Rachel Pearl Maines | |
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Born | [1] Brookline, Massachusetts, U.S. | July 8, 1950
Education | |
Known for | Writings on the history of technology |
Rachel Pearl Maines (born July 8, 1950) is an American scholar specializing in the history of technology. Since 2015 she has been a visiting scientist at Cornell University's School of Electrical and Computer Engineering. Her book The Technology of Orgasm won the American Historical Association's Herbert Feis Award. The book was also the inspiration for the film Hysteria and the play In the Next Room . [2] However, one of the main claims of the book has been debunked as false. [3]
Maines was born in Brookline, Massachusetts, and received her BA in classics with a specialization in ancient science and technology from the University of Pittsburgh in 1971. She received her PhD in applied history and social science from Carnegie Mellon University in 1983 with a doctoral dissertation entitled Textiles for Defense: Emergency Policy for Textiles and Apparel in the Twentieth Century. [4] Much of her early scholarship centered on the history of textiles and needlework. She was one of the founders of the Center for the History of American Needlework in Pittsburgh. [5]
She is married to Garrel S. Pottinger, PhD, a retired professor of philosophy, with whom she has written several books. [6] [7] They have a daughter, Rachel Amanda Pottinger of Acme, Washington.
While researching needlework in late 19th- and early 20th-century women's magazines, Maines encountered what she would argue were highly circumspect advertisements for vibrators. The advertisements, she claimed, showed women using the electrical devices to massage their necks and backs but the accompanying text described the devices as "thrilling, invigorating" and promised that "all the penetrating pleasures of youth will throb in you again". Maines recalled in a 1999 interview, "I kept thinking to myself, this can't be what I think it is." [8]
She then began researching and writing articles on the history of vibrators, the first one for the newsletter of the Bakken Museum of Electricity in Life. According to Maines, the article caused her to lose her post as assistant professor at Clarkson University in 1986 because the university was convinced that the nature of her research would drive away benefactors and alumni donors, though no evidence was presented to substantiate this claim. Three years later she submitted a more detailed article, "Socially Camouflaged Technologies: The Case of the Electromechanical Vibrator", to Society and Technology, the magazine of the IEEE Society on Social Implications of Technology. Initially, the IEEE thought the article was a joke perpetrated by the magazine's editors and that there was no such person as Rachel Maines. However, after checking all the internal citations and Maines's own background, the IEEE finally allowed the article to be published in the June 1989 edition of the magazine. [8] [9] Her book-length treatment of the subject, The Technology of Orgasm, was published in 1998 by Johns Hopkins University Press. Subtitled "Hysteria," the Vibrator, and Women's Sexual Satisfaction, it won the American Historical Association's Herbert Feis Award and was the inspiration for Sarah Ruhl's 2009 play In the Next Room and Tanya Wexler's 2011 film Hysteria . [10] [11] The book also formed the basis for Passion & Power, a 2007 documentary by Emiko Omori and Wendy Slick. [12]
Many of Maines's claims in The Technology of Orgasm have been challenged, notably by classicist Helen King and researchers at the Wellcome Collection. [13] [14] In 2012, King's article on Maines's misuse of classical material was awarded the Barbara McManus Prize of the Women's Classical Caucus. [15]
A central claim in Maines's book—that Victorian physicians routinely used electromechanical vibrators to stimulate female patients to orgasm as a treatment for hysteria—was challenged by Hallie Lieberman and Eric Schatzberg of the Georgia Institute of Technology. [16] Lieberman and Schatzberg failed to find references to this practice in Maines's sources. [16] In January 2020, Lieberman wrote an op-ed in The New York Times which drew further attention to Maines' role in promoting the latter widespread myth as fact. [17]
In an interview from 2018, Maines stated, "I never claimed to have evidence that this was really the case. What I said was that this was an interesting hypothesis, and as [Lieberman] points out—correctly, I think—people fell all over it. It was ripe to be turned into mythology somehow. I didn't intend it that way, but boy, people sure took it, ran with it." [18]
Maines's next book, Asbestos and Fire: Technological Trade-offs and the Body at Risk, was published by Rutgers University Press in 2005. [19] She returned to the subject of needlework and textiles in Hedonizing Technologies published by Johns Hopkins University Press in 2009. The book traces the evolution of fiber arts from an industry to a hobby. [20] [21] Since 2015 Maines has been a visiting scientist at Cornell University's School of Electrical and Computer Engineering. [4] [22]
Orgasm or sexual climax is the sudden discharge of accumulated sexual excitement during the sexual response cycle, resulting in rhythmic, involuntary muscular contractions in the pelvic region characterized by sexual pleasure. Experienced by males and females, orgasms are controlled by the involuntary or autonomic nervous system. They are usually associated with involuntary actions, including muscular spasms in multiple areas of the body, a general euphoric sensation, and, frequently, body movements and vocalizations. The period after orgasm is typically a relaxing experience, attributed to the release of the neurohormones oxytocin and prolactin as well as endorphins.
