This is a list of operas specifically written for radio performance.
Broadcast premiere | Composed | Composer | Opera title | Librettist and/or source(s) | Radio station |
---|---|---|---|---|---|
24 March 1925 [1] | Geoffrey Toye | The Red Pen | A. P. Herbert | British Broadcasting Company | |
24 December 1929 [2] | Gustav Kneip | Christkinds Erdenreise (The Christ-child's journey on Earth) | Franz Peter Kürten | WERAG | |
May 1931 [3] | Walter Goehr | Malpopita | Berlin | ||
July 1931 [4] | Mark Lubbock | The King Can Do No Wrong | C Denis Freeman | British Broadcasting Corporation | |
26 April 1932 [5] | Charles Wakefield Cadman | The Willow Tree | Nelle Richmond Eberhart | NBC | |
13 July 1933 [6] | 1932 | Werner Egk | Columbus, Bericht und Bildnis (Columbus, report and portrait) | Bayerischer Rundfunk | |
6 October 1935 [7] | Bohuslav Martinů | Hlas lesa (The Voice of the Forest) | Vítězslav Nezval | Czech Radio | |
15 October 1936 [8] | Heinrich Sutermeister | Die schwarze Spinne (The Black Spider) | Albert Rösler, after Jeremias Gotthelf's Die schwarze Spinne | Radio Bern | |
1937 [9] | Vittorio Giannini | Flora | CBS Radio | ||
18 March 1937 [7] | Bohuslav Martinů | Veselohra na mostě (Comedy on the Bridge) | Martinů, after Václav Kliment Klicpera | Czech Radio | |
17 October 1937 [10] | Louis Gruenberg | Green Mansions | after the novel Green Mansions by William Henry Hudson | Columbia Broadcasting Company | |
1938 [9] | Vittorio Giannini | Beauty and the Beast | R. Simon | CBS Radio | |
3 April 1939 [11] | 1928 | Marcel Mihalovici | L'intransigeant Pluton | Jean-François Regnard | RTF |
22 April 1939 [12] | Gian Carlo Menotti | The Old Maid and the Thief | Gian Carlo Menotti | NBC | |
2 November 1939 [9] | Vittorio Giannini | Blennerhassett | Norman Corwin, Phillip Roll | CBS Radio | |
29 March 1942 [13] | Randall Thompson | Solomon and Balkis | after The Butterfly that Stamped by Rudyard Kipling | CBS | |
15 September 1942 [14] | Mark Lubbock | The Rose and the Violet | Barbara Cartland | British Broadcasting Corporation | |
10 October 1943 [15] | Jacques Ibert | Barbe-bleu | W. Aguet | Radio Lausanne | |
1949 [16] | Tibor Harsányi | Illusions, ou l'histoire d'un miracle | P. Brive, after E. T. A. Hoffmann | RTF | |
1 December 1949 [17] | 1944–48 | Luigi Dallapiccola | Il prigioniero (The Prisoner) | after stories by Auguste Villiers de l'Isle-Adam and Charles De Coster. | RAI |
18 April 1950 [11] | Marcel Mihalovici | Phèdre | Yvan Goll, after Jean Racine | RTF | |
21 July 1950 [18] | Raymond Chevreuille | D'un diable de briquet | Chevreuille, after Hans Christian Andersen | Belgian radio | |
3 October 1950 [19] | Ildebrando Pizzetti | Ifigenia | Pizzetti and A. Perrini | RAI | |
15 November 1950 [20] | Nino Rota | I due timidi (The Two Timid Ones) | Suso Cecchi d'Amico | RAI | |
21 August 1951 [21] | Rezső Kókai | Lészen ágyú (There shall be guns) | Péter Halász and József Romhányi | Magyar Rádió | |
11 October 1951 [22] | 1950 | Renzo Bossi | Il principe felice (The Happy Prince) | Bossi, after Oscar Wilde | RAI |
19 November 1951 [23] | Hans Werner Henze | Ein Landarzt | after Franz Kafka | Nordwestdeutscher Rundfunk | |
5 March 1952 [24] | Franz Reizenstein | Anna Kraus | Christopher Hassall | BBC Third Programme | |
5 May 1952 [18] | Raymond Chevreuille | L'elixir du révérend père Gaucher | Chevreuille, after Alphonse Daudet | Belgian radio | |
12 June 1952 [25] | Bernd Alois Zimmermann | Des Menschen Unterhaltsprozeß gegen Gott (The People's Maintenance Suit Against God) | Pedro Calderón de la Barca, adapted by Matthias Bungart | WDR | |
