Roald Nasgaard

Last updated

Roald Nasgaard
Born(1941-10-14)October 14, 1941
Askildrup, Denmark
NationalityDanish-born Canadian
Education
Known for Curator of exhibitions and publications of Canadian abstract art
Spouse
Lori J. Walters
(m. 2007)

Roald Nasgaard OC (born October 14, 1941) is a champion of abstract art in Canada. [1]

Contents

Career

Roald Nasgaard received his B.A. from the University of British Columbia (1965); M.A., University British Columbia (1967); and Doctor of Philosophy, at the New York University Institute of Fine Arts. He began his career as a lecturer and assistant professor at the University of Guelph (1971-1975), then served as the curator of contemporary art at the Art Gallery of Ontario (AGO), Toronto (1975-1978), chief curator (1978-1989), and deputy director and chief curator (1989-1993). [2] In his role as chief curator, he oversaw the expansion of the gallery's permanent collection, as well as organizing many exhibitions, often of Canadian abstract art [1] and important international exhibitions such as Gerhard Richter: Paintings (1988), Richter's first retrospective exhibition in North America, as well as working with Germano Celant on The European Iceberg: Creativity in Germany and Italy Today (1985). In 1993, he became senior curator of research (1993). He then served as chair of the department of art at Florida State University, Tallahassee (1995-2006), and as professor of art history, since 2006. [2] He is now professor emeritus of that institution. [3]

He was co-organizer of the programming of the Institute of Modern and Contemporary Art, Calgary, Canada; visiting lecturer, University of Guelph, and York University and visiting lecturer, adjunct professor at the University of Toronto. He was also a research fellow at the National Gallery of Canada Library and Archives (summer 2002). [2]

His exhibition, The Urge to Abstraction, opened in, 2007 at the Varley Art Gallery of Markham, Unionville Ont. His traveling exhibition for the Varley Art Gallery, The Automatiste Revolution: Montreal 1941-1960 [4] was exhibited at the Albright-Knox Gallery in Buffalo in 2009 [2] and he co-curated The Plasticiens and Beyond: Montreal, 1955–1970 in 2013 at the Musée national des beaux-arts du Québec and the Varley Art Gallery. [5] In 2016, he was one of the curators of Mystical Landscapes: Masterpieces from Monet, Van Gogh and more (AGO and Musée d'Orsay) [6] and in 2017 curated Higher States: Lawren Harris and his American Contemporaries (McMichael Canadian Art Collection and the Glenbow Museum). [3]

Selected publications

He has been the author of many exhibition catalogues, including, among others: Yves Gaucher: A Fifteen-Year Perspective (1979) (and an internet book on Gaucher for the Art Canada Institute); [3] Structures for Behaviour: New Sculptures by Robert Morris, David Rabinowitch, Richard Serra and George Trakas (1978); and The Mystic North: Symbolist Landscape Painting in Northern Europe and North America, 1890-1940 (1984) which Artforum magazine called a "sweeping survey of Symbolist landscape painting in Northern Europe and North America", adding the catalogue was "fine". It said that Nasgaard had located a "European ancestry for early Modern Canadian painting". [7] Besides receiving scholarly praise, the catalogue received popular approval. Goodreads rated the book with a full five stars. [8]

In 2001, the Florida State University Museum of Fine Arts, published his Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990. In 2007, Douglas & McIntyre published his book Abstract Painting in Canada: A History which is considered a substantial offering. [1] In 2009, he co-wrote The Automatiste Revolution: Montreal 1941-1960 and in 2013, co-wrote The Plasticiens and Beyond: Montreal, 1955–1970. [9] In 2017, Goose Lane Editions and the McMichael Canadian Art Collection published his co-publication Higher States: Lawren Harris and His American Contemporaries (Fredericton, New Brunswick and Kleinburg, Ontario), reviewed favorably, with reservations by a peer in the College Art Association in 2019. [10] In the World Cataloguing Identities, Dr. Nasgaard's books have 2,661 library holdings. [11]

