Reunion: Live in New York | ||||
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Live album by | ||||
Released | 2012 | |||
Recorded | May 25, 2007 | |||
Venue | Miller Theatre Columbia University, NYC | |||
Genre | Free jazz | |||
Length | 1:26:56 | |||
Label | Pi Recordings PI45 | |||
Producer | Yulun Wang | |||
Sam Rivers chronology | ||||
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Reunion: Live in New York is a live album by the Sam Rivers trio, featuring Rivers on saxophone, flute, and piano, Dave Holland on bass, and Barry Altschul on drums. It was recorded on May 25, 2007, at Columbia University's Miller Theatre in New York City, and was released in 2012 as a double-CD set by Pi Recordings. [1] [2] [3] [4]
The trio was originally active from 1972 until 1978, [5] and was influential in the New York loft jazz scene centered around Rivers' Studio Rivbea. [4] Although the group toured and performed widely, it was not well documented on record, with the exception of the Rivers albums The Quest (1976) and Paragon (1977), as well as Holland's Conference of the Birds (1973), which also included Anthony Braxton. [5] In 2020, NoBusiness Records released Ricochet , a live recording of the trio from 1978, as volume 3 of the label's Sam Rivers Archive Series. [6]
Reunion was recorded at the end of a marathon Sam Rivers festival presented by Columbia's WKCR-FM, and documents the trio's first performance in 26 years. [5] [7] It captures a fully-improvised performance that was presented without any prior rehearsal, with two sets that lasted nearly 1½ hours in total. [5] In a concert review for The New York Times, Nate Chinen called Rivers, then 83 years old, "a genial and indefatigable eminence in the jazz avant-garde," and stated that the performance "confirmed the expressive power of collective improvisation," praising the trio's "jubilant strain of free jazz." [8] Holland later reflected: "We didn't need to prepare... With Sam and Barry, it felt natural. Even though we had all been through musical changes, the focus and creative connection was still the same—essentially three friends having musical conversations." [9]
Review scores | |
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Source | Rating |
DownBeat | [10] |
All About Jazz | [11] |
Tom Hull – on the Web | A− [12] |
PopMatters | [13] |
Financial Times | [14] |
The Free Jazz Collective | [15] |
Orlando Weekly | [16] |
In a review for DownBeat , Bill Meyer wrote: "the participants honor their past by doing just what they did back in the day. They jump right in, guided by freedom not as a command for music to sound a certain way, but as license for them to play whatever they decided to play in the moment." [10]
Lloyd Sachs of Jazz Times noted that "At 83, Rivers rises to the occasion with a sustained power that would be remarkable coming from an artist half his age," and stated: "It's difficult to imagine a more luminous, naturally flowing, enjoyable performance." [17]
Writing for All About Jazz , Mark Corroto commented: "If this recording had been made in 1977 instead of 2007 it would have been a watershed event. Here, it is a masterpiece of a reunion." [11]
In an article for PopMatters , John Garratt called Reunion "one of the purest jazz albums of the year," and remarked: "the amount of restraint showed by the trio is something to behold. Their drop in dynamics and shift in mood happens with no grand gesture. It just happens in purest sense that improvised music will allow." [13]
Mike Hobart of the Financial Times wrote: "The two continuous performances of this beautifully recorded 2007 reunion capture the empathy and rhythmic sparkle, as Rivers swaps sharp-edged tenor for bucolic flute or lyrical soprano for Latin-tinged piano with a steely, over-arching logic." [14]
The Free Jazz Collective's Paul Acquaro stated: "The spirit of the recording is infectious. Rivers... plays with an undeniable amount of energy. Pulling from all genres and styles, the recording is ever changing, an endless variety of musical ideas growing organically and freely. Melody and freedom abound, and the whole damn thing grooves." [15]
Writing for the Orlando Weekly , Jason Ferguson commented: "The 90 minutes of music... vibrate with an intensity, freedom and unspoken connection that recollects the loft scene's '70s glory without explicitly referencing it. The recording quality is unimpeachable, but what is far more interesting is how these players' approaches to music have evolved over three decades without losing their essential magic." [16]
Chris Barton of the Los Angeles Times wrote that the music "immediately draws the ear here with a fluid and ever-evolving sort of movement," and praised the players' interplay, stating that it "can take your breath away." [18]
Composed by Sam Rivers, Dave Holland, and Barry Altschul.
Armando Anthony "Chick" Corea was an American jazz pianist, composer, bandleader and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock and Keith Jarrett, Corea is considered to have been one of the foremost pianists of the post-John Coltrane era.
Anthony Braxton is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double-LP record For Alto, the first full-length album of solo saxophone music.
Samuel Carthorne Rivers was an American jazz musician and composer. Though most famously a tenor saxophonist, he also performed on soprano saxophone, bass clarinet, flute, harmonica, piano and viola.