5 November 1952 [19] | Ildebrando Pizzetti | Cagliostro | Pizzetti | RAI | |
1953 [26] | Hans Vogt | Die Stadt hinter dem Strom (The City Beyond the River) | Hermann Kasack | Nordwestdeutscher Rundfunk, BBC | |
4 December 1953 [23] | Hans Werner Henze | Das Ende einer Welt (The End of a World) | Wolfgang Hildesheimer | Nordwestdeutscher Rundfunk | |
10 January 1954 [18] | Raymond Chevreuille | Atta Troll | Chevreuille, after Heinrich Heine Atta Troll, ein Sommernachtstraum | Belgian radio | |
24 September 1954 [27] | Henk Badings | Orestes | Florence | ||
9 November 1954 [11] [28] | Marcel Mihalovici | Die Heimkehr (The Homecoming) | K. H. Ruppel, after Guy de Maupassant | Hessicher Rundfunk | |
15 November 1954 [29] | Donald Swann, channelling Dame Hilda Tablet | Emily Butter | Henry Reed | BBC Third Programme | |
9 August 1955 [30] | William Alwyn | Farewell Companions | H. A. L. Craig | BBC | |
28 December 1955 [31] | Germaine Tailleferre | Monsieur Petit Pois achète un château | Denise Centore | Radio France | |
28 December 1955 [31] | Germaine Tailleferre | Le bel ambitieux | Denise Centore | Radio France | |
28 December 1955 [31] | Germaine Tailleferre | La pauvre Eugénie | Denise Centore | Radio France | |
28 December 1955 [31] | Germaine Tailleferre | La Fille d'opéra | Denise Centore | Radio France | |
1957 [27] | Henk Badings | Asterion | Johannesburg | ||
28 February 1957 [32] | 1956 | Sven-Erik Bäck | Tranfjädrarna (The Crane Feathers) | Bertil Malmberg, after Junji Kinoshita | Swedish Radio |
10 November 1959 [33] | Grażyna Bacewicz | Przygoda Króla Artura (The Adventure of King Arthur) | Polish Radio | ||
19 November 1959 [20] | Nino Rota | La notte di un nevrastenico | R. Bacchelli | RAI | |
12 July 1960 [31] | 1959 | Germaine Tailleferre | Le Maître | Eugène Ionesco | Radio France |
30 September 1960 [31] | 1957 | Germaine Tailleferre | La petite sirène | Ph. Soupault after H. C. Andersen' "The Little Mermaid" | Radio France |
1961 [34] | Niccolò Castiglioni | Attraverso lo specchio (Through the Looking-Glass) | after Lewis Carroll and also his Alice in Wonderland | RAI | |
1961 [35] | Piotr Perkowski | Girlandy (Garlands) | |||
14 February 1961 [32] | Sven-Erik Bäck | Fågeln (The Bird) | P. Verner-Carlson, after A. Obrenovic | Swedish Radio | |
27 August 1961 [36] | Emil Petrovics | C'est la guerre | Miklos Hubay | Hungarian Broadcasting Corporation | |
12 August 1962 [37] | Bruno Maderna | Don Perlimplin | Bruno Maderna, after Federico García Lorca | RAI | |
8 March 1964 [38] | Humphrey Searle | The Photo of the Colonel | Searle, after Eugène Ionesco | BBC | |
16 December 1969 [39] | Bent Lorentzen | Euridice | Bent Lorentzen | DR (broadcaster) | |
17 May 1971 [23] | Hans Werner Henze | Der langwierige Weg in die Wohnung der Natascha Ungeheuer (The Tedious Way to Natascha Ungeheuer's Apartment) | Gaston Salvatore | RAI | |
1972 [40] | 1970–71 | Bernadetta Matuszczak | Humanae voces | after Genesis, Saint John, Mahatma Gandhi, Anne Frank, etc. | Polish Radio |
1973 [41] | Tomasz Sikorski | Sinbad the Sailor | after a poem by Bolesław Leśmian | Polish Radio | |
1975 [42] | Otomar Kvěch | Jaro je tu (Spring Is Here) (1975) | |||
14 January 1977 [43] | Anthony Gilbert | The Chakravaka-Bird | after poems by Mahadevi Varma, translated by A. K. Ramanujan, Daniel H. H. Ingalls Sr. and Anthony Gilbert | BBC | |
1978 [42] | Otomar Kvěch | Před vánocemi (Before Christmas) (1978) | |||
3 July 1979 [40] | 1976–77 | Bernadetta Matuszczak | Apocalypsis | after Revelation | Polish Radio |
1980 [42] | Otomar Kvěch | Jak přišel podzim (When Autumn Came) | |||
