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Galerij Prins Willem V | |
Established | 1774 |
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Location | The Hague |
Coordinates | 52°4′45.9″N4°18′37.39″E / 52.079417°N 4.3103861°E |
Type | Art museum |
Accreditation | Dutch Museum Association |
Collections | Dutch Golden Age |
Collection size | ± 150 |
Visitors | 29,236 (2017) |
Founder | William V, Prince of Orange |
Executive director | Emilie Gordenker |
Business director | Sander Uitdenbogaard |
Curator | Ariane van Suchtelen |
Architect | Philip Willem Schonck |
Owner | Mauritshuis |
Public transit access | Kneuterdijk / Lange Vijverberg |
Nearest car park | Heulstraat |
Website | Official website |
The Prince William V Gallery is an art gallery on the Buitenhof in The Hague that currently shares an entrance with the Gevangenpoort museum. It is a recreation of the original gallery Galerij Prins Willem V, once founded there by William V, Prince of Orange in 1774. The displayed paintings are part of the collection of the Mauritshuis. Amongst the paintings on display are works by Peter Paul Rubens, Jan Steen, Paulus Potter and Gerard van Honthorst.
Though built in 1774, the gallery has not been continuously open, mostly because the collection was abducted by the French 20 years after it opened and another 20 years passed before most of the works were recovered. In the meantime another gallery was opened in nearby Huis ten Bosch and undeterred by events, Prince William continued collecting art for a new gallery. After recovery of most important works in 1815, the large collection was re-housed in 1822 in the Mauritshuis. The old location was kept on as an archive. It wasn't reopened as an art gallery until 1977.
The collection of paintings of the gallery had been established by previous stadtholders of the Netherlands, members of the House of Orange-Nassau. Prince William V inherited the family collection when he was just four years old, after his father died. At that time the paintings were spread out over a number of his residences. The prince took up a special interest in paintings and made his first buy when he was fifteen years old. Sometimes he would acquire an entire collection, such as the Govert van Slingelandt collection in 1768. In 1763 he instructed his court painter Tethart Haag to create an inventory of his extensive collection. The latter also served as curator to the collection of paintings owned by the stadtholder and was his chief adviser in the purchase of paintings. The prince aspired to be seen as an equal to the great monarchs of Europe and the possession of a great art collection was, at that time, considered to be an element typical of such a status. He decided to bring his collection together in one location, so he could present it to his guests. To that end he bought two adjacent houses near his residence in The Hague, where he planned for the construction of an art gallery for his collection. During this process Tethart Haag served as his main advisor. The gallery was consequently built in 1773–1774, according to the wishes of the prince and under the direction of Tethart Haag. In 1774 the gallery opened, and in addition to the guests of the prince, it became the first museum in the Netherlands where the general public was allowed to visit. The prince appointed Tethart Haag as the first director of the art gallery-museum. In 1795 the collection was abducted by the French and housed in the Louvre as war booty. Under a later treaty many paintings were recovered in 1815, but many were not, such as the portrait of William III of Orange, now in the Museum of Fine Arts of Lyon.
Some of the more notable works that were abducted to France and came back were:
image | title | painter | date | Mauritshuis #ID |
---|---|---|---|---|
Portrait of Robert Cheeseman | Hans Holbein | 1533 | 276 | |
The Garden of Eden with the Fall of Man | Peter Paul Rubens Jan Brueghel the Elder | 1617 | 253 | |
Portrait of Anna Wake (1605-1669) | Anthony van Dyck | 1628 | 240 | |
Appelles painting Campaspe | Willem van Haecht | 1630 | 266 | |
Simeon's song of praise | Rembrandt | 1631 | 145 | |
Susanna | Rembrandt | 1636 | 147 | |
The feast of the gods at the wedding of Peleus and Thetis | Abraham Bloemaert | 1638 | 17 | |
Choir of the Nieuwe Kerk in Delft with the tomb of William the Silent | Gerard Houckgeest | 1651 | 57 | |
Allegorical portrait of the Steyn family as scene of Diogenes | Caesar van Everdingen | 1652 | 39 | |
The young mother | Gerrit Dou | 1658 | 32 | |
Ships on a Calm Sea | Willem van de Velde the Younger | 1658 | 200 | |
Peasants in an inn | Adriaen van Ostade | 1662 | 128 | |
A Woman Writing Music | Gabriël Metsu | 1663 | 94 | |
Flower Still life with a watch | Willem van Aelst | 1663 | 2 | |
Beach scene | Adriaen van de Velde | 1665 | 198 | |
Self-portrait 1669 | Rembrandt | 1669 | 840 |
Since 2010, museum visitors can view the restored art gallery that can be reached through a special staircase that connects the two buildings. The collection which hangs here is a modern reconstruction of the original 1774 art cabinet that was situated upstairs above a fencing school. The paintings, taken from various collections, hang crowded together on the walls in the style of the late 18th century. An effort is made to create an impression of the original gallery, rather than any historical accuracy in the choice where which paintings hang specifically. Former top pieces from the gallery such as Potter's Young Bull hang elsewhere, and the gallery itself underwent several changes in exhibition format after it reopened in 1815. Purchases made to replace lost paintings grew the collection so that in 1822 the collection (then called Koninklijk Kabinet van Schilderijen te 's-Gravenhage) was moved to the Mauritshuis Royal Picture Gallery which remains the formal owner of the paintings on display. The location was used as an archive until it reopened in 1977, but closed again as it underwent restoration work in 1993-1994 and in 2009.
