Proctor and Bergman

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Proctor and Bergman
Proctor and Bergman 1976.JPG
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NationalityAmerican
Alma mater Yale University
Years active1973–2012
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Notable works and roles
Members

Proctor and Bergman was a comedy duo consisting of Philip Proctor and Peter Bergman. The two started performing in 1973 while taking a break from the four-man comedy act The Firesign Theatre, with the comedy album "TV or Not TV", on which they based a short film in 1978. They reunited the Firesign Theatre in 1974, but resumed their duo act in 1975 during a second temporary split of the Firesigns, and continued to perform as a duo during several breaks of the Firesign Theatre until Bergman's death in 2012.

Contents

History

Peter Bergman and Philip Proctor met while attending Yale University in the late 1950s, where Proctor studied acting, and Bergman edited the Yale comedy magazine. Bergman studied playwriting and collaborated as lyricist with Austin Pendleton on two Yale Dramat musicals in which Proctor starred: Tom Jones , and Booth Is Back In Town. [1] [2]

Proctor was in Los Angeles in 1966, looking for acting work and watching the Sunset Strip curfew riots. When he discovered he was sitting on a newspaper photo of Bergman, he called his college buddy, who recruited him as the fourth man for the comedy group he formed, along with producers Phil Austin and David Ossman. Bergman christened the group the Firesign Theatre, as all four were born under the three astrological fire signs (Aries, Leo, and Sagittarius).

In 1972, the Firesign Theatre combined parts of a live stage show, the Shakespeare parody The Count of Monte Cristo, with a live KPFK broadcast, Martian Space Party, plus some new studio material to produce their sixth album Not Insane or Anything You Want To . But before releasing the album in October 1972, they had discarded their original story line idea and some newly written scenes. [3] The album performed poorly, and the Firesigns decided to take a break and perform in separate directions for a while. Proctor and Bergman decided to perform as a duo, and made a separate record deal with Columbia, [4] producing TV or Not TV: A Video Vaudeville in Two Acts. [5] They turned this into a vaudeville-type show which they played on tour. While promoting the show, they did a radio interview with disk jockey Wolfman Jack. [4]

The Firesign Theatre reunited in 1974 and produced three more comedy albums for Columbia. The ninth one, In the Next World, You're on Your Own , was a black comedy which also sold poorly in 1975, and caused the Firesigns to lose their Columbia recording contract. They effectively split in half again, and Proctor and Bergman turned their attention to producing a live show and Columbia album, What This Country Needs , based in part on material from TV or Not TV.

They appeared as regulars on a 1977 summer replacement TV series hosted by the Starland Vocal Band. Proctor and Bergman gave up their road performances after witnessing the September 4, 1977 Golden Dragon Massacre, and in 1978 released another studio album Give Us a Break , which lampooned radio and television. The Starland Vocal Band also performed short comic radio breaks on this album. [4]

In 1979, Proctor and Bergman produced a film, J-Men Forever , using clips from old Republic Pictures movie serials with dubbed dialogue, combined with new footage of them as FBI agents tracking down a villain known as "the Lightning Bug" voiced by disk jockey M. G. Kelly. This became popular on the 1980s late-night TV series Night Flight .

The Firesign Theatre reunited again late in 1979, but the changing American social and political climate marked by the election of President Ronald Reagan caused a cooling-off of the Theatre's first wave of popularity. [6] In the summer of 1990, NPR producer Ted Bonnitt called Proctor and asked him if he wanted to contribute some comedy material to Bonnitt's nightly program HEAT with John Hockenberry . Proctor called Bergman, and the duo agreed to write and perform a serial consisting of 13 five-minute episodes, Power: Life on the Edge in L.A. [7]

In 1993, the Firesign Theatre reunited for a ten-city cross-country reunion tour, and experienced a second wave of popularity. They produced five albums of new material and continued to perform live, until Bergman's death on March 9, 2012, from complications involving leukemia. [8]

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Media

Albums

Radio

Films

Games

Related Research Articles

<span class="mw-page-title-main">The Firesign Theatre</span> American surreal comedy group

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<i>I Think Were All Bozos on This Bus</i> 1971 studio album by The Firesign Theatre

I Think We're All Bozos on This Bus is the fourth comedy album made by the Firesign Theatre for Columbia Records, released in August 1971 on standard stereo vinyl LP, and Quadraphonic LP and 8-track tape. It was nominated for a Hugo Award for Best Dramatic Presentation in 1972 by the World Science Fiction Society.

<i>Waiting for the Electrician or Someone Like Him</i> 1968 studio album by The Firesign Theatre

Waiting for the Electrician or Someone Like Him is the first comedy album recorded by the Firesign Theatre. It was originally released in January 1968 by Columbia Records.

