| Real Eyes | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1980 | |||
| Genre | R&B, jazz | |||
| Label | Arista [1] | |||
| Producer | Gil Scott-Heron, Malcolm Cecil | |||
| Gil Scott-Heron chronology | ||||
| ||||
Real Eyes is an album by the American poet and musician Gil Scott-Heron, released in 1980. [2] [3] It was Scott-Heron's first album since 1970 to be made without input from his musical collaborator Brian Jackson. [4]
The album peaked at No. 159 on the Billboard 200. [5]
Real Eyes was produced by Scott-Heron and Malcolm Cecil. [6] A photograph of Scott-Heron and his daughter Gia appears on the album cover; the album's closing track is dedicated to her. [7] "A Legend in His Own Mind" was inspired by the boasting of a friend. [8] "Not Needed" is about the concerns of older, poorer citizens. [9]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [10] |
| Robert Christgau | B+ [11] |
| The Encyclopedia of Popular Music | [1] |
| The Rolling Stone Album Guide | [12] |
Robert Christgau wrote that "the switch from Brian Jackson's supportive groove to Carl Cornwell's elliptical horn charts adds intellectual and historical weight to the songs that merely say good things as well as those that put them pungently." [11] The Boston Globe thought that "Scott-Heron has shaken off the pop coating and built his arrangements carefully, usually around one dominant instrument." [13] Billboard opined that "Carl Cornwell's sax and flute work is top notch." [6] The Citizens' Voice called Real Eyes "a powerful statement by one of today's most significant performers." [14]
AllMusic wrote: "Scott-Heron's love of jazz serves him well on 'A Legend in His Own Mind' and the smoky 'Combinations', but make no mistake: Real Eyes is an R&B album more than anything." [10] In a retrospective article, The Wire thought that "much of it sounds like outtakes from Stevie Wonder's albums of the period—even words seem to desert [Scott-Heron], falling away into disengaged rhetoric or weak personal concerns." [15]
| No. | Title | Length |
|---|---|---|
| 1. | "The Train from Washington" | 4:46 |
| 2. | "Not Needed" | 3:55 |
| 3. | "Waiting for the Axe to Fall" | 4:47 |
| 4. | "Combinations" | 3:37 |
| 5. | "A Legend in His Own Mind" | 3:40 |
| 6. | "You Could Be My Brother" | 6:21 |
| 7. | "The Klan" | 4:48 |
| 8. | "Your Daddy Loves You (For Gia Louise)" | 3:18 |
Gilbert Scott-Heron was an American jazz poet, singer, musician, and author known for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson fused jazz, blues, and soul with lyrics relative to social and political issues of the time, delivered in both rapping and melismatic vocal styles. He referred to himself as a "bluesologist", his own term for "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip hop music.
Brian Robert Jackson is an American keyboardist, flautist, singer, composer, and producer known for his collaborations with Gil Scott-Heron in the 1970s. The sound of Jackson's Rhodes electric piano and flute accompaniments featured prominently in many of their compositions, most notably on "The Bottle" and "Your Daddy Loves You" from their first official collaboration Winter in America.
Sun City is the first and only album by Artists United Against Apartheid, released on October 25, 1985, by EMI Manhattan Records. The Little Steven-led project features contributions from more than 50 artists from the rock, hip hop, soul, funk, jazz, reggae, latin, and world music genres. The album contains two versions of the "Sun City" protest song against apartheid in South Africa as well as other selections in the same vein from that project.
No Nukes: The Muse Concerts For a Non-Nuclear Future was a 1979 triple live album that contained selections from the September 1979 Madison Square Garden concerts by the Musicians United for Safe Energy collective. Jackson Browne, Graham Nash, Bonnie Raitt, and John Hall were the key organizers of the event and guiding forces behind the album.
Malcolm Cecil was a British jazz bassist, record producer, engineer, electronic musician and teacher. He was a founding member of a leading UK jazz quintet of the late 1950s, the Jazz Couriers, before going on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 1950s and early 1960s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated. Cecil subsequently collaborated with Robert Margouleff to form the duo TONTO's Expanding Head Band, a project based on a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder's Grammy-winning albums of the early 1970s. The TONTO synthesizer was described by Rolling Stone as "revolutionary".
