Progress Live | ||||
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Live album by | ||||
Released | 21 November 2011 | |||
Recorded | June – July 2011 | |||
Venue | Wembley Stadium (London) Etihad Stadium (Manchester) | |||
Genre | ||||
Length | 108:46 | |||
Label | Polydor | |||
Take That chronology | ||||
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Progress Live is the twelfth album released by English pop band Take That. It is also the band's second live album to date and was released as a double disc album in Europe on 21 November 2011 and in the UK on 28 November 2011. The album was recorded during their Progress Live tour at Wembley Stadium in London and Etihad Stadium in Manchester in June and July 2011.
To promote the release of Progress Live on home media and CD, Take That released a music video of their track "Eight Letters" which featured as the closing track on the album Progress and the final song they performed on the setlist of Progress Live. The music video shows highlights of the shows, including behind the scenes footage and the band performing and greeting the fans at the finale. The camera then pans away from Take That as they leave the stage, before receding further to reveal the stage set with the 60 ft mechanical man as it stands arms wide and its heart beating, standing out against the night sky. [1] The song was also released to radio, where it was playlisted by Radio 2 on its first week of radio airplay. [2]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Rule the World" | 4:10 | |
2. | "Greatest Day" |
| 3:54 |
3. | "Hold Up a Light" |
| 4:27 |
4. | "Patience" |
| 3:28 |
5. | "Shine" |
| 5:43 |
6. | "Let Me Entertain You" | 5:54 | |
7. | "Rock DJ" |
| 4:28 |
8. | "Come Undone" |
| 4:16 |
9. | "Feel" |
| 4:27 |
10. | "Angels" |
| 4:46 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Flood" |
| 4:53 |
2. | "SOS" |
| 3:58 |
3. | "Underground Machine" |
| 4:58 |
4. | "Kidz" |
| 6:51 |
5. | "Pretty Things" |
| 4:05 |
6. | "When They Were Young Medley" ("A Million Love Songs"/"Babe"/"Everything Changes") |
| 4:32 |
7. | "Back for Good" | Barlow | 5:14 |
8. | "Pray" | Barlow | 5:37 |
9. | "Love Love" |
| 3:58 |
10. | "Never Forget" | Barlow | 7:31 |
11. | "No Regrets"/"Relight My Fire" |
| 5:54 |
12. | "Eight Letters" |
| 5:42 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [9] | Gold | 100,000* |
* Sales figures based on certification alone. |
Region | Date | Format |
---|---|---|
Denmark [10] | 21 November 2011 | CD |
Germany [11] | 25 November 2011 | |
United Kingdom [12] | 28 November 2011 |
Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals, and Donald and Orange serving primarily as dancers.
Gary Barlow is an English songwriter, singer, record producer, and television personality. He is the lead singer of the pop group Take That.
Lamb is an English electronic music duo from Manchester, whose music is influenced by trip hop, drum and bass and jazz. The duo consists of producer Andy Barlow and singer-songwriter Lou Rhodes. They achieved commercial success with the hit singles "Górecki" and "Gabriel".
"Back for Good" is a song by English band Take That from their third studio album, Nobody Else (1995). Released on March 27, 1995 by RCA and Arista, it was written by lead singer Gary Barlow, who also co-produced it with Chris Porter. The song topped the UK Singles Chart whilst also charting at number one in 31 countries, as well as reaching the top 10 in many others. Vaughan Arnell and Anthea Benton directed the song's music video. At the 1996 Brit Awards, "Back for Good" won the Brit Award for British Single of the Year. In 2003, Q Magazine ranked the song at number 910 in their list of the "1001 Best Songs Ever" and in a UK poll in 2012, it was voted number 11 on the ITV special The Nation's Favourite Number One Single.
"Never Forget" is a song recorded by English boy band Take That, included as the sixth track on their third studio album, Nobody Else (1995). Written by Gary Barlow and produced by Brothers in Rhythm and Dave James, it features Howard Donald on lead vocals. A remixed version of the song produced by Jim Steinman was released as a single on 24 July 1995 by RCA and BMG and became the band's seventh number one on the UK Singles Chart, remaining at number one for three weeks. Robbie Williams left the band during the promotion of the song. Its music video was directed by David Amphlett. In 2018, "Never Forget" was included in American Billboard magazine's list of the "100 Greatest Boyband Songs of All Time".
"Shine" is the second single taken from English pop group Take That's comeback album, Beautiful World (2006). It became Take That's sixth consecutive number one single and their tenth number-one overall, making them one of only seven acts in the history of the UK charts to have more than nine number one hits. The song is about former Take That member Robbie Williams' battle with depression.