<i>How Can You Be in Two Places at Once When Youre Not Anywhere at All</i> 1969 studio album by The Firesign Theatre

How Can You Be in Two Places at Once When You're Not Anywhere at All is the second comedy album recorded by the Firesign Theatre. It was originally released in July 1969 by Columbia Records.

<i>Everything You Know Is Wrong</i> 1974 studio album by The Firesign Theatre

Everything You Know Is Wrong is the eighth comedy album by the Firesign Theatre. Released in October 1974 on Columbia Records, it satirizes UFO conspiracy theories and New Age paranormal beliefs such as Erich von Däniken's Chariots of the Gods and claimed psychic Uri Geller, which achieved wide public attention by that time.

<i>The Firesign Theatres Box of Danger</i> 2008 box set by The Firesign Theatre

The Firesign Theatre's Box of Danger: The Complete Nick Danger Casebook is a four-CD boxed set of most recorded material by comedy group the Firesign Theatre containing their fictional character Nick Danger, portrayed by Phil Austin. Danger is a parody of the hard-boiled detective genre, and is often announced as "Nick Danger, Third Eye", a parody of the term private eye. Danger stories involve stereotypical film noir situations, including mistaken identity, betrayal, and femme fatales. Danger originally appeared on the 1969 album How Can You Be in Two Places at Once When You're Not Anywhere at All, and was reprised in various live shows, radio appearances and albums, including the 1979 Nick Danger: The Case of the Missing Shoe, 1984 The Three Faces of Al, and 2001 The Bride of Firesign.

<i>In the Next World, Youre on Your Own</i> 1975 studio album by The Firesign Theatre

In the Next World, You're on Your Own is the ninth and last comedy album recorded by the Firesign Theatre for Columbia Records. It was released in October 1975.

<i>Roller Maidens from Outer Space</i> 1974 studio album by Phil Austin and the Firesign Theatre

Roller Maidens From Outer Space is a 1974 comedy album by Phil Austin, one of the members of the comedy group Firesign Theatre. Although the record is considered to be Austin's "solo" album, the other three Firesigns make vocal contributions throughout, and are thanked by Austin in the liner notes. A complex lampoon on television and society, Austin's record is much in the same vein as the Firesign Theatre's Don't Crush That Dwarf, Hand Me the Pliers and fellow Firesign members Phil Proctor and Peter Bergman's TV or Not TV. The television theme is carried over into the record sleeve, which features liner information displayed as if it were a TV Guide listing, complete with stylized channel numbers and little blurbs of content.

<i>Dear Friends</i> (album) 1972 compilation album by The Firesign Theatre

Dear Friends is the Firesign Theatre's fifth album to be released on Columbia Records. It is a compilation album, collecting the Firesigns' choice of the best comedy sketches from their nationally syndicated radio program produced from September 1970 to February 1971.

<i>Not Insane or Anything You Want To</i> 1972 live album by the Firesign Theatre

Not Insane or Anything You Want To is the sixth album released by the Firesign Theatre on Columbia Records. It was released in October 1972 and includes some material that was recorded in the studio as well as some material that was recorded before a live audience. The full title is listed on the spine of the record album as Not Insane or Anything You Want To. The abbreviated title Not Insane appears on the front of the album cover, while Or Anything You Want To appears on the back cover. It is usually referred to simply as Not Insane.

<i>Papoon for President</i> 2002 compilation album by The Firesign Theatre

Papoon for President is a comedy compilation album released in 2002 by the Firesign Theatre. George Papoon is a fictional US Presidential candidate invented by the group in 1972 for their filmed radio broadcast Martian Space Party, in which Papoon is nominated as the candidate of the "Natural Surrealist Party". The album is a compilation of material originally released in the film and the 1972 album Not Insane or Anything You Want To, plus material from 1976 and 1980. The first and last tracks contain interviews of Phillip Proctor and Peter Bergman done by Steve Marshall, broadcast on NPR both before and after the 1972 United States presidential election. These interviews were released on a promotional recording, A Firesign Chat with Papoon, by Columbia Records in November 1972.

<i>TV or Not TV</i> 1973 studio album by Proctor and Bergman

TV or Not TV is the debut album by the comedy duo Proctor and Bergman. It was originally released in 1973 by Columbia Records.

<i>Just Folks... A Firesign Chat</i> 1977 studio album by The Firesign Theatre

Just Folks... A Firesign Chat is a 1977 comedy album by the Firesign Theatre. The material is based on previously unreleased material from their 1970–1972 radio shows Dear Friends and Let's Eat!. It was the only record the group made under a new contract with Butterfly Records, after the cancellation of their ten-year Columbia Records contract.

