Red Gate Gallery, founded by Brian Wallace, is Beijing's first private contemporary art gallery. [1] Located in the historic Southeast Corner Tower at Dongbianmen, one of the few Ming dynasty towers to survive the destruction of the city wall, the gallery presents articles of China's contemporary artistic expression in conjunction with the traditional. [2] The gallery is open for business all days of the week and charges no admission fee.
Red Gate was founded in 1991 by Brian Wallace, an Australian who traveled to China in 1984 and returned in 1985 and 1986, remaining to study and to work at the Foreign Languages Press from 1989 to 1990 before entering the Central Academy of Fine Arts in Beijing to study Chinese Art History. During this period he began to consider founding a Contemporary Chinese Art gallery. Through 1988 and 1989 he organized exhibitions with friends at the Beijing Ancient Observatory at Jianguomen. [3] The contemporary art scene of the time consisted of grassroots efforts combined with the initiative of foreigners. Shunned by exclusive traditional art establishments, young artists circled through Beijing with slides of their work, searching for interested viewers. They would exhibit in the hotel rooms of foreigners or guide the curious to their tiny homes, where their work took up all the available space. [4] After completing his studies, Wallace founded Red Gate Gallery in the five-centuries-old Ming-era Southeast Corner Tower at Dongbianmen in what is now the Ming City Wall Relics Park of Dongcheng District. The inaugural exhibition of July 1991 showcased the works of Zhang Yajie, Dagong, Wang Lifeng and Wang Luyan. [2]
Liu Dao, Chen Qingqing, Chen Yufei, Han Qing, Jiang Weitao, Li Gang. Liu Qinghe, Lu Peng, Shi Zhongying, Su Xinping, Tan Ping, Wang Lifeng, Wang Yuping, Xie Guoping, Zheng Xuewu, Zhou Jirong, Zhou Jun. [5]
Red Gate Gallery's ongoing collaboration with Tibetan artists produced the "Return to Lhasa" show in 2008, featuring artists such as Gonkar Gyatso. [6] Also in 2008, Red Gate held a December art exhibit as a fundraiser for Shepherds Field Village children's orphanage. [7] In 2011, Red Gate prepares to celebrate its 20th anniversary. [8]
Gallery founder Brian Wallace's insider perspective on contemporary Chinese art gradually led him to become an unofficial contact person for international artists seeking an introduction to the Beijing art scene. In 2001, Brian began renting a studio facility for hosting visiting artists. The program expanded to keep pace with demand. Today, the gallery manages ten fully equipped facilities—four apartments in the downtown Tuanjiehu neighborhood and six studio/lofts northeast of the city in Feijiacun village. They currently host over 70 residents a year.
The program operates on a not-for-profit basis under the aegis of Red Gate Gallery. Participants are expected to cover their own transportation, supply, and accommodation expenses. Many receive financial assistance from their native countries. Red Gate cultivates relationships with countries and organizations that provide sponsorship. The Austrian Embassy currently collaborates with the residency program to send competitively selected artists year-round. [9]
Red Gate Residency is a member of ResArtis and the Alliance of Artists Communities, international networks of artist residency programs. Their focus is on forming a multicultural arts dialogue within an immersion setting. Red Gate provides an entry point into the Chinese Contemporary Art scene in Beijing and hosts events for residents. Informal Open Studio exhibitions are arranged every other month to showcase the projects resident artists have completed during their stay. [10]
Performance art in China has grown since the 1970s as a response to the very traditional nature of Chinese state-run art schools. It has become more popular in spite of the fact that it is currently outlawed. In 1999 the importance of contemporary Chinese art was recognized by the inclusion of 19 contemporary Chinese artists in the Venice Biennale. In recent years many of these artists have made performances specifically for photography or film.
Sui Jianguo, professor and ex-chairman of the Department of Sculpture in Central Academy of Fine Arts in Beijing, is a contemporary Chinese artist.
The Beijing city fortifications were series of walls with towers and gates constructed in the city of Beijing, China in the early 1400s until they were partially demolished in 1965 for the construction of the 2nd Ring Road and Line 2 of the Beijing Subway. The original walls were preserved in the southeastern part of the city, just south of the Beijing railway station. The entire perimeter of the Inner and Outer city walls stretched for approximately 60 kilometres (37 mi).
The Wanshou Temple is a temple located at No.121, Wanshousi Road, Zizhuyuan Subdistrict, Haidian District, Beijing. In addition to being a Buddhist temple, the Wanshou Temple also houses the Beijing Art Museum.
