Rick Prelinger | |
---|---|
Nationality | American |
Occupation(s) | Archivist, professor |
Known for | Prelinger Archives, Prelinger Library |
Website | www |
Rick Prelinger is an American archivist, writer, and filmmaker. [1] [2] [3] [4] A professor at the University of California, Santa Cruz, [5] Prelinger is best known as the founder of the Prelinger Archives, a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the Library of Congress in 2002 after 20 years' operation. [6] [7]
Rick has partnered with the Internet Archive to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the Voyager Company, a pioneer new media publisher, he produced fourteen LaserDiscs and CD-ROMs with material from his archives, including Ephemeral Films, [8] the Our Secret Century [9] series and Call It Home: The House That Private Enterprise Built, a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling). [10] For Prelinger, "archives are a primary weapon against amnesia." [11]
Prelinger worked at The Comedy Channel from its startup in 1989 until it merged with the comedy network HA! to become Comedy Central. He then worked at Home Box Office until 1995. Prelinger has taught in the MFA design program at New York's School of Visual Arts and lectures widely on American cultural and social history and on issues of cultural and intellectual property access. He sat (2001–2004) on the National Film Preservation Board as representative of the Association of Moving Image Archivists, was Board President of the San Francisco Cinematheque (2002–2007), and is a board member of the Internet Archive and a professor in the Department of Film & Digital Media at UC Santa Cruz. With spouse Megan Prelinger he is co-founder of the Prelinger Library, a reference library located in San Francisco, California.
His feature-length film Panorama Ephemera , consisting of 64 self-contained segments from various ephemeral films, opened in Summer 2004. He has also produced such archival home movie compilation films Lost Landscapes of San Francisco (15 annual films, 2006–2020), Lost Landscapes of Detroit (three films, 2010–2012 and a fourth and fifth, Yesterday and Tomorrow in Detroit, 2014 and 2015) and All-Is-Well (2016). [12] [13] He received the Creative Capital Award in 2012 to make the home movie compilation film No More Road Trips?, [14] [15] [16] which premiered in Austin, Texas, at South by Southwest in March 2013. [17] A summary of his 2019 film Useful Prophecies states that: [18] [19]
"While the distance between cinema and truth is often impossible to bridge, some films reveal more than we might think any films could. Such is the case with the long-neglected body of useful cinema —films produced because they had jobs to do, like sponsored, educational, and industrial films— and home movies, sometimes revelatory works that seem to spring from the unconscious. Built from the collections of Prelinger Archives, one of the world’s largest collections of nonfiction films and home movies, this program builds a prophetic portrait of futures to come as proposed by filmmakers who let these visions speak through them."
He wrote The Field Guide to Sponsored Films (2007) which "describes 452 historically or culturally significant motion pictures commissioned by businesses, charities, advocacy groups, and state or local government units between 1897 and 1980." It is available as a book and as a free PDF from the National Film Preservation Foundation. [20]
The Hitch-Hiker is a 1953 American independent film noir thriller co-written and directed by Ida Lupino, and starring Edmond O'Brien, William Talman and Frank Lovejoy. Based on the 1950 killing spree of Billy Cook, the film follows two friends who are taken hostage by a murderous hitchhiker during an automobile trip to Mexico.
The House in the Middle is the title of two American documentary film shorts, respectively from 1953 and 1954, which showed the effects of a nuclear bomb test on a set of three small houses.
Master Hands is a 1936 sponsored documentary film short which shows what work is like in a Chevrolet automobile factory. It was produced by the Jam Handy Organization, a pioneer in industrial film production.
Social guidance films constitute a genre of propaganda films attempting to influence children and adults to behave in certain ways. Social guidance films, particularly popular in the mid-20th century, were designed to address various social issues and promote positive behavior among audiences, especially young people. Often produced by government agencies or educational institutions, these films tackled topics such as peer pressure, substance abuse, and moral decision-making, using relatable narratives and characters to convey their messages. produced by the U.S. government as "attitude-building films" during World War II, the genre grew to be a common source of indoctrination in elementary and high school classrooms in the United States from the late 1940s to the early 1970s. The films covered topics including courtesy, grammar, social etiquette and dating, personal hygiene and grooming, health and fitness, civic and moral responsibility, sexuality, child safety, national loyalty, racial and social prejudice, juvenile delinquency, drug use, and driver safety; the genre also includes films for adults, covering topics such as marriage, business etiquette, general safety, home economics, career counseling and how to balance budgets. A subset is known as hygiene films addressing mental hygiene and sexual hygiene.