From South Africa to South Carolina is a studio album by the American vocalist Gil Scott-Heron and the keyboardist Brian Jackson. It was released in November 1975 by Arista Records. Scott-Heron performed "Johannesburg" and "A Lovely Day" on Saturday Night Live in December 1975. The album was reissued in the late 1990s via Scott-Heron's Rumal-Gia label, distributed by TVT Records.
Pieces of a Man is the debut studio album by American poet Gil Scott-Heron. It was recorded in April 1971 at RCA Studios in New York City and released later that year by Flying Dutchman Records. The album followed Scott-Heron's debut live album Small Talk at 125th and Lenox (1970) and departed from that album's spoken word performance, instead featuring compositions in a more conventional popular song structure.
Winter in America is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was recorded in September to October 1973 at D&B Sound Studio in Silver Spring, Maryland and released in May 1974 by Strata-East Records. Scott-Heron and Jackson produced the album in a stripped-down fashion, relying on traditional African and R&B sounds, while Jackson's piano-based arrangements were rooted in jazz and the blues. The subject matter on Winter in America deals with the African-American community and inner city in the 1970s.
The First Minute of a New Day is an album by American vocalist Gil Scott-Heron, keyboardist Brian Jackson, and the Midnight Band—an eight-piece musical ensemble. It was released in January 1975 on Arista Records. Recording sessions for the album took place in the summer of 1974 at D&B Sound in Silver Spring, Maryland. It was the follow-up to Scott-Heron's and Jackson's critically acclaimed collaboration effort Winter in America. The First Minute of a New Day was the first album to feature "Winter in America", the title track of Scott-Heron's previous album which was not featured on its original LP release. The album was reissued on compact disc by Scott-Heron's label Rumal-Gia Records in 1998.
"The Bottle" is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. "The Bottle" was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves as a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards.
It's Your World is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson, released in November 1976 by Arista Records. Recording sessions for the album took place in studio and live in July 1976 at Paul's Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former's backing ensemble, The Midnight Band. It's Your World was originally released on vinyl and was later re-released in 2000 on compact disc by Scott-Heron's Rumal-Gia label.
The Revolution Will Not Be Televised is a compilation album by American poet Gil Scott-Heron. It was released in 1974 by Flying Dutchman Records and titled after Scott-Heron's 1971 song of the same name.
I'm New Here is the 15th and final studio album by American vocalist and pianist Gil Scott-Heron. It was released on February 8, 2010, by XL Recordings and was his first release of original music in 16 years, following a period of personal and legal troubles with drug addiction.
King Bee is the fourteenth and final studio album by blues singer and guitarist Muddy Waters. Released in 1981, it is third in a series of records done for the label Blue Sky Records under producer/guitarist Johnny Winter. Recorded in three days some of the band members, namely Winter and guitarist Bob Margolin, were not happy with the result. As his health deteriorated, Muddy was forced to cancel an increasing number of shows. He died of a heart attack on April 30, 1983.
We're New Here is a remix album by American vocalist Gil Scott-Heron and English music producer Jamie xx, released on February 21, 2011, by Young Turks and XL Recordings. A longtime fan of Scott-Heron, Jamie xx was approached by XL label head Richard Russell to remix Scott-Heron's 2010 studio album I'm New Here. He worked on the album while touring with his band The xx in 2010 and occasionally communicated with Scott-Heron through letters for his approval to rework certain material.
Bridges is an album by Gil Scott-Heron and Brian Jackson, released in the fall of 1977 on Arista Records.
Moving Target is a studio album by American spoken-word poet and blues musician Gil Scott-Heron.
Secrets is a 1978 studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson.
1980 is a studio album by American singer-songwriter Gil Scott-Heron and keyboardist Brian Jackson. Their ninth album together, it was recorded from August to October 1979 during a period of creative tension between the two musicians and released in February 1980 by Arista Records.
Reflections is an album by the American poet and musician Gil Scott-Heron, released in 1981. It was his second album without Brian Jackson. Scott-Heron supported the album with a North American tour. The album peaked at No. 106 on the Billboard 200.