<i>Fighting Clowns</i> 1980 live album by The Firesign Theatre

Fighting Clowns is a 1980 album by the Firesign Theatre. It is unique among Firesign Theatre albums because it is primarily made up of songs rather than the group's usual audio theater or sketch comedy pieces. Many of the songs on this album were recorded live in front of an audience while some of the songs and much of the linking material was recorded in the studio. Cover artwork was done by Phil Hartman.

<i>Radio Now Live</i> 2001 live album by The Firesign Theatre

Radio Now Live is a 2001 comedy album by the Firesign Theatre, recorded from a live performance on a 1999 West Coast tour. Its main concept is based on material from Firesign's studio album Give Me Immortality or Give Me Death, but also contains material based on older albums How Can You Be in Two Places at Once When You're Not Anywhere at All; Don't Crush That Dwarf, Hand Me the Pliers; I Think We're All Bozos on This Bus; and Anythynge You Want To.

<i>Give Us a Break</i> (Proctor and Bergman album) 1978 studio album by Proctor and Bergman

Give Us A Break is a 1978 comedy album by comedy duo Proctor and Bergman, one half of the Firesign Theatre.

<i>What This Country Needs</i> (Proctor and Bergman album) 1975 live album by Proctor and Bergman

What This Country Needs is the second comedy album by the duo Proctor and Bergman of the Firesign Theatre. It was originally released in September 1975 on Columbia Records, and was among the Firesign Theatre's last Columbia albums, along with In the Next World, You're on Your Own and Forward Into The Past. It was recorded from a live performance at The Bottom Line which contained material adapted or re-used from their 1973 studio album TV or Not TV, plus several new sketches.

Nick Danger is a fictional character created by the comedy group The Firesign Theatre, portrayed by Phil Austin. Danger is a parody of the hard-boiled detective, and is often announced as "Nick Danger, Third Eye", a parody of the term private eye. Danger stories involve stereotypical film noir situations, including mistaken identity, betrayal, and femmes fatales. Danger originally appears on the 1969 album How Can You Be in Two Places at Once When You're Not Anywhere at All, and is reprised in the 1979 Nick Danger: The Case of the Missing Shoe, 1984 The Three Faces of Al, and 2001 The Bride of Firesign.

He's based on the [Dashiell] Hammett Sam Spade character, but as I got more into writing him over the years, he's become much more like [Philip] Marlowe. I love [Raymond] Chandler's writing.

<i>Shoes for Industry: The Best of the Firesign Theatre</i> 1993 greatest hits album by The Firesign Theatre

Shoes For Industry: The Best of the Firesign Theatre is the eighteenth comedy album by the Firesign Theatre. Released in 1993 as a two-disk CD on Laugh.com, it is a compilation of tracks from the group's albums recorded during their Golden Age (1968–1975) for Columbia Records. It is an expanded version of the 1976 Columbia compilation LP Forward Into The Past, containing 31 tracks compared to the previous 18. Unlike that LP, it also contains some selections from two solo albums, Proctor and Bergman's TV or Not TV and Phil Austin's Roller Maidens From Outer Space. Its release was coordinated with Back From the Shadows: The Firesign Theatre's 25th Anniversary Reunion Tour.

<i>Duke of Madness Motors</i> 2020 book and DVD archive by the Firesign Theatre

Duke of Madness Motors: The Complete "Dear Friends" Radio Era is a book and data DVD set collecting the complete works of comedy group the Firesign Theatre's 1970s radio shows Firesign Theatre Radio Hour Hour, Dear Friends, and Let's Eat.

References

  1. "Who Am Us, Anyway? Peter Bergman". Firesign Media. Retrieved December 1, 2017.
  2. Proctor, Philip. Bride of Firesign. Firesign Media (liner notes). Retrieved December 1, 2017.
  3. "The Martian Space Party Diary". firesigntheatre.com. 1996. Retrieved April 15, 2016.
  4. 1 2 3 Peter Bergman (Spring 1999). "The History of Proctor & Bergman On the Road". Firezine.net. 1 (5). Retrieved June 19, 2018.
  5. "Proctor and Bergman | Bottom Line | New York, NY | Jun 8, 1978 | Late Show - wolfgangsvault.com". Concerts.wolfgangsvault.com. June 8, 1978. Retrieved October 28, 2012.
  6. Simels, Steve (1993). Putting It Simply, There's Never Been Anything Like The Firesign Theatre Before or Since (liner notes). Laugh.com. Retrieved November 28, 2017.
  7. Bonnitt, Ted (1998). Power: Life on the Edge in L.A. (liner notes). Proctor and Bergman. Retrieved March 3, 2019.
  8. "Peter Bergman, Firesign Theatre founder, dies at 72 | 89.3 KPCC". Scpr.org. March 9, 2012. Retrieved October 28, 2012.
  9. "Proctor and Bergman - Market Guards / Consumer Watchdog".
  10. Voices; Intellivisionlives.com