Robert Yarber | |
---|---|
Born | |
Nationality | American |
Education | BFA Cooper Union, MFA Louisiana State University |
Known for | Painting |
Robert Yarber (born Dallas, Texas, 1948) is an American painter and Professor of Art at Pennsylvania State University. He received a BFA from Cooper Union in 1971, and an MFA from Louisiana State University in 1973. [1]
Yarber gained international attention when his work was included in "Paradise Lost/Paradise Regained: American Visions of the New Decade", an exhibit organized by the New Museum for display in the American Pavilion at the 41st Venice Biennale in 1984. [2] At the Venice Biennale, he was one of twenty-four artists (including Roger Brown, Rev. Howard Finster, Cheryl Laemmle, Jedd Garet, April Gornik, and Eric Fischl) represented in the United States pavilion. [3] Yarber gained further prominence with his inclusion in the Whitney Biennial in 1985. [4] In 1990, Yarber, along with artists Janet Woolley, Jenny Holzer and the illustrators Lou Brooks and Marvin Mattelson, participated in an MTV advertising campaign in Rolling Stone magazine that allowed them the freedom to create an illustration without specific requirements. [5]
Yarber has been credited with influencing the Terry Gilliam film Fear and Loathing in Las Vegas (1998). According to cinematographer Nicola Pecorini, the look of the film was influenced by Yarber's paintings that are "Very hallucinatory: the paintings use all kinds of neon colors, and the light sources don't necessarily make sense." [6] According to Gilliam, they used him as a guide "While mixing our palette of deeply disturbing fluorescent colors." [7]
He has been represented by the Sonnabend Gallery in New York, Marella Arte Contemporanea in Milan, Modernism Inc. in San Francisco, Reflex Amsterdam, Amsterdam, Nicodim Gallery in Los Angeles, and other galleries in the United States and Europe. His most recent show Return of the Repressed opened for Los Angeles’s Nicodim Gallery in 2018. Its coverage has been featured in various art publications including Autre Magazine and Artillery Magazine. Critic Annabel Osberg of Artillery writes, “Robert Yarber‘s spellbinding nocturnal realms feel at once familiar and otherworldly, each of his paintings is far weirder than the sum of its parts, with generic characters and unplaceable urban locales coalescing into bizarre, morbid scenarios.” [8] His 2013 work Panic Pending inspired a collaboration with literary theorist Herbert Marks, who published a piece The Ugly Baby and the Beautiful Corpse: Robert Yarber’s Gnostic Comedy in that year’s Yearbook of Comparative Literature. [9]
Yarber is perhaps best known for a series of paintings of flying and falling figures seen above cityscapes viewed at night. [10] Yarber's works revolve around "combining antiquity with modernism." Two recent shows at Sonnabend Gallery in New York have highlighted Yarber's integration of non dual Vedanta and Upper Amazonian Shamanism into his drawings and paintings. A graphic fiction is in the works based on the most recent show, "Irrational Exuberance." [11]
Juan Downey was a Chilean artist who was a pioneer in the fields of video art and interactive art.
The Venice Biennale is an international cultural exhibition hosted annually in Venice, Italy, by the Biennale Foundation. It focuses on contemporary art, and includes events for art, contemporary dance, architecture, cinema, and theatre. Two main components of the festival are known as the Art Biennale and the Architecture Biennale, which are held in alternating years. The others – Biennale Musica, Biennale Teatro, Venice Film Festival, and Venice Dance Biennale – are held annually. The main exhibition is held in Castello and has around 30 permanent pavilions built by different countries.
Sarah Sze is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory with objects in contemporary life utilizing everyday materials. Her work often represents objects caught in suspension. Drawing from Modernist traditions, Sze confronts the relationship between low-value mass-produced objects in high-value institutions, creating the sense that everyday life objects can be art. She has exhibited internationally and her works are in the collections of several major museums.
Robert H. Colescott was an American painter. He is known for satirical genre and crowd subjects, often conveying his exuberant, comical, or bitter reflections on being African American. He studied with Fernand Léger in Paris. Colescott's work is in many major public collections, including the Albright-Knox in Buffalo, the Museum of Modern Art in New York City, the San Francisco Museum of Modern Art, the Museum of Fine Arts, Boston, the Hirshhorn Museum and Sculpture Garden, the Baltimore Museum of Art and the Crystal Bridges Museum of American Art.
Fred Wilson is an American artist of African-American and Caribbean heritage. He received a BFA from Purchase College, State University of New York. Wilson challenges colonial assumptions on history, culture, and race – encouraging viewers to consider the social and historical narratives that represent the western canon. Wilson received a MacArthur Foundation "genius grant" in 1999 and the Larry Aldrich Foundation Award in 2003. Wilson represented the United States at the Biennial Cairo in 1992 and the Venice Biennale in 2003. In May 2008, it was announced that Wilson would become a Whitney Museum trustee replacing Chuck Close.
