Roll Away the Stone | ||||
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Studio album by | ||||
Released | August 26, 1997 | |||
Recorded | 1996 | |||
Genre | Gospel blues, country blues | |||
Length | 58:16 | |||
Label | Rykodisc | |||
Producer | "...a mystery..." | |||
Kelly Joe Phelps chronology | ||||
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Roll Away the Stone is an album by American blues singer and guitarist Kelly Joe Phelps, released in 1997. It was his first release on the Rykodisc label and reached #10 on the Billboard Top Blues Albums charts.
Phelps' notes state "All songs recorded in my used to be a hotel now it's an apartment building apartment, between airplane take-offs and police sirens, deep in the winter of 1996, except "Cypress Grove" and "Go There" which were recorded in an empty house in Northeast Portland. Same Winter. Dave Schiffman engineered "Cypress Grove". Dale Lawrence supplied the house. Mixed at The Digs by Craig Carothers. Mastered by Toby Mountain at Northeastern Digital, Southboro, MA. Production remains a mystery..."
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Blues Recordings | [2] |
Writing for AllMusic, music critic D. Elaine McDonald stated: "Phelps continues to grow as both a musician and songwriter, and his interpretations of classic blues songs show increased imagination. Although it's based in classic blues, this music doesn't sound ancient — it sounds vital and alive, like any great music should." [1] Thom Owen of No Depression wrote, "Phelps began his musical career playing jazz, and those roots are evident in his introspective, sandpapery vocals on Roll Away The Stone... The three traditional songs here would be at home on Phelps’ first record. He sticks to a simple and respectful reading of these numbers, relying on their timelessness and his silken voice for effect." [3]
All songs written by Kelly Joe Phelps except as noted.
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.
Nehemiah Curtis "Skip" James was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "Coupling an oddball guitar tuning set against eerie, falsetto vocals, James' early recordings could make the hair stand up on the back of your neck."
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.
The Kentucky Headhunters are an American country rock and Southern rock band originating in the state of Kentucky. The band's members are Doug Phelps, Greg Martin, and brothers Richard Young and Fred Young. It was founded in 1968 as Itchy Brother, which consisted of the Young brothers and Martin, along with Anthony Kenney on bass guitar and vocals. Itchy Brother performed until 1982, with James Harrison replacing Martin from 1973 to 1976. The Youngs and Martin began performing as The Kentucky Headhunters in 1986, adding brothers Ricky Lee Phelps and Doug Phelps to the membership.
Christmas Island is Jimmy Buffett's first Christmas album and is his twenty-first studio album overall. It features covers of popular Christmas songs in Buffett's musical stylings as well as two tracks which Buffett wrote for the album. "Twas the Night Before Christmas" is a hidden track. It was his last release with MCA Records.
Kelly Joe Phelps was an American musician and songwriter. His music has been characterized as a mixture of delta blues and jazz.
Mr. Lucky is a 1991 album by American blues singer, songwriter and guitarist John Lee Hooker. Produced by Ry Cooder, Roy Rogers and Carlos Santana under the executive production of Mike Kappus, the album featured musicians including Keith Richards, Blues Hall of Fame inductee Johnny Winter; and three inductees of the Rock and Roll Hall of Fame, Van Morrison, Booker T. Jones and Johnnie Johnson. And also Chester D. Thompson, who once played with Santana, on keyboards, has collaborated on writing a song on the album. Released on Virgin Records, including on its imprint label Classic Records, Mr. Lucky peaked at #101 on the "Billboard 200". Chester D. Thompson should not be mistaken with Chester Cortez Thompson, a drummer who also played with Santana, Frank Zappa and The Mothers of Invention, Weather Report, Genesis and Phil Collins.
Tap the Red Cane Whirlwind is an album by American blues singer and guitarist Kelly Joe Phelps. It reached number 11 on the Billboard Top Blues Albums.
Tunesmith Retrofit is an album by American blues/folk singer and guitarist Kelly Joe Phelps, released in 2006. It was his first recording on the Rounder label after five releases with Rykodisc. It reached #5 on the Billboard Top Blues Albums charts.
Sky Like a Broken Clock is an album by American blues singer and guitarist Kelly Joe Phelps, released in 2001. It reached #8 on the Billboard Top Blues Albums charts.
Shine Eyed Mister Zen is the third album by American blues artist Kelly Joe Phelps, released in 1999.
Lead Me On is the debut album by American blues singer and guitarist Kelly Joe Phelps. It is his first release on the Burnside label before moving to Rykodisc Records.
Blues, Rags and Hollers is the first album by the American country blues trio Koerner, Ray & Glover, released in 1963.
Phantom Blues is a studio album by American blues artist Taj Mahal.
Western Bell is an album by American blues singer and guitarist Kelly Joe Phelps, released 2009. Unlike his previous albums, Western Bell is entirely instrumental. After five discs on Rykodisc and one for Rounder, Phelps joined Black Hen Music, a small independent record label founded in Vancouver, British Columbia.
There Is Always One More Time is an album by the American musician B.B. King, released in 1991. It is dedicated to Doc Pomus, who cowrote the title song. The first single was "Back in L.A."
Brother Sinner and the Whale is an album by American blues singer and guitarist Kelly Joe Phelps, released in 2012. It was recorded in mono with only voice and guitar.
Death's Dateless Night is the 22nd studio album by Paul Kelly and is a collaboration with fellow Australian musician, Charlie Owen, which was issued via Gawd Aggie/Universal Music Australia on 7 October 2016. It was co-produced by Kelly, Owen and J. Walker, which peaked at No. 16 on the ARIA Albums Chart. It was nominated for Best Blues and Roots Album at the ARIA Music Awards of 2017.
Lightnin' Hopkins is an album by blues musician Lightnin' Hopkins, recorded in 1959 and released on the Folkways label. The album was first released around the time that the book The Country Blues came out and was an instant success. It gave Hopkin's career a new lease on life.