Ephemera are items which were not originally designed to be retained or preserved, but have been collected or retained. The word is etymologically derived from the Greek ephēmeros ‘lasting only a day’. The word is both plural and singular.
The Prelinger Archives is a collection of films relating to U.S. cultural history, the evolution of the American landscape, everyday life, and social history. Originally based in New York City from 1982 through 2002, it is now based in San Francisco.
Henry Jamison "Jam" Handy was an American Olympic breaststroke swimmer, water polo player, and founder of the Jam Handy Organization (JHO), a producer of commercially sponsored motion pictures, slidefilms, trade shows, industrial theater and multimedia training aids. Credited as the first person to imagine distance learning, Handy made his first film in 1910 and presided over a company that produced an estimated 7,000 motion pictures and perhaps as many as 100,000 slidefilms before it was dissolved in 1983.
Ephemerality is the concept of things being transitory, existing only briefly. Academically, the term ephemeral constitutionally describes a diverse assortment of things and experiences, from digital media to types of streams. "There is no single definition of ephemerality". With respect to unique performances, for example, it has been noted that "[e]phemerality is a quality caused by the ebb and flow of the crowd's concentration on the performance and a reflection of the nostalgic character of specific performances". Because different people may value the passage of time differently, ephemerality may be a relative, perceptual concept: "In brief, what is short-lived may not be the object itself, but the attention we afford it".
Mr. B Natural is a short sponsored film produced in 1956 by Kling Film Productions for the C.G. Conn Company, directed by Phil Patton. It is also the name of the film's main character, played by Betty Luster.
Perversion for Profit is a 1963 Eastmancolor propaganda film financed by Charles Keating through Citizens for Decent Literature and narrated by news reporter George Putnam. The film argues that sexually explicit materials corrupt young viewers and readers, leading to acts of violence and "perverted" attitudes regarding sex—including inclination toward homosexuality. Although Perversion for Profit was serious in its suggestion that pornography could erode the integrity of American culture, Peter L. Stein of the San Francisco Chronicle wrote in a 2003 review that it was "shrill and sometimes comical".
The Calvin Company was a Kansas City, Missouri-based advertising, educational and industrial film production company that for nearly half a century was one of the largest and most successful film producers of its type in the United States.
Sponsored film, or ephemeral film, as defined by film archivist Rick Prelinger, is a film made by a particular sponsor for a specific purpose other than as a work of art: the films were designed to serve a specific pragmatic purpose for a limited time. Many of the films are also orphan works since they lack copyright owners or active custodians to guarantee their long-term preservation.
Betty Luster was an American television actress, singer, and dancer, whose career was active in the 1940s and 1950s. The role for which she is best remembered today was at one time her most obscure: her portrayal of Mr. B Natural in the short film of the same name, made famous after its inclusion in a 1991 episode of Mystery Science Theater 3000.
An orphan film photos is a motion picture work that has been abandoned by its owner or copyright holder. The term can also sometimes refer to any film that has suffered neglect.
Keller Easterling is an American architect, urbanist, writer, and professor. She is Enid Storm Dwyer Professor and Director of the MED Program at Yale University.
Scratch and Crow (1995) is a four-minute, 16mm, animated film made by Helen Hill as her MFA thesis at the California Institute of the Arts. On January 1, 2017, an authorized Helen Hill Vimeo account launched and includes a high-resolution streaming version of the film, with this annotation: "This hand drawn animated film reveals the secret life cycle of chickens, from their hatching by mother cats to their noisy ascent into Heaven. Filmed in 16 mm."
Collage film is a style of film created by juxtaposing found footage from disparate sources. The term has also been applied to the physical collaging of materials onto film stock.
Last Clear Chance is a 1959 American short film produced and directed by Robert Carlisle. Sponsored by the Union Pacific Railroad, Last Clear Chance is a safety film intended to warn young drivers to be careful at railroad crossings. The film's cast consists of William Boyett, Harold Agee, Mrs. Harold Agee, Tim Bosworth, William Agee, Christine Lynch, and Lou Spraker. Written by Leland Baxter, the film was shot in parts of Idaho. Wondsel, Carlisle & Dunphy Inc, based in New York City, served as the film's production company.
Megan Prelinger is a cultural historian and archivist. She is the co-founder of the Prelinger Library in San Francisco and author of two books: Another Science Fiction: Advertising the Space Race 1957–1962 and Inside the Machine: Art and Invention in the Electronic Age.
Panorama Ephemera is a 2004 collage film by film archivist Rick Prelinger.