Awards and honours

Dr. Nasgaard won an Ontario Art Galleries Association Curatorial Writing Award in 1991 for his essay in Individualités: 14 Contemporary Artists from France. He has held several Canada Council fellowships (1967-1968), (1970-1971) and grants as well as a Research Fellowship at the National Gallery of Canada Library and Archives (2002) and a Cornerstone (AHPEG) Grant, FSU (2006-2007). He was made an Officer of the Order of Canada in 2012. He also has been a member of the Toronto Public Art Commission, and of the Gershon Iskowitz Foundation.

Related Research Articles

<span class="mw-page-title-main">Les Automatistes</span> Canadian art group

Les Automatistes were a group of Québécois artistic dissidents from Montreal, Quebec, Canada. The movement was founded in the early 1940s by painter Paul-Émile Borduas. Les Automatistes were so called because they were influenced by Surrealism and its theory of automatism. Members included Marcel Barbeau, Roger Fauteux, Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Guy Borremans, Marcelle Ferron and Françoise Sullivan.

Jean-Paul Mousseau was a Quebec artist. He was a student of Paul-Émile Borduas, a member of the Automatist group and a founding member of the Association of Non-Figurative Artists of Montreal.

<span class="mw-page-title-main">Group of Seven (artists)</span> Group of Canadian landscape painters (1920–1933)

The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932.

<span class="mw-page-title-main">Lawren Harris</span> Canadian painter (1885–1970)

Lawren Stewart Harris LL. D. was a Canadian painter, best known as a leading member of the Group of Seven. He played a key role as a catalyst in Canadian art and as a visionary in Canadian landscape art.

Claude Tousignant is a Canadian artist. Tousignant is considered to be an important contributor to the development of geometric abstraction in Canada.

<span class="mw-page-title-main">Fernand Leduc</span> Canadian artist (1916–2014)

Fernand Leduc was a Canadian abstract expressionist painter and a major figure in the Quebec contemporary art scene in the 1940s and 1950s. During his 50-year career, Leduc participated in many expositions in Canada and France. He was born in Viauville, Montreal, Quebec.

<span class="mw-page-title-main">Paterson Ewen</span> Canadian painter

Paterson Ewen D.Litt LL. D. was a Canadian painter. Ewen was a founding member of the Non-figurative artist's association of Montréal, along with Claude Tousignant, Jean-Paul Mousseau, Guido Molinari, and Marcel Barbeau. He moved to London, Ontario in the late 1960s where London Regionalism was championed by Jack Chambers and Greg Curnoe. It was in London that Ewen developed the gouged-plywood style that would become his hallmark.

Harold Klunder is a Canadian painter.

<span class="mw-page-title-main">Canadian art</span> Canadian art

Canadian art refers to the visual as well as plastic arts originating from the geographical area of contemporary Canada. Art in Canada is marked by thousands of years of habitation by Indigenous peoples followed by waves of immigration which included artists of European origins and subsequently by artists with heritage from countries all around the world. The nature of Canadian art reflects these diverse origins, as artists have taken their traditions and adapted these influences to reflect the reality of their lives in Canada.

Fernand Toupin was a Québécois abstract painter best known as a member of the avant-garde movement Les Plasticiens. His work is in the collection of the National Gallery of Canada.

Carol Lorraine Sutton is a multidisciplinary artist born in Norfolk, Virginia, USA and now living in Toronto, Ontario, Canada. She is a painter whose works on canvas and paper have been shown in 32 solo exhibits as well as being included in 94 group shows. Her work, which ranges from complete abstraction to the use of organic and architectural images, relates to the formalist ideas of Clement Greenberg and is noted for the use of color. Some of Sutton paintings have been related to ontology.

Yves Gaucher, was an abstract painter and printmaker. He is considered a leader amongst Quebec's printmakers in the 1950s and 60s. His work has been included in the collections of public galleries such as the National Gallery of Canada in Ottawa, the Museum of Modern Art in New York City, and the Victoria and Albert Museum in London.

