Red Love | |
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Directed by | Rosa von Praunheim |
Screenplay by | Rosa von Praunheim |
Based on | Red Love by Alexandra Kollontai |
Produced by | Rosa von Praunheim |
Starring |
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Cinematography | Mike Kuchar |
Edited by |
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Music by | Ideal, DIN A Testbild, Jakob Lichtmann |
Production company | Rosa von Praunheim Filmproduktion |
Release date |
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Running time | 80 minutes |
Country | West Germany |
Language | German |
Red Love (German: Rote Liebe) is a 1982 German film directed by Rosa von Praunheim.
The film premiered at the Berlin International Film Festival in 1982 and was shown, for example, at the Museum of Modern Art in New York City in 1983. [1] [2]
This film, based on a novella by Alexandra Kollontai, is about the Soviet women's rights activist and revolutionary Vasilissa, who wants to emancipate herself from her domineering lover Vladimir, the director of the trade cooperative. As a last resort, she has only the murder of the bitter patriarch. [3]
The renowned German critic Hellmuth Karasek wrote in the magazine Der Spiegel: "Rosa von Praunheim, who since his early hits The Bed Sausage and Berlin Bed Sausage has known how to put us out of our minds about the neat distinction between kitsch and art, between emotion and sentimentality, has also staged a pleasurably disturbing conundrum with Red Love." [4]
Rainer Werner Fassbinder, sometimes credited as R. W. Fassbinder, was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.
Ideal was one of the more successful German Neue Deutsche Welle music groups. It is best known for the songs "Blaue Augen", "Berlin", and "Monotonie" (Monotony).
The Einstein of Sex is a 1999 German film by Rosa von Praunheim. The plot follows the life of the Jewish doctor, sexologist, and gay socialist Magnus Hirschfeld.
Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, painter and one of the most famous gay rights activists in the German-speaking world. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ rights movements worldwide.
Die Rote Fahne was a German newspaper originally founded in 1876 by Socialist Worker's Party leader Wilhelm Hasselmann, and which has been since published on and off, at times underground, by German Socialists and Communists. Karl Liebknecht and Rosa Luxemburg famously published it in 1918 as organ of the Spartacus League.
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives is a 1971 German avant-garde film directed by Rosa von Praunheim.
Silence = Death is a 1990 documentary film directed, written, and produced by Rosa von Praunheim. The film received international resonance.
City of Lost Souls is a 1983 German musical film directed by Rosa von Praunheim and performed by drag queens, travesty artists and transgender people. The film received international attention and became a cult movie beyond the LGBT community.
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim, centring around the career of Tally Brown.
A Virus Knows No Morals is a 1986 German film directed, written and produced by Rosa von Praunheim. It was one of the first feature films about AIDS worldwide.
Army of Lovers or Revolt of the Perverts is a 1979 German documentary film directed by Rosa von Praunheim.
Horror Vacui (German: Horror Vacui - Die Angst vor der Leere) is a 1984 German avant-garde film directed by Rosa von Praunheim.
Dolly, Lotte and Maria is a 1987 German documentary film directed by Rosa von Praunheim. The film recounts the lives of Lotte Goslar, Dolly Haas and Maria Ley-Piscator, three German women performers who achieved success in Berlin in the 1930s. All left Nazi Germany for reasons of conscience, and eventually settled in the United States. After the war, all three remained in America and continued actively pursuing their careers, with mixed success. Each discusses her beginnings as a performer, her achievements in Europe, the reasons that motivated her to leave Germany, her decision to move to the U.S., and her current activities.
Valerie Niehaus is a German actress.
Helga Sophia Goetze was a German artist, writer and free love activist. Her works included embroidery, paintings and poetry.
Katy Nina Karrenbauer is a German actress, dubbing actress, singer, and author. She is known for her role as Christine Walter in the drama series Hinter Gittern – Der Frauenknast. In 2015 she received a special award from the German Film Academy for her role in Rosa von Praunheim's film Tough Love.
The German Democratic Republic, a state in Central Europe that existed from 1949 to 1990 before merging with the Federal Republic of Germany, was dominated by heterosexual norms. However, homosexual East Germans experienced decriminalisation during the 1960s, followed by increasing social acceptance and visibility.
Axel Ranisch is a German actor, film and television director and author.
Joaquín La Habana is a queer singer, dancer, actor and drag artist.
Rosa von Praunheim's The Bed Sausage is a German camp film from 1971 that became a cult film and was followed in 1975 by the sequel Berlin Bed Sausage.