Related Research Articles
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another.
A soap opera, or soap for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers. The term was preceded by “Horse opera”.
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries.
Radio drama is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama, dramatized works of fiction, as well as plays originally written for the theatre, including musical theatre, and opera.
The Eurovision Song Contest 1957 was the second edition of the annual Eurovision Song Contest. Organised by the European Broadcasting Union (EBU) and host broadcaster Hessischer Rundfunk (HR) on behalf of ARD, the contest, originally known as the Grand Prix Eurovision de la Chanson Européenne 1957 was held on Sunday 3 March 1957 and was hosted at the Großer Sendesaal des hessischen Rundfunks in Frankfurt, West Germany by German actress Anaid Iplicjian.
Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum, in a one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and receivers. Before this, all forms of electronic communication were one-to-one, with the message intended for a single recipient. The term broadcasting evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as early as 1898.
The Eurovision Song Contest 1960 was the fifth edition of the annual Eurovision Song Contest, held on Tuesday 29 March 1960 at the Royal Festival Hall in London, United Kingdom, and hosted by British television presenter and actress Catherine Boyle. Organised by the European Broadcasting Union (EBU) and host broadcaster the British Broadcasting Corporation (BBC), the United Kingdom was offered the rights to stage the contest after the Netherlands, which had won the 1959 contest, declined the opportunity after having previously organised the event in 1958.
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented..
BBC Radio 3 is a British national radio station owned and operated by the BBC. It replaced the BBC Third Programme in 1967 and broadcasts classical music and opera, jazz, world music, drama, culture and the arts also feature. The station describes itself as "the world's most significant commissioner of new music", and through its New Generation Artists scheme promotes young musicians of all nationalities. The station broadcasts the BBC Proms concerts, live and in full, each summer in addition to performances by the BBC Orchestras and Singers. There are regular productions of both classic plays and newly commissioned drama.
It is generally recognized that the first radio transmission was made from a temporary station set up by Guglielmo Marconi in 1895 on the Isle of Wight. This followed on from pioneering work in the field by a number of people including Alessandro Volta, André-Marie Ampère, Georg Ohm and James Clerk Maxwell.
Österreichischer Rundfunk is an Austrian national public service broadcaster. Funded from a combination of television licence fee revenue and limited on-air advertising, ORF is the dominant player in the Austrian broadcast media. Austria was the last country in continental Europe after Albania to allow nationwide private television broadcasting, although commercial TV channels from neighbouring Germany have been present in Austria on pay-TV and via terrestrial overspill since the 1980s.
Duke Bluebeard's Castle is a one-act expressionist opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale La Barbe bleue by Charles Perrault. The opera lasts only a little over an hour and there are just two singing characters onstage: Bluebeard, and his new wife Judith ; the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.
Joseph Deems Taylor was an American music critic, composer, and promoter of classical music. Nat Benchley, co-editor of The Lost Algonquin Roundtable, referred to him as "the dean of American music."
Light music is a less-serious form of Western classical music, which originated in the 18th and 19th centuries and continues today. Its heyday was in the mid‑20th century. The style is through-composed, usually shorter orchestral pieces and suites designed to appeal to a wider context and audience than more sophisticated forms such as the concerto, the symphony and the opera.
Der Zar lässt sich photographieren is an opera buffa in one act by Kurt Weill, op. 21. The German libretto was written by Georg Kaiser, and Weill composed the music in 1927. It is a Zeitoper, a genre of music theatre which used contemporary settings and characters, satiric plots which often include technology and machinery. Musically the Zeitoper genre tends to be eclectic and borrow from Jazz. The genre has practically disappeared from the world's opera houses. Historically the Zeitoper came to an abrupt end with the Nazi period, and after the war the cultural institutions were perhaps hesitant to return to the lighter, often decadent and comic operas written before the holocaust changed the artistic perspective. This conjecture is supported by the statistical fact that of all of Weill's, Schönberg's, Hindemith's and Krenek's works – it is these very shorter, satirical Zeitoper works that are no longer performed.
The Red Pen is a two-act operetta and early radio opera composed by Geoffrey Toye to a libretto by A. P. Herbert. The piece, described by its creators as "a sort of opera" was written for the BBC, following Herbert's successful Riverside Nights, and had a running time of about 90 minutes. It was first broadcast on the radio on 24 March 1925. It was broadcast again in 1927.
As an old form of art in a new country, opera came to Canada relatively late. Although the first composition can be traced back to the seventeenth century it was not until 150 years later that Canadian opera caught up. Canadian opera became especially fashionable on Canada's 1967 centennial year. These celebrations set off an interest in operas among Canadian composers that was never seen before. This interest in opera, among composers and audience alike, is noticeable until today. However, most Canadian operatic works are not known internationally since many of them specifically concern Canadian themes and are small in scale.
Lionel Salter was an English pianist, conductor, writer and administrator who had a long association with the British Broadcasting Corporation.
References
- Sadie, Stanley: The New Grove Dictionary of Opera , (London, 1992) ISBN 0-333-73432-7
