John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free.
The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The Cornfield is an oil painting by the English artist John Constable, completed from January to March 1826 in the artist’s studio. The painting shows a lane leading from East Bergholt toward Dedham, Essex, and depicts a young shepherd boy drinking from a pool in the heat of summer. The location is along Fen Lane, which the artist knew well. Constable referred to the piece as The Drinking Boy.
Kenwood House is a former stately home in Hampstead, London, on the northern boundary of Hampstead Heath. The present house, built in the late 17th century, was remodelled in the 18th century for William Murray, 1st Earl of Mansfield by Scottish architect Robert Adam, serving as a residence for the Earls of Mansfield until the 20th century.
Keats House is a writer's house museum in what was once the home of the Romantic poet John Keats. It is in Keats Grove, Hampstead, toward the edge of inner north London. Maps before about 1915 show the road with one of its earlier names, John Street; the road has also been known as Albion Grove. The building was originally a pair of semi-detached houses known as "Wentworth Place". John Keats lodged in one of them with his friend Charles Brown from December 1818 to May 1820, and then in the other half of the house with the Brawne family from August to September 1820. These were perhaps Keats's most productive years. According to Brown, "Ode to a Nightingale" was written under a plum tree in the garden.
The Yale Center for British Art at Yale University in central New Haven, Connecticut, houses the largest and most comprehensive collection of British art outside the United Kingdom. The collection of paintings, sculpture, drawings, prints, rare books, and manuscripts reflects the development of British art and culture from the Elizabethan period onward.
The Spaniards Inn is a historic pub on Spaniards Road between Hampstead and Highgate in London, England. It lies on the edge of Hampstead Heath near Kenwood House. It is a Grade II listed building, dating back to the 16th century.
Events in the year 1822 in Art.
Charles Golding Constable (1821–1878) was a member of the British East India Company's navy, joining up in his youth. He was the second son of the painter John Constable and, on his elder brother John Charles's death in 1841, became head of the Constable family.
Arthur Graham Reynolds was an English art historian who was Keeper of Paintings at the Victoria and Albert Museum. He was a leading expert on portrait miniatures and the art of John Constable, for whose works he wrote the catalogue raisonné. Reynolds's approach exemplified traditional scholarship and connoisseurship and he was fiercely opposed to the New Art History of the 1970s.
Admiral's House is a Grade II listed house in Hampstead in the London Borough of Camden. The house's name is a misnomer, as no admirals have ever lived there. The house is featured in multiple paintings by John Constable.
Spaniards Road is a street in Hampstead in the London Borough of Camden. It runs northwards from the junction of Heath Street and North End Way, close to the Hampstead War Memorial and Jack Straw's Castle, cutting through Hampstead Heath before becoming Hampstead Lane which then turns eastwards towards Highgate. It is designated part of the B519 Road.
Sir Richard Steele's Cottage, Hampstead is a landscape painting by the British artist John Constable begun in 1831 and completed the following year. It shows a view from Haverstock Hill in then rural Hampstead looking southwards towards London with its skyline dominated by St Paul's Cathedral. The painting takes its name from the cottage to the right of the road, formerly home to the Irish writer and politician Richard Steele, a member of the Kit Cat Club. On the left of the street is a public house the Load of Hay, popular with travellers on their way to Hampstead Heath. The stretch was part of Hampstead Road which connected the city to Hampstead and still retains its historic alignment. The cottage was demolished in 1867 during the development of Belsize Park as a residential area, but is still commemorated by the name of Steele Road.
Branch Hill Pond, Hampstead Heath is a landscape painting by the British artist John Constable. Painted between 1824 and 1825 it depicts the view from Branch Hill in Hampstead. Constable had lived in Hampstead, then beyond the outskirts of London, since 1819 and painted many views of the area. It was sold in 1825 to the collector Francis Darby. The painting shows some carts in the foreground as well as Branch Hill Pond. In the background are the fields around Harrow and the villages of Kilburn and Hendon. In the extreme distance is Windsor Castle.
The Opening of Waterloo Bridge is an 1832 history painting by the British artist John Constable. It depicts the scene on 18 June 1817 when the newly constructed Waterloo Bridge across the River Thames in London was ceremonially opened by the Prince Regent. To distinguish it from other works of the scene by Constable and others, it is known by the longer alternative title Embarkation of George IV from Whitehall: The Opening of Waterloo Bridge, 1817.
Malvern Hall is an 1821 landscape painting by the British artist John Constable. It depicts a view of Malvern Hall in Warwickshire. Constable, known in particular for his paintings of his native Suffolk, first visited Malvern Hall in 1809 and returned again in 1820. He was invited by Magdelane, the widow of Earl of Dysart. As the house had been rebuilt and restored since his previous visit, he was encouraged by her to paint it again.
Parham Mill is an 1826 landscape painting by the English artist John Constable. It portrays a view of the Parham watermill in Gillingham, Dorset. In 1823 Constable was staying with his friend John Fisher, nephew of the Bishop of Salisbury, who suggested he should paint it. Constable was attracted to the mill which he called "wonderfull old & romantic".
Harwich Lighthouse is an 1820 landscape painting by the British painter John Constable. It depicts a scene on the coast of Essex in England featuring Harwich Low Lighthouse. The lighthouse was maintained by Constable's patron General Rebow whose estate at Wivenhoe Park he also painted.