"Greatest Day" is a song by English pop group Take That. It was released through Polydor Records on 24 November 2008 as the lead single from their fifth studio album, The Circus (2008). The song was written by the band and produced by John Shanks.
Progress is the sixth studio album by English band Take That. It is the band's first album since Nobody Else (1995) to feature the original five-piece, with the return of Robbie Williams since his initial departure from the band in 1995, joined only on this album, and the final album to feature Jason Orange due to his departure from the band in 2014, which marked the final album to feature the original formation. The album was released in the United Kingdom on 15 November 2010.
"Shame" is a song written and recorded by English singers Robbie Williams and Gary Barlow for Williams's second greatest hits compilation album, In and Out of Consciousness: Greatest Hits 1990–2010 (2010). Produced by Trevor Horn, it was released as the lead single from the album on 27 August 2010 in most countries worldwide and on 1 October in the United Kingdom. "Shame" marks the first time Williams and Barlow collaborated on a song together solely and the first time they worked together since Williams left Take That in 1995. It is a pop song with country and folk music influences; two reviewers noted that it contains an acoustic guitar part similar to the one of the Beatles' 1968 song, "Blackbird". The lyrical content revolves around singers' broken relationship and fixing things up.
In and Out of Consciousness: Greatest Hits 1990–2010 is the second greatest hits compilation album by the English singer-songwriter Robbie Williams, after his first greatest hits compilation, Greatest Hits, which was released in 2004. The album, which features 39 songs, was released in October 2010 and is his last album under his recording contract with EMI. The lead single of the album is "Shame", co-written by and featuring fellow Take That member Gary Barlow. The song is their first collaboration in 15 years since Williams left Take That in 1995.
"The Flood" is a song by English pop group Take That from their sixth studio album, Progress (2010). It was released as the lead single in the United Kingdom on 7 November 2010. The song is the first to feature Robbie Williams since his return to the band in July 2010, and features both Williams and Gary Barlow on lead vocals.
"Kidz" is a song by English pop group Take That from their sixth studio album, Progress. It was released as the second single from the album on 20 February 2011. The song features Mark Owen and Gary Barlow performing lead vocals.
"Higher" is the fifth single from English singer-songwriter Taio Cruz's second studio album, Rokstarr. It was written and produced by Cruz and Sandy Vee, and was released on 26 November 2010. This song was originally written for Australian singer Kylie Minogue's album Aphrodite, but plans fell through. However, Cruz and Minogue recorded a version of the song for the European release, while American rapper Travie McCoy recorded guest raps for the American release. The Brazilian and United Kingdom versions have parts of McCoy's rap mixed into the Minogue version. The version on Cruz's albums feature a solo vocal by Cruz with no guest vocalist and an edited version of the solo version was added to Radio Disney's playlist.
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"When We Were Young" is the second and final single by English pop group Take That from the band's first EP, Progressed. It acted as the theme song in the feature film adaptation of The Three Musketeers, which premiered in the United Kingdom on 14 October 2011. The song is the last to feature Jason Orange and Robbie Williams and features Williams and Gary Barlow on lead vocals. The single was released to radio on 11 July 2011 and was released in the United Kingdom as a digital download on 22 August 2011.
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"Run for Your Life" is a song by the British singer-songwriter and The X Factor 2010 winner Matt Cardle. It was released on 9 October 2011 as the lead single from his first studio album, Letters (2011). The song was written and produced by Gary Barlow, and was the last song that Cardle recorded for the album. It reached number 6 on the UK Singles Chart.
"Spectrum" is a song by English indie rock band Florence and the Machine from their second studio album Ceremonials (2011). It was written by lead singer Florence Welch and Paul Epworth with production being handled by Epworth. The band premiered the song during a concert at Brooklyn's Creators Project on 15 October 2011, prior to the release of the album. The album version of "Spectrum" is a downtempo orchestral pop, dance-pop and disco song. The accompanying music video for the song premiered on 30 May 2012. It was directed by David LaChapelle and John Byrne.
"Candy" is a song by English pop singer Robbie Williams, released on 11 September 2012 as the lead single from his ninth studio album Take the Crown. It was written by Williams and Gary Barlow, interpolating a riff from "Eurodans" by Terje Olsen. The song was Williams's first UK number-one single since "Radio" in 2004, and was deliberately produced in the style of other 2012 chart-toppers in a calculated attempt to re-establish his presence in the UK charts.
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