The G-spot, also called the Gräfenberg spot, is characterized as an erogenous area of the vagina that, when stimulated, may lead to strong sexual arousal, powerful orgasms and potential female ejaculation. It is typically reported to be located 5–8 cm (2–3 in) up the front (anterior) vaginal wall between the vaginal opening and the urethra and is a sensitive area that may be part of the female prostate.
A sex toy is an object or device that is primarily used to facilitate sexual pleasure, such as a dildo, artificial vagina or vibrator. Many popular sex toys are designed to resemble human genitals, and may be vibrating or non-vibrating. The term sex toy can also include BDSM apparatus and sex furniture such as sex swings; however, it is not applied to items such as birth control, pornography, or condoms. Alternative terms for sex toy include adult toy and the dated euphemism marital aid. Marital aid also has a broader meaning and is applied to drugs and herbs marketed to enhance or prolong sex.
Erotic massage is the use of massage techniques by one person on another person's erogenous zones for their sexual pleasure. The process may achieve or enhance the recipient's sexual excitation or arousal and sometimes achieve orgasm. The person providing the massage is called a masseur (male) or masseuse (female). Massages have been used for medical purposes for a very long time, and their use for erotic purposes also has a long history. In the case of women, the two focal areas are the abdomens and pubis, while in case of men, the focal areas are the male breast muscles and nipples, male genitals, the anus, and the prostate. When the massage is of a partner's genitals, the act is usually referred to as a handjob for penises and fingering for vulvas.
Betty Dodson was an American sex educator. An artist by training, she exhibited erotic art in New York City, before pioneering the pro-sex feminist movement. Dodson's workshops and manuals encourage women to masturbate, often in groups.
Female hysteria was once a common medical diagnosis for women. It was described as exhibiting a wide array of symptoms, including anxiety, shortness of breath, fainting, nervousness, sexual desire, insomnia, fluid retention, heaviness in the abdomen, irritability, loss of appetite for food or sex, even sexually forward behavior, and a "tendency to cause trouble for others". It is no longer recognized by medical authorities as a medical disorder. Its diagnosis and treatment were routine for hundreds of years in Western Europe.
A vibrator, sometimes described as a massager, is a sex toy that is used on the body to produce pleasurable sexual stimulation. There are many different shapes and models of vibrators. Most modern vibrators contain an electric-powered device which pulsates or throbs. Vibrators can be used for both solo play and partnered play by one or more people. Devices exist to be used by couples to stimulate the genitals of both partners. They can be applied to erogenous zones, such as the vulva, vagina, penis, scrotum, or anus, for sexual stimulation, for the release of sexual frustration and to achieve orgasm. Vibrators may be recommended by sex therapists for women who have difficulty reaching orgasm through masturbation or intercourse.
Joani Blank was an American sex educator, entrepreneur, author, videographer, cohousing enthusiast, philanthropist, and inventor in the field of sexuality. She used publishing, her sex store, and other endeavors to promote sex-positive feminism. Her papers are part of the Human Sexuality Collection at Cornell University Library.