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The Hall of Mental Cultivation is a building in the inner courtyard of the Forbidden City in Beijing, China. The hall is a wooden structure with dome coffered ceilings, and was first built during the Ming dynasty in 1537, and was reconstructed during the Qing dynasty. During the early Qing dynasty under the reign of the Kangxi Emperor the hall was mostly used as a workshop, wherein artisan objects like clocks were designed and manufactured. From the reign of the Yongzheng Emperor during the 18th century, the hall was the residence for the emperor. Under the reign of the Qianlong Emperor until the fall of the Qing dynasty, the hall became the centre of governance and political administration. In the Western Warmth Chamber, the emperor would hold private meetings, and discuss state affairs with his mandarins. After the death of Emperor Xianfeng, from inside the Eastern Warmth Chamber, empress dowagers Ci'an and Cixi would hold audiences with ministers and rule from behind a silk screen curtain during their regencies for emperors Tongzhi and Guangxu, who both succeeded to the throne as children in the second half of the 19th century.
Zuoxiao Zuzhou, real name Wu Hongjin, (吴红巾), is a Chinese musician and artist.
Lionel Bawden is an Australian visual artist. He lives and works in Sydney, Australia.
Jean-Marc Decrop is a specialist of Chinese contemporary art. He is one among the art collectors who have contributed to the discovery, the recognition and the influence of Chinese contemporary art abroad.
UCCA Center for Contemporary Art or UCCA is a leading Chinese independent institution of contemporary art. Founded in 2007. Located at the heart of the 798 Art District in, China, it welcomes more than one million visitors a year. Originally known as the Ullens Center for Contemporary Art, UCCA underwent a major restructuring in 2017 and now operates as the UCCA Group, comprising two distinct entities: UCCA Foundation, a registered non-profit that organizes exhibitions and research, stages public programs, and undertakes community outreach; and UCCA Enterprises, a family of art-driven retail and educational ventures. In 2018, UCCA opened an additional museum, UCCA Dune, in Beidaihe, a seaside resort town close to Beijing. The museum had 385,295 visitors in 2020, and ranked 55th in the List of most-visited art museums in the world.
Yang Yongliang is a Chinese contemporary artist.
Shen Jingdong is a contemporary Chinese artist known for his paintings and sculptures of Chinese iconography. He currently lives in Beijing.
The Beijing Ming City Wall Ruins Park is a park in Beijing with the longest and best preserved section of the city's Ming Dynasty city wall. The park is located 3 km (1.9 mi) from the city center and extends east from Chongwenmen to Dongbianmen and then north to near to Beijing Railway Station East Street. The park features a 1.5 km (0.93 mi) section of the Ming city wall and the Southeast Corner Tower, which are over 550 years old and surrounded by green park space to the south and east. The park covers an area of 15.5 ha, including 3.3 ha of fortifications and 12.2 ha of green space. The corner tower and the ramparts atop the wall can be accessed for an admission fee.
Liangang Sun, is a Chinese contemporary artist. He is the initiator of contemporary Ideographism, director of Chinese Artists Association, and Curator of Caochangdi Art District.
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Chen Ke is a Chinese artist. She currently lives and works in Beijing. Having participated in numerous international and domestic exhibitions, Chen Ke has worked in a variety of media, including painting, sculpture and fashion design. Chen Ke is recognized as the most representative artist of the New Generation of Cartoon of China.
Wang Huangsheng is a Chinese-born curator, educator and artist who is currently residing in Beijing. He used to serve as the director of China Central Academy of Fine Arts Museum for eight years. As an curator, he is most known for his curated events. He has been the curator of Guangdong Museum of Art and the Museum Art of Central Academy of Fine Arts for a long time.
The Stars Art Group or simply "The Stars" was a Chinese avant-garde group of non-professional artists in the late 1970s and early 1980s. It was founded by Ma Desheng and Huang Rui and included Wang Keping (王克平), Qu Leilei, Ah Cheng, Ai Weiwei, and Li Shuang (artist) as the only female member. A historically significant exhibition, now called the Star Art Exhibition, took place in late 1979 in Beihai Park, Beijing, outside the China Art Gallery. After the exhibition was closed by officials, the group staged a protest for cultural openness. They succeeded in reopening the exhibition. The exhibition took place between 23 November and 2 December, in which around 200,000 people attended the event. The group organized another exhibition the next year. Around and after 1983, the group disbanded, partly due to their members going into exile under political pressure, especially the Anti-Spiritual Pollution Campaign of 1983.
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