Critical reception
Retrospectively reviewing for AllMusic, critic Bruce Eder wrote of the album "The songs run between the extremes of fluid, guitar-driven rockers ("Bad Man," "Every Other Day") and ballads draped in flowing lyricism with harmony singing ("Daughter of the Sky"), including major contributions from his one-time teenage bandmate Donny Ullstrom. Apart from a somewhat dullish rendition of "Save the Last Dance for Me," the album works well, particularly a soulful and highly personalized rendition of "Take It to the Limit."" [3]
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