The Magic Wand aka the True Magic Wand, Magic Wand Original, Vibratex Magic Wand and Original Magic Wand) is an AC-powered wand vibrator. It was originally manufactured for relieving tension and relaxing sore muscles; however, it is most known for its use as a sex toy. Japanese company Hitachi listed the device for business in the United States in 1968. Sex educator Betty Dodson popularized its use as a vibrator and masturbation aid for women during the sex-positive movement in the late 1960s. It functions effectively as a clitoral vibrator for reaching orgasm. The wand is 12 inches (30 cm) long and weighs 1.2 pounds (540 g) with stimulation provided by its rubberized 2.5-inch (64 mm) head.
In the Next Room (or The Vibrator Play) is a 2009 play by Sarah Ruhl, published by Samuel French. It concerns the early history of the vibrator, when doctors allegedly used it as a clinical device to bring women to orgasm as treatment for "hysteria." Other themes include Victorian ignorance of female sexual desire, motherhood, breastfeeding, and jealousy. The play was nominated for three 2010 Tony Awards.
A sex machine is a mechanical device used to simulate human sexual intercourse or other sexual activity.
Hysteria is a 2011 British period romantic comedy film directed by Tanya Wexler. It stars Hugh Dancy and Maggie Gyllenhaal, with Felicity Jones, Jonathan Pryce, and Rupert Everett appearing in key supporting roles. The film, set in the Victorian era, shows how the medical management of hysteria led to the invention of the vibrator.
Thérèse de Dillmont was an Austrian needleworker and writer. Dillmont's Encyclopedia of Needlework (1886) has been translated into 17 languages. She owned a string of shops in European capitals and she was "one of the most important pioneers in the international and multicultural enterprise of hobby needlework in the late nineteenth century".
Joseph Mortimer Granville was an English physician, author and inventor known for having first patented the electromechanical vibrator for relief of muscle aches, exclusively for male patients. It was also claimed by Rachel Maines that the device was used to treat hysteria, by bringing women to orgasm, but her work is not historically accurate.
Jean Dollfus was a French industrialist who grew a textile company, Dollfus-Mieg et Compagnie (D.M.C.), in Mulhouse. Dollfus was a leading figure in a philanthropic society which constructed a company town that sold houses at cost to the town's workers. Dollfus also helped publish an encyclopedia of needlework.
Fei-Fei Li is a Chinese-American computer scientist, known for establishing ImageNet, the dataset that enabled rapid advances in computer vision in the 2010s. She is the Sequoia Capital professor of computer science at Stanford University and former board director at Twitter. Li is a co-director of the Stanford Institute for Human-Centered Artificial Intelligence and a co-director of the Stanford Vision and Learning Lab. She served as the director of the Stanford Artificial Intelligence Laboratory from 2013 to 2018.
Sex technology, also called sex-tech or sextech, is technology and technology-driven ventures that are designed to enhance, innovate, or otherwise change human sexuality and/or the human sexual experience. Use of the term was propagated online by Cindy Gallop from MLNP and is associated with an advancement of the Digital Revolution from 2010 and its impact on society and culture. It is often used in conjunction or interchangeably with the term 'teledildonics' referring to the remote connection between Bluetooth enabled sex toys that use haptic feedback to reciprocate or mimic human, sexual interaction. However, teledildonics is far more representative of Bluetooth-enabled sex toys and captures the technological capacities of its time whereas sex-technology is rooted in more modern discourse. As such, the word sex-tech is an umbrella term used to describe multiple technologies spanning from VR porn, health and sexual wellness platform or app-based technology, Bluetooth enabled sex toys, pornography video scripting, remote sex interfaces and sex robots.
Emiko Omori is an American cinematographer and film director known for her documentary films. Her feature-length documentary Rabbit in the Moon won the Best Documentary Cinematography Award at the 1999 Sundance Film Festival and an Emmy Award after it was broadcast on PBS that same year. One of the first camerawomen to work in news documentaries, Omori began her career at KQED in San Francisco in 1968.
Hallie Lieberman is an American writer and a sex and gender historian. Her first book, Buzz: The Stimulating History of the Sex Toy (2017) traces the history of sex toys in the USA from the 1950s to the present. Lieberman teaches science and technology journalism at the Georgia Institute of Technology.
Pelvic massage was a gynecological treatment first recorded as being used by doctors in the 19th century. An early practitioner was the Swedish Major Thure Brandt (1819–1895), whose method was described in the New York Medical Journal and the Journal of the American Medical Association.