David Holland is an English double bassist, bass guitarist, cellist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States since the early 1970s.
Barry Altschul is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea.
Conference of the Birds is an album by the Dave Holland Quartet, recorded on 30 November 1972 and released on ECM the following year—Holland's debut as bandleader and fourth project for the label. The quartet features alto saxophonist Anthony Braxton, tenor saxophonist Sam Rivers, and percussionist Barry Altschul.
Circling In is a double LP collection by jazz pianist Chick Corea featuring performances recorded between 1968 and 1970, including the first recordings by the group Circle, which was first released on the Blue Note label in 1975. It contains trio performances by Corea with Miroslav Vitouš and Roy Haynes recorded in March 1968, which were later added to the CD reissue of Now He Sings, Now He Sobs as bonus tracks, and performances by permutations of the band Circle recorded in April and July 1970 some of which were later released as Early Circle.
Circulus is a double LP released under jazz pianist Chick Corea’s name, featuring performances recorded in 1970 by the free jazz group Circle, which was first released on the Blue Note label in 1978.
Sizzle is an album by American jazz saxophonist Sam Rivers featuring performances recorded in 1975 and released on the Impulse! label.
Live in New York, 2010 is a live album by the David S. Ware Trio, featuring Ware on stritch and tenor saxophone, William Parker on bass, and Warren Smith on drums. It was recorded in October 2010 at the Blue Note Jazz Club in New York City, and was released as a double CD by AUM Fidelity in 2017.
Emanation is a live album by the Sam Rivers Trio, led by multi-instrumentalist and composer Rivers, and featuring double bassist Cecil McBee and drummer Norman Connors. It was recorded on June 3, 1971, at the Jazz Workshop in Boston, and was released in 2019 by NoBusiness Records as volume 1 of the Sam Rivers Archive Series.
The Quest is a live album by Sam Rivers on which he is accompanied by double bassist Dave Holland and drummer Barry Altschul. It was recorded on March 12 and 13, 1976, during the Rassegna Internazionale Jazz at the Palazzo dello Sport in Milan, Italy, and was initially released later that year by Red Records. It was reissued the following year by Pausa Records, and was also reissued by Fabbri Editori in a variety of forms over the next four years.
Paragon is an album by Sam Rivers on which he is accompanied by double bassist Dave Holland and drummer Barry Altschul. It was recorded on April 18, 1977, at Davout Studio in Paris, and was released later that year by Fluid Records. In 2015, it was reissued as a digital download by Rivers's RivBea Music.
Zenith is a live album by the Sam Rivers Quintet, led by multi-instrumentalist and composer Rivers, and featuring tubist and euphonium player Joe Daley, double bassist Dave Holland, and drummers Barry Altschul and Charlie Persip. Consisting of a single 53-minute track, it was recorded on November 6, 1977, at Jazztage Berliner 1977, held at the Philharmonie in Berlin, Germany, and was released in 2019 by NoBusiness Records as volume 2 of the Sam Rivers Archive Series.
Ricochet is a live album by the Sam Rivers Trio, led by multi-instrumentalist and composer Rivers, and featuring double bassist Dave Holland and drummer Barry Altschul. Consisting of a single 52-minute track, it was recorded on January 12, 1978, at the Keystone Korner in San Francisco, California, and was released in 2020 by NoBusiness Records as volume 3 of the Sam Rivers Archive Series.
Caldera is a live album by the Sam Rivers Trio, led by multi-instrumentalist and composer Rivers, and featuring double bassist and bass clarinetist Doug Mathews and drummer and saxophonist Anthony Cole. It was recorded on March 9, 2002, at the Freeport-McMoRan Theatre, Contemporary Arts Center in New Orleans, Louisiana, and was released in 2022 by NoBusiness Records as volume 6 of the Sam Rivers Archive Series.
You Can't Name Your Own Tune is an album by drummer Barry Altschul. His first release as a leader, it was recorded on February 8 and 9, 1977, at Rosebud Studio in New York City, and was issued later that year by Muse Records. On the album, Altschul is joined by saxophonist and flutist Sam Rivers, trombonist George Lewis, pianist Muhal Richard Abrams, and double bassist and cellist Dave Holland.
Doug Mathews is an American jazz electric bassist, double bassist, and bass clarinetist best known for being a former member of multi-instrumentalist Sam Rivers' trio.
The 3dom Factor is an album by drummer Barry Altschul on which he is joined by saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's inaugural release, and Altschul's first session as a leader following a hiatus of roughly 25 years, it was recorded on June 15, 2012, at Sear Sound Studios in New York City, and was issued on CD in 2013 by TUM Records.
Long Tall Sunshine is a live album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's fourth release, it was recorded during a 2019 European tour, and was issued on CD in 2021 by Not Two Records.