The Louvre, or the Louvre Museum, is a national art museum in Paris, France. It is located on the Right Bank of the Seine in the city's 1st arrondissement and home to some of the most canonical works of Western art, including the Mona Lisa and the Venus de Milo. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French Kings.
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
The Mauritshuis is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of count John Maurice of Nassau. It is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.
William V was Prince of Orange and the last Stadtholder of the Dutch Republic. He went into exile to London in 1795. He was furthermore ruler of the Principality of Orange-Nassau until his death in 1806. In that capacity he was succeeded by his son William.
Birmingham Museum and Art Gallery (BM&AG) is a museum and art gallery in Birmingham, England. It has a collection of international importance covering fine art, ceramics, metalwork, jewellery, natural history, archaeology, ethnography, local history and industrial history.
Gerrit Dou, also known as GerardDouw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt.
Gerard van Honthorst was a Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname Gherardo delle Notti. Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Van Honthorst's contemporaries included Utrecht painters Hendrick Ter Brugghen and Dirck van Baburen.
Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem, was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.
Melchior d'Hondecoeter, Dutch animalier painter, was born in Utrecht and died in Amsterdam. After the start of his career, he painted virtually exclusively bird subjects, usually exotic or game, in park-like landscapes. Hondecoeter's paintings featured geese, fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.
Michiel Janszoonvan Mierevelt was a Dutch painter and draftsman of the Dutch Golden Age.
Tethart Philipp Christian Haag was a Dutch artist and court painter to William V of Orange-Nassau and the director of cultural institutions in The Hague.
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in the west corner of the Tuileries Garden next to the Place de la Concorde in Paris. The museum is most famous as the permanent home of eight large Water Lilies murals by Claude Monet, and also contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Alfred Sisley, Chaïm Soutine, Maurice Utrillo, and others.
Adriaen Hanneman was a Dutch Golden Age painter best known for his portraits of the exiled British royal court. His style was strongly influenced by his contemporary, Anthony van Dyck.
Charles Howard Hodges, was a British painter active in the Netherlands during the French occupation of the 18th and early 19th century.
The Gevangenpoort is a former gate and medieval prison on the Buitenhof in The Hague, Netherlands. It is situated next to the 18th-century art gallery founded by William V, Prince of Orange in 1774 known as the Prince William V Gallery.
The Young Bull or The Bull is an oil painting of a bull by Paulus Potter. It is in the collection of the Mauritshuis in The Hague in the Netherlands.
Madonna and Child Kissing is a 1520s oil on panel painting by the Flemish renaissance artist Quentin Matsys in the collection of the Rijksmuseum, Amsterdam, on loan to the Mauritshuis.
Flower still life with a watch is a 1663 floral painting by Willem van Aelst. It is in the collection of the Mauritshuis and exhibited at the Gallery Prince Willem V.
The Adoration of the Magi, is a circa 1645 oil on panel painting of the Nativity by the Dutch artist Salomon Koninck in the collection of the Mauritshuis in The Hague.
The Young Mother is an oil painting by Dutch artist Gerrit Dou, from 1658. The signature of the artist appears subtely in the stained glass window, GDOV.1658. This genre piece has been part of the collection of the Mauritshuis, in The Hague, since 1822.