Ileana Sonnabend was a Romanian-American art dealer of 20th-century art. The Sonnabend Gallery opened in Paris in 1962 and was instrumental in making American art of the 1960s known in Europe, with an emphasis on American pop art. In 1970, Sonnabend Gallery opened in New York on Madison Avenue, and in 1971 relocated to 420 West Broadway in SoHo where it was one of the major protagonists that made SoHo the international art center it remained until the early 1990s. The gallery was instrumental in making European art of the 1970s known in America, with an emphasis on European conceptual art and Arte Povera. It also presented American conceptual and minimal art of the 1970s. In 1986, the so-called "Neo-Geo" show introduced, among others, the artist Jeff Koons. In the late 1990s, the gallery moved to Chelsea and continues to be active after Sonnabend's death. The gallery goes on showing the work of artists who rose to prominence in the 1960s and 1970s including Robert Morris, Bernd and Hilla Becher and Gilbert & George as well as more recent artists including Jeff Koons, Rona Pondick, Candida Höfer, Elger Esser, and Clifford Ross.
Ashley Bickerton was a Barbadian-born American contemporary artist. A mixed-media artist, Bickerton often combined photographic and painterly elements with industrial and found object assemblages. He is associated with the early 1980s art movement Neo-Geo.
Herman Trunk, also known as Herman Trunk Jr., was an American painter active in the modernist movement of the 1920s and 1930s. He exhibited alongside some of the most famous artists of the day. His contributions to figurative abstract art are being recovered by scholars and critics interested in disability studies and religious studies, as he was a deaf artist and a devoted Catholic during a time of anti-Catholic sentiment. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Gastón Ugalde is considered the father of contemporary bolivian art and was the recipient of the prestigious Konex Award in 2002 along with Oscar Niemeyer. Ugalde was named "the most important living Bolivian artist" by the Konex Foundation in Argentina and was also referred to as the "Andean Warhol" by art critics. Ugalde was also known as "the enfant terrible" of the Bolivian Art Scene.
Russ Warren is an American figurative painter who has exhibited extensively throughout the U.S. and abroad, notably in the 1981 Whitney Biennial and the 1984 Venice Biennale. A painter in the neo-expressionist style, he has drawn inspiration from Spanish masters such as Velázquez, Goya and Picasso, as well as from Mexican folk art and the American southwest. Committed to his own Regionalist style during his formative years in Texas and New Mexico, he was picked up by Phyllis Kind in 1981. During those years he transitioned to a style characterized by "magical realism", and his work came to rely on symbol allegory, and unusual shifts in scale. Throughout his career, his paintings and prints have featured flat figures, jagged shadows, and semi-autobiographical content. His oil paintings layer paint, often incorporate collage, and usually contain either figures or horses juxtaposed in strange tableaux.
Troy Brauntuch is an American artist. He lives in Austin, Texas.
Lavar Munroe is a Bahamian-American artist, working primarily in painting, cardboard sculptural installations, and mixed media drawings. His work is often categorized as: a hybrid medium that straddle the line between sculpture and painting. Munroe lives and works in the United States.
Kim Levin is an American art critic and writer. Levin was a regular contributor to The Village Voice from 1982 to 2006. Since 2007 she has been contributing regularly to ARTnews.
Alex Da Corte is an American conceptual artist who works across a range of different media, including painting, sculpture, installation, performance, and video. His work explores the nuances of contemporary experience by layering inspirations from varied sources, drawing equally from popular culture and art history.
Anne Imhof is a German visual artist, choreographer, and performance artist who lives and works between Frankfurt and Paris. She is best known for her endurance art, although she cites painting as central to her practice.
The American pavilion is a national pavilion of the Venice Biennale. It houses the United States' official representation during the Biennale.
The 58th Venice Biennale was an international contemporary art exhibition held between May and November 2019. The Venice Biennale takes place biennially in Venice, Italy. Artistic director Ralph Rugoff curated its central exhibition, May You Live in Interesting Times, and 90 countries contributed national pavilions.
The 45th Venice Biennale, held from June 13 to October 13, 1993, was an exhibition of international contemporary art, with 45 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Prizewinners of the 45th Biennale included: ex aequo Richard Hamilton and Antoni Tàpies, Robert Willson, the German pavilion with Hans Haacke and Nam June Paik, and Matthew Barney.
The 17th Venice Biennale, held in 1930, was an exhibition of international contemporary art, with 11 participating nations. The Venice Biennale takes place biennially in Venice, Italy.
Alban Muja is a Kosovan contemporary artist and film-maker. In 2019 he represented Kosovo at the 58th Venice Biennale. In his work he is mostly influenced by the social, political and economical transformation processes in wider surrounding region, he investigates history and socio-political themes and links them to his position in Kosovo today. His works cover a wide range of media including video installation, films, drawings, paintings, photographs and performance which have been exhibited extensively in various exhibitions and festivals.