Rachel Brown is a British flautist and author, known especially for her work with Baroque music and flutes. She is currently professor of baroque flute at the Royal College of Music in London, in addition to travelling around the world to give master classes. [1] She has performed with many orchestras internationally, including as principal flute with Kent Opera, the Academy of Ancient Music, the Hanover Band, the King's Consort, Collegium Musicum 90, Ex Cathedra, and the Brandenburg Consort. [2] She is known for her extensive work and mastery of both historical and modern flutes. [3]
Brown was born and raised in London. [4] As a child, she studied recorder, flute at age 11 [5] and piano. She was accepted into the Royal College of Music Junior College, where she took private lessons in each of these three instruments and played in a recorder consort. [4] At age 15, Brown attended the Trevor Wye Summer School which motivated her to further her flute study and she later attended the Royal Northern College of Music (RNCM) to study with Wye. [4] It was here that her interest in baroque flute grew. She also studied baroque flute with Lisa Beznosiuk during her years at RNCM. [5] After graduation, she obtained positions with the Academy of Ancient Music and Kent Opera. [5] In 1984, Brown travelled to the US to compete in the National Flute Association's Young Artist Competition, where she won first place. She credits this competition as helping her find international connections and becoming more connected to the flute community. [2]
In 2003, she authored and published a book entitled The Early Flute: A Practical Guide about Baroque flute performance practices and techniques. [5] This book has been called "invaluable resource for any flautist interested in historically informed performance". [5]
She is active in teaching, holding positions at the Royal College, running a children's group called "Hummingbirds" for youngsters, and travelling internationally for master classes in the US, Canada, Sweden, Poland, Spain, the Netherlands, Belgium and New Zealand. [1] Her scholarly work includes an extensive discography of Baroque pieces and a project on reviving over 300 Johann Joachim Quantz sonatas and concertos for publishing found during a research project at the Berlin State Library. [4] She has revived the 18th-century practice of financing a project by finding subscribers, on such projects she has worked with other flautists including Robert Dick and Don Hulbert. [6] She is a member of the London Handel Players which has recorded many discs of period music on period instruments, in addition to performing regularly at the London Handel Festival and throughout the world. [7]
Brown is married to a violinist and has a young daughter. [5]
Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving oeuvre. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally.
Carl Philipp Emanuel Bach, also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Baroque and Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.
Johann Joachim Quantz was a German composer, flutist and flute maker of the late Baroque period. Much of his professional career was spent in the court of Frederick the Great. Quantz composed hundreds of flute sonatas and concertos, and wrote On Playing the Flute, an influential treatise on flute performance. His works were known and appreciated by Bach, Haydn and Mozart.
Jean-Pierre Louis Rampal was a French flautist. Rampal popularised the flute in the post–World War II years, recovering flute compositions from the Baroque era, and spurring contemporary composers, such as Francis Poulenc, to create new works that have become modern standards in the flautist's repertoire.
Trevor David Pinnock is a British harpsichordist and conductor.
This is a list of notable events in music that took place in the year 1734.
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a “flautist” in British English, and a “flutist” in American English.
Hille Perl is a German virtuoso performer of the viola da gamba and lirone.
Lisa Beznosiuk is an English flautist of Ukrainian and Irish descent, specializing in period performance of baroque and classical music on historical flutes.
Rachel Podger is a British violinist and conductor specialising in the performance of Baroque music.
The Sonata in E major for flute and basso continuo is a sonata for transverse flute and figured bass composed by J. S. Bach in the 1740s. It was written as the result of a visit in 1741 to the court of Frederick the Great in Potsdam, where Bach's son Carl Philipp Emanuel had been appointed principal harpsichordist to the king the previous year. It was dedicated to Michael Gabriel Fredersdorf, the king's valet and private secretary, who, like the king, was an amateur flautist.
The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba, and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann called his two collections Quadri and Nouveaux Quatuors. The collective designation "Paris quartets" was only first bestowed upon them in the second half of the twentieth century by the editors of the Telemann Musikalische Werke, because of their association with Telemann's celebrity visit to Paris in 1737–38. They bear the numbers 43:D1, 43:D3, 43:e1, 43:e4, 43:G1, 43:G4, 43:g1, 43:A1, 43:A3, 43:a2, 43:h1, 43:h2 in the TWV.
Alexis Kossenko is a French contemporary flautist, conductor and musicologist.
Daniel Robert Waitzman is an American flutist and composer.
Tafelmusik is a collection of instrumental compositions by Georg Philipp Telemann (1681–1767), published in 1733. The original title is Musique de table. The work is one of Telemann's most widely known compositions; it is the climax and at the same time one of the last examples of courtly table music.
The Sonata for Solo Flute in A minor, Wq.132, H 562, is a sonata for flute, without Basso Continuo or accompanying instruments, composed by Carl Philipp Emanuel Bach. The sonata is considered, along with Telemann's Fantasias for Solo Flute and J. S. Bach's A minor partita, one of the most significant works for unaccompanied flute before the 20th century. It is the sole flute work by Bach that was printed and published during his lifetime. No manuscript of it has been discovered.
Emi Ferguson is an English-American flutist, performer, singer, composer, and professor at the Juilliard School.
Claire Guimond is a Canadian flute player who was the founding member and former Artistic Director of Arion Baroque Orchestra.
Arion Baroque Orchestra, founded in 1981, is a Canadian baroque orchestra based in Montreal, Quebec, specializing in music of the 18th century performed on period instruments.
Kate Clark is a solo, chamber, and orchestral flutist based in Amsterdam, The Netherlands. She is a specialist in the performance and performance practice of historical flutes from the renaissance to the early modern period, and teacher of historical flutes at the Royal Conservatory of The Hague.