James Jean is a Taiwanese-American visual artist working primarily in painting and drawing. He lives and works in Los Angeles, where he moved from New York in 2003.
Kiki Smith is a West German-born American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism, and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State.
Ann Hamilton is a visual artist who emerged in the early 1980s known for her large-scale multimedia installations. After receiving her BFA in textile design from the University of Kansas in 1979, she lived in Banff, Alberta, and Montreal, Quebec, Canada before deciding to pursue an MFA in sculpture at Yale in 1983. From 1985 to 1991, she taught on the faculty of the University of California at Santa Barbara. Since 2001, Hamilton has served on the faculty of the Department of Art at the Ohio State University. She was appointed a Distinguished University Professor in 2011.
Allen Ruppersberg is an American conceptual artist based in Los Angeles and New York City.
Hiro Yamagata is a painter/artist, based in Los Angeles, California.
Life Underground (2001) is a permanent public artwork created by American sculptor Tom Otterness for the New York City Subway's 14th Street/Eighth Avenue station, which serves the A, C, E, and L trains. It was commissioned by the Metropolitan Transportation Authority's Arts for Transit program for US$200,000, one percent of the station's renovation budget. This program has commissioned permanent works of art for public transportation facilities the MTA owns and operates. This work is one of the most popular artworks in the subway system.
Willie Cole is a contemporary American sculptor, printer, and conceptual and visual artist. His work uses contexts of postmodern eclecticism, and combines references and appropriation from African and African-American imagery. He also has used Dada’s readymades and Surrealism’s transformed objects, as well as icons of American pop culture or African and Asian masks.
Chen Long-bin is a Taiwanese contemporary sculptor.
Bobbi Mastrangelo was born Barbara Ann Betschen on May 16, 1937 in Youngstown, Ohio. She is an artist specializing in relief sculpture, mixed media, and fiber art including handmade cast paper. Her work is best known for its unusual focus on the theme of manhole covers and water covers, grates and drains. Her art has been exhibited widely throughout the United States and is in the collections in several museums.
Elizabeth Turk is an artist and native Californian known for her marble sculptures and community installations. She splits time between a studio in Santa Ana, CA and NYC, where she has been represented by Hirschl & Adler Modern since her first exhibition in 2000. She is a MacArthur “Genius” Fellow, a Smithsonian Artist Research Fellow, an Annalee & Barnett Newman Foundation and Joan Mitchell Foundation grant recipient, among other awards.
Dimitar Lukanov is internationally renowned Bulgarian-American artist.
Arturo Lindsay is a Panamanian-born artist and professor of art and art history at Spelman College. His scholarship specializes in ethnographic research on African spiritual and aesthetic retentions in contemporary American cultures. His Panamanian/American identity is reflected in his art, which focuses on African culture in America.
Antoni Miralda is a Spanish multidisciplinary artist.
Alex Brewer, also known as HENSE, is an American contemporary artist, best known for his dynamic, vivid and colorful abstract paintings and monumental wall pieces. He has been active since the 1990s. In 2002 he began accepting commissions for artwork and over the course of the last decade has established a solid reputation as a commissioned artist, having appeared in several solo and group shows.
Bryan Nash Gill was an American artist who worked primarily with wood, in the form of relief prints and sculptures.
Bradley McCallum is an American conceptual artist and social activist. He is best known for his large-scale, site-specific installations made in collaboration with artist Jacqueline Tarry, with whom he has worked since 1999 in the mixed-race collaborative McCallum + Tarry.
Ivan Monforte is a Mexican performance artist based in New York. His work aspires to start a dialogue for disenfranchised members of the LGBT community about sexuality, love, sex, and loss.
Sebastian Errazuriz is a designer, artist, entrepreneur and activist based in New York. He is known or a diverse body of work that demands reconsideration of familiar objects. These works often challenge viewers perceptions of how things are, and blur the boundaries between contemporary art, design, and craft.
Regina Frank is a German artist mainly working with text and textile installation and performance. Since 1989, she has been one of the pioneers of combining performance art with technology, integrating the Internet and interactive social software installations. Her performances and installations deal with social and political-social issues and link digital media with traditional text transformed into textiles.
Ellen Driscoll is a New York-based American artist, whose practice encompasses sculpture, drawing, installation and public art. She is known for complex, interconnected works that explore social and geopolitical issues and events involving power, agency, transition and ecological imbalance through an inventive combination of materials, technologies, research and narrative. Her artwork often presents the familiar from unexpected points of view—bridging different eras and cultures or connecting personal, intimate acts to global consequences—through visual strategies involving light and shadow, silhouette, shifts in scale, metaphor and synecdoche. In 2000, Sculpture critic Patricia C. Phillips wrote that Driscoll's installations were informed by "an abiding fascination with the lives and stories of people whose voices and visions have been suspended, thwarted, undermined, or regulated." Discussing later work, Jennifer McGregor wrote, "Whether working in ghostly white plastic, mosaic, or walnut and sumi inks, [Driscoll's] projects fluidly map place and time while mining historical, environmental, and cultural themes."
