee Konitz with Warne Marsh is a 1955 studio album by jazz saxophonists Lee Konitz and Warne Marsh. The Atlantic catalogue number was SD 1217. It was recorded on June 14, 1955, at Coastal Studios in New York City.
