Chicano rock is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches.
Sinaloa, officially the Estado Libre y Soberano de Sinaloa, is one of the 31 states which, along with Mexico City, comprise the Federal Entities of Mexico. It is divided into 18 municipalities and its capital city is Culiacán Rosales.
The music of Mexico is very diverse and features a wide range of musical genres and performance styles. It has been influenced by a variety of cultures, most notably deriving from the culture of the Europeans, Indigenous, and Africans. It also sometimes rarely contains influences from Asians and Arabs, as well as from other Hispanic and Latino cultures. Music was an expression of Mexican nationalism, beginning in the nineteenth century.
Pachucos are male members of a counterculture associated with zoot suit fashion, jump blues, jazz and swing music, a distinct dialect known as caló, and self-empowerment in rejecting assimilation into Anglo-American society that emerged in El Paso, Texas, in the late 1930s. The pachuco counterculture flourished among Chicano boys and men in the 1940s as a symbol of rebellion, especially in Los Angeles. It spread to women who became known as pachucas and were perceived as unruly, masculine, and un-American. Some pachucos adopted strong attitudes of social defiance, engaging in behavior seen as deviant by white/Anglo-American society, such as marijuana smoking, gang activity, and a turbulent night life. Although concentrated among a relatively small group of Mexican Americans, the pachuco counterculture became iconic among Chicanos and a predecessor for the cholo subculture which emerged among Chicano youth in the 1980s.
Furia Musical was a Mexican music magazine published by Editorial Televisa, which includes articles and gossip about the famous singers in this genre.
Norteño or Norteña, also música norteña, is a genre of Regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs. The accordion and the bajo sexto are traditional norteño's most characteristic instruments. Norteña music developed in the late 19th century, as a mixture between local Mexican music and Austrian-Czech-origin folk music.
KLAX-FM is an American commercial radio station located in East Los Angeles, California, broadcasting to the Greater Los Angeles area. KLAX-FM airs a regional Mexican music format branded as "La Raza". The station has studios in Los Angeles, and its transmitter is based in Glendale.
Banda is a genre of Regional Mexican music and type of ensemble in which wind and percussion instruments are performed.
Regional styles of Mexican music vary greatly from state to state. Norteño, banda, duranguense, Son mexicano and other Mexican country music genres are often known as regional Mexican music because each state produces different musical sounds and lyrics.
"Footsteps in the Dark" is a 1977 slow jam recorded by The Isley Brothers as an album track featured on the group's album Go for Your Guns. It was the B-side to "Groove with You", which reached number 16 on the R&B singles chart. The track also marked Ron Isley's growing transition into singing more ballads, compared to the band's earlier funk approach. The song is featured in the 2008 video game Grand Theft Auto IV on the fictional R&B radio station The Vibe 98.8.
Tierra Caliente music is a genre of Regional Mexican music.
Grupera is a genre of Regional Mexican music. It reached the height of its popularity in the 1990s, especially in rural areas. The music has roots in the rock groups of the 1960s, but today generally consists of four or more musicians using electric guitars, keyboards and drums. The music increased in popularity in the 1980s and became commercially viable, and is now recognized in some Latin music awards ceremonies such as Lo Nuestro and The Latin Grammy Awards. Grupero artists typically perform rancheras, corridos, cumbias, charangas, ballads, boleros and chilenas/huapangos.
Banda Machos is a Regional Mexican band originally from Villa Corona, in the state of Jalisco.
Banda Maguey is a Regional Mexican band from Jalisco, Mexico. They originated in Villa Corona, also the home of Banda Machos, who along with Banda Maguey have been called the two most successful exponents of the Technobanda sound. Banda Maguey was led by their singer Ernesto Solano who has also composed a number of their songs, including Pero Te Amo, a hit from their fourth album, El Mundo Gira. In 1998, Banda Maguey signed a record deal with BMG U.S. Latin and recorded Lágrimas De Sangre.
Josh Kun is an American author, academic and music critic. Kun is Professor of Communication and Journalism and chair in Cross-Cultural Communication in the Annenberg School at the University of Southern California. He also holds a joint appointment at USC's Department of American Studies and Ethnicity. He is the director of USC Annenberg's School of Communication, director of The Popular Music Project at USC Annenberg's the Norman Lear Center and co-editor of the book series "Refiguring American Music" for Duke University Press.
The 1992 Southern California drywall strike was a strike by Mexican and Mexican American drywall hangers, many of whom were undocumented, for fair wages and health insurance from contractors, who stole two billion dollars a years in income taxes, social security, and worker's compensation payments from the workers and collaborated with the local police to repress the organizers. Jesus Gomez, leader of the strike, received threats and had shots fired at his home, while key organizers were tailed by the police and even followed with helicopters. Eventually aligning with the United Brotherhood of Carpenters and Joiners, the strikers succeeded in getting union contracts that ensured fair wages and benefits. The strike left the residential construction industry in a different state. While the industry remained an open shop, contractors were forced to pay Mexican workers with wages and benefits closer to that of the white workers.
Mexican Americans have lived in Los Angeles since the original Pobladores, the 44 original settlers and 4 soldiers who founded the city in 1781. People of Mexican descent make up 31.9% of Los Angeles residents, and 32% of Los Angeles County residents.
Bobby Espinosa was an influential and important part of the Latin rock scene in Los Angeles from the late 1960s to the 2000s. He was a founding member of El Chicano.
Banda Arkángel R-15 is a Regional Mexican band founded by Jesus Navarro in Las Varas, Nayarit in 1992. The band is one of the best known in the Technobanda genre. The R15 in the band's name represents a type of assault riffle commonly known in the banda mafia genre. Their record labels were Fonovisa (1990-1998), Sony BMG (1999-2003), and Caro Music (2006-).
A Pedir Su Mano is a song by Dominican Republic singer-songwriter Juan Luis Guerra released as the fourth single for his album Bachata Rosa (1990). It was released in 1990 by Karem Records and in 1992 on Europe by Ariola. The track is a merengue version of the song “Dede Priscilla,” by Lea Lignazi from the Central African Republic. The track combined music elements of Afropop and zouk with merengue. The music video shows people in traditional African dress dancing in sugarcane fields with a cartoon of a red train traversing the landscape.