2 September 1982 [44] | Karl Aage Rasmussen | Historien om Jonas (The story of Jonah) | Poul Borum | DR | |
4 January 1989 [45] | 1986 | Nicola LeFanu | The Story of Mary O'Neill | S. McInerney | BBC |
1991 [46] | Giulio Castagnoli | Al Museo in volo & a zompi (To the Museum) | Ugo Nespolo | Rai Radio 3 | |
1996 [46] | Giulio Castagnoli | Lontananze vicino a noi | Dario Voltolini | RAI | |
14 April 2004 [47] | Jüri Reinvere | The Opposite Shore | Tamu Tohver, Jüri Reinvere | Eesti Raadio | |
8 July 2005 [48] | Amy Kohn | 1, Plum Square | Amy Kohn | WNYC | |
9 July 2010 [49] | Robert Saxton | The Wandering Jew | Robert Saxton | BBC Radio 3 |
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
Paul Marie Théodore Vincent d'Indy was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter.
Hans Werner Henze was a German composer. His large oeuvre is extremely varied in style, having been influenced by serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as traditional schools of German composition. In particular, his stage works reflect "his consistent cultivation of music for the theatre throughout his life".
Ariadne auf Naxos, Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention.
Werner Egk, born Werner Joseph Mayer, was a German composer.
Ivar Frithiof Andresen was a Norwegian operatic singer who pursued a successful international career in Europe and the United States.
Manfred Gurlitt was a German opera composer and conductor. He studied composition with Engelbert Humperdinck and conducting with Karl Muck. He spent most of his career in Japan.
Garter Principal King of Arms is the senior king of arms and officer of arms of the College of Arms, the heraldic authority with jurisdiction over England, Wales and Northern Ireland. The position has existed since 1415.
Elegy for Young Lovers is an opera in three acts by Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman.
Opéra-ballet is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the ballets à entrées of the early seventeenth century". It differed from the more elevated tragédie en musique as practised by Jean-Baptiste Lully in several ways. It contained more dance music than the tragédie, and the plots were not necessarily derived from classical mythology and allowed for the comic elements, which Lully had excluded from the tragédie en musique after Thésée (1675). The opéra-ballet consisted of a prologue followed by a number of self-contained acts, often loosely grouped around a single theme. The individual acts could also be performed independently, in which case they were known as actes de ballet.
Antony and Cleopatra, Op. 40, is an opera in three acts by American composer Samuel Barber. The libretto was prepared by Franco Zeffirelli. It was based on the play Antony and Cleopatra by William Shakespeare and made use of Shakespeare's language exclusively.
Bernard Hélène Joseph van Dieren was a Dutch composer, critic, author, and writer on music, much of whose working life was spent in England.
Giselher Wolfgang Klebe was a German composer, and an academic teacher. He composed more than 140 works, among them 14 operas, all based on literary works, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music.
Mosco Carner was an Austrian-born British musicologist, conductor and critic. He wrote on a wide range of music subjects, but was particularly known for his studies on the life and works of the composers Giacomo Puccini and Alban Berg.
This is a summary of 1950 in music in the United Kingdom.
This is a summary of 1935 in music in the United Kingdom.
Notes
Sources