<span class="mw-page-title-main">Rita Letendre</span> Canadian artist (1928-2021)

Rita Letendre, LL. D. was a Canadian painter, muralist, and printmaker associated with Les Automatistes and the Plasticiens. She was an Officer of the Order of Canada and a recipient of the Governor General's Award.

Milly Ristvedt, also known as Milly Ristvedt-Handerek, is a Canadian abstract painter. Ristvedt lives and paints in Ontario, where she is represented by the Oeno Gallery. A monograph covering a ten-year retrospective of her work, Milly Ristvedt-Handerek: Paintings of a Decade, was published by the Agnes Etherington Art Centre in 1979. In 2017, a second monograph was published by Oeno Gallery which included a survey of paintings from 1964 through to 2016, Milly Ristvedt, Colour and Meaning : an incomplete palette.

Ronald Benjamin Moppett is a Canadian painter. He is known primarily for abstract paintings and for works in which he combines paint and collage, along with non-traditional materials. Moppett is based in Calgary, Alberta.

Charles Gagnon was a multidisciplinary artist known for his painting, photography and film.

Gordon Webber was a multimedia pioneer of modernism in Canada. He was also a teacher.

Joan Willsher-Martel was a painter of abstract and pointillist landscapes, in watercolour, drawings and oils.

Leopold Plotek, combines abstraction and figuration in large format paintings which take as their starting point his memories, his experience of architecture, objects and art, as well as his readings in art, history, and poetry of all periods. His references are elliptically treated however, as he develops ways of painting them according to his own recipe which varies, picture to picture. In this singular pictorial dynamic, each painting is basically a conception on its own, though a series of sorts can exist. As a result, certain of Plotek’s paintings prefigure the practice of many contemporary abstract painters and can be viewed, like them, as extending the range of abstraction.

Louis Belzile was one of the main figures of geometric abstraction in painting in Quebec and one of the members of the Plasticiens group in Montreal along with Jauran, Jean-Paul Jérôme and Fernand Toupin.

References

  1. 1 2 3 "Dr. Roald Nasgaard". www.gg.ca. Governor General of Canada. Retrieved 12 December 2021.
  2. 1 2 3 4 "Dr. Roald Nasgaard". art.fsu.edu. Florida State University. 9 August 2015. Retrieved 12 December 2021.
  3. 1 2 3 "Yves Gaucher, About the author". www.aci-iac.ca. Art Canada Institute. Retrieved 13 December 2021.
  4. Rinne, Diane (21 February 2013). "Exhibit offers glimpse of historic art movement". Daily Herald Tribune. Retrieved 12 December 2021.
  5. "The Plasticiens and Beyond: Montreal, 1955–1970". www.mnbaq.org. The Musée national des beaux-arts du Québec and the Varley Art Gallery of Markham, Ontario. Retrieved 13 December 2021.
  6. "Mystical Landscapes: Masterpieces from Monet, Van Gogh and more". ago.ca. Art Gallery of Ontario. Retrieved 13 December 2021.
  7. Baker, Kenneth. "Just North of Modernism". Artforum, summer 1984". www.artforum.com. Artforum. Retrieved 12 December 2021.
  8. "Books by Roald Nasgaard". www.goodreads.com. Goodreads. Retrieved 12 December 2021.
  9. Nasgaard, Roald; Martin, Michel; Lamarche, Lise; Leclerc, Denise (2013). Les plasticiens et les années 1950-60. Quebec: Musée national des beaux-arts du Québec. OCLC   830024393 . Retrieved 19 January 2022.
  10. King, James (14 June 2017). "Higher States: Lawren Harris and His American Contemporaries". College Art Association, 2019. Retrieved 13 December 2021.
  11. "Roald Nasgaard". worldcat.org. World Catalogue. Retrieved 13 December 2021.