Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Celtic Frost was a Swiss heavy metal band from Zürich. They are remembered for their strong influence on the development of several varieties of extreme metal and for their avant-garde approach to music more generally.
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
Danzig 5: Blackacidevil is the fifth studio album by American heavy metal band Danzig. It was released in 1996 on Hollywood Records, and was reissued through E-Magine Records in 2000 with three extra tracks. The album sees the band shift to a largely industrial-based sound.
3 Inches of Blood is a Canadian heavy metal band formed in 1999 in Victoria, British Columbia, reunited in 2024 after disbanding in 2015. Returning with Cam Pipes, Justin Hagberg, Shane Clark, Nick Cates, and Ash Pearson. Their music was strongly influenced by the new wave of British heavy metal movement.
Lucifer's Friend was a German rock band, formed in Hamburg in 1970 by guitarist Peter Hesslein, singer John Lawton, bassist Dieter Horns, keyboardist Peter Hecht, and drummer Joachim Reitenbach. The group was an early practitioner of heavy metal and progressive rock; they also incorporated elements of jazz and fusion into their music, especially in their fourth album Banquet of 1974. Beyond heavy metal, the band has been cited, too, as one of the pioneers of doom metal, helping to define both genres due to their heavy sound and dark oriented lyrics of their debut Lucifer's Friend of 1970, and returning to their roots in 1981 with Mean Machine, although more influenced by speed metal.
Boris is a Japanese band that draws variously from styles such as sludge metal, drone, noise, psychedelia, and minimalism. Formed in 1992 in Tokyo, the band is composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members contribute vocals. Boris has released more than 20 studio albums on various labels around the world, as well as a variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara.
Cleopatra Records is a Los Angeles-based independent record label that has the sub-labels Hypnotic Records, Goldenlane, Stardust, Purple Pyramid, Deadline and X-Ray Records.
Today Is the Day is an American noise rock and experimental metal band that originally formed in Nashville, Tennessee. The band's diverse sound combines influences from areas such as noise music, avant-garde metal, grindcore, post-hardcore, and alternative rock among other genres. Most of the band's recordings make extensive use of dissonance and sampling, as well as unusual production techniques and psychedelic overtones. Lyrical themes include depression, warfare, violence, altered states of consciousness, and mental disorders.
Acid Jazz Records is a record label based in East London formed by Gilles Peterson and Eddie Piller in 1987. The label is the namesake of the acid-jazz subgenre of jazz music for which it is most famously known for producing.
MeteorCity Records is an American record label founded in 1997 by Jadd Shickler and Aaron Emmel in Albuquerque, New Mexico. With the release of its compilation album Welcome to MeteorCity showcasing young unsigned Kyuss-like bands, MeteorCity helped launch the stoner rock genre and many of the genre's first bands, plus side projects from members of well-known bands including The Atomic Bitchwax and Hermano. MeteorCity Records was one of the first record labels dedicated exclusively to Stoner rock, doom metal, sludge metal, drone metal and psychedelic rock.
Castle Communications, also known as Castle Music, was a British independent record label and home video distributor founded in 1983 by Terry Shand, Cliff Dane, and Jon Beecher. Its video imprint was called Castle Vision. The label's production ceased in 2007, and its remaining rights are now chiefly vested in BMG Rights Management. Castle also operated a subsidiary label, Essential Records.
Cirith Ungol is an American heavy metal band formed in late 1971 in Ventura, California. This early doom and power metal group is known for lyrics based on fantasy. The band took their name from the mountain pass Cirith Ungol in J. R. R. Tolkien's epic fantasy novel, The Lord of the Rings.
Church of Misery is a Japanese doom metal band from Tokyo, formed in 1995. Church of Misery's musical style melds early Black Sabbath-style doom with psychedelic rock; most of the band's songs are about serial killers and mass murderers.
Fuck the Facts is a Canadian Juno-nominated, grindcore band from Ottawa, Ontario, Canada, formed in 1998. They began as the solo recording project of musician Topon Das. Their earliest recording was in January 1997; they began using the name Fuck the Facts in 1998. After many early recordings, including split tapes with groups from around the world, Fuck the Facts began developing a name in the underground with fans of grind. In 2001, the first full-length CD-R, Discoing the Dead, was recorded. The same year, Das would assemble a full band to continue with the project. The band has since coined the terms "bastardized grindcore" and "mullet-core" to describe their sound.
Stoner rock, also known as stoner metal or stoner doom, is a rock music fusion genre that combines elements of doom metal with psychedelic rock and acid rock. The genre emerged during the early 1990s and was pioneered foremost by Kyuss and Sleep.
All That is Heavy is an online music store based in Texas and founded in 1997. It is the first online record store dedicated exclusively to the genres of stoner rock, doom metal, sludge metal, drone metal and psychedelic rock. All That is Heavy was originally owned and operated MeteorCity Records, which was instrumental in the growth of the late 1990s stoner rock scene. Distributed labels, besides their formerly in-house MeteorCity Records, include Tee Pee, Volcom Entertainment, Small Stone Records, Rise Above Records, and others. The store was operated by the now defunct StonerRock.com from 2001 to 2010, and was owned by Dan Beland. On 25 August 2017 it was announced that All That Is Heavy would be taken into new ownership by Casey Kelch and relocated to Houston, Texas.
Uncle Acid & the Deadbeats are an English rock band, formed in Cambridge by Kevin Starrs. The band have released six albums – the most recent, Nell' Ora Blu, was released in May 2024 – as well as a number of singles. The band appears regularly at festivals around Europe.
Japanese metal is heavy metal music from Japan. The country's first metal bands formed in the mid-to-late 1970s. The number of acts increased significantly in the next decade, but only a few saw their material released internationally, including Europe and North America with their pre-established metal bases. Domestic metal saw its commercial peak in Japan in the late 1980s and early 1990s, with the top acts selling millions of records. Many metal bands from the visual kei scene toured and gained recognition in the West in the 2000s. The 2010s saw a boom of all-female metal bands form and gain mainstream attention.
