Robert Frank was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Gordon Roger Alexander Buchanan Parks was an American photographer, composer, author, poet, and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African Americans—and in glamour photography. He is best remembered for his iconic photos of poor Americans during the 1940s, for his photographic essays for Life magazine, and as the director of the films Shaft, Shaft's Big Score and the semiautobiographical The Learning Tree.
William Eggleston is an American photographer. He is widely credited with increasing recognition of color photography as a legitimate artistic medium. Eggleston's books include William Eggleston's Guide (1976) and The Democratic Forest (1989).
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Guy Bourdin, was a French artist and fashion photographer known for his highly stylized and provocative images. From 1955, Bourdin worked mostly with Vogue as well as other publications including Harper's Bazaar. He shot ad campaigns for Chanel, Charles Jourdan, Pentax and Bloomingdale's.
Stephen Shore is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s.
John Gossage is an American photographer, noted for his artist's books and other publications using his photographs to explore under-recognised elements of the urban environment such as abandoned tracts of land, debris and garbage, and graffiti, and themes of surveillance, memory and the relationship between architecture and power.
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Alec Soth is an American photographer, based in Minneapolis. Soth makes "large-scale American projects" featuring the midwestern United States. New York Times art critic Hilarie M. Sheets wrote that he has made a "photographic career out of finding chemistry with strangers" and photographs "loners and dreamers". His work tends to focus on the "off-beat, hauntingly banal images of modern America" according to The Guardian art critic Hannah Booth. He is a member of Magnum Photos.
Michael Kenna is an English photographer best known for his unusual black and white landscapes featuring ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. His photos concentrate on the interaction between ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass.
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Todd Hido is an American photographer. He has produced 17 books, had his work exhibited widely and included in various public collections. Hido is currently an adjunct professor at the California College of the Arts in San Francisco.
Steidl is a German-language publisher based in Göttingen, Germany. Founded in 1968 by Gerhard Steidl, it publishes photobooks.
David Maisel is an American photographer and visual artist whose works explore vestiges and remnants of civilizations both past and present. His work has been the subject of five major monographs, published by Nazraeli Press, Chronicle Books, and Steidl.
Mark Neville is a British social documentary photographer.
William Jay was a photographer, writer on and advocate of photography, curator, magazine and picture editor, lecturer, public speaker and mentor. He was the first editor of "the immensely influential magazine" Creative Camera (1968–1969); and founder and editor of Album (1970–1971). He is the author of more than 20 books on the history and criticism of photography, and roughly 400 essays, lectures and articles. His own photographs have been widely published, including a solo exhibition at the San Francisco Museum of Modern Art. He is known for his portrait photographs of photographers.
John P. Jacob is an American curator. He grew up in Italy and Venezuela, graduated from the Collegiate School (1975) in New York City, and studied at the University of Chicago before earning a BA in human ecology from the College of the Atlantic (1981) and an MA in art history from Indiana University (1994).
Phillip Prodger is a museum professional, curator, author, and art historian. He is the Senior Research Scholar at the Yale Center for British Art and formerly served as Head of Photographs at the National Portrait Gallery, London. Born in Margate, Kent, he currently resides outside of New Haven, Connecticut.
Jamey Stillings is an American photographer and artist known primarily for his aerial photography of renewable energy projects around the world, documenting the human impact on the environment. Stillings presents at photo festivals, universities, and professional conferences globally. His work is exhibited and published widely in Asia, Australia, Europe, and North and South America. His award-winning book, The Evolution of Ivanpah Solar, documents the Ivanpah Solar Electric Generating System in the Mojave Desert of California. His photographs are in private and public collections, including the United States Library of Congress, Museum of Fine Arts - Houston, Los Angeles County Museum of Art, and Nevada Museum of Art.
Emi Anrakuji is a Tokyo-based legally blind Japanese photographer who makes self-portraits. She has produced a number of books with Nazraeli Press and her work is held in the collection of the Museum of Fine Arts, Houston. In 2006 Anrakuji won the New Photographer Prize of the Higashikawa Prize in Higashikawa, Japan.
