Roman Turovsky-Savchuk | |
---|---|
Роман Туровський-Савчук | |
Born | |
Education | Taras Shevchenko State Art School, Parsons School of Design |
Known for | artist, composer, lutenist, scenographer |
Website | Roman Turovsky |
Roman Mykhailovych Turovsky-Savchuk [a] (born May 16, 1961) is an American artist-painter, photographer and videoinstallation artist, [1] as well as a lutenist-composer, [2] [3] born in Ukraine. His musical works were published under various pseudonyms, including Johann Joachim Sautscheck.
Turovsky was born in Kyiv, Ukraine in 1961, when it was part of the Soviet Union. He studied art from an early age under his father, the painter Mikhail Turovsky and at the Shevchenko State Art School in Kyiv. He also began to be interested in music in his teens. The family emigrated to New York City in 1979. They first lived in the Bronx. [4] Turovsky continued his art studies in New York at the Parsons School of Design, [5] studying concurrently Historical Performance (Baroque Lute) and Composition, under Patrick O'Brien, [6] Pier Luigi Cimma, Leonid Hrabovsky and Davide Zannoni.
Turovsky began composing in the early 1990s, simultaneously embarking on a career as a prolific artist-painter. He participated in many exhibitions. His first one-man show was held in June 2006 in New York, and the second in February 2013. Eight of his paintings are in the permanent collection of the International Marian Institute at the University of Dayton. [7] [8]
Turovsky worked as a scenic artist in the production of Jim Jarmusch's film "Ghost Dog", Paul Schrader's "First Reformed", David Bowie's Blackstar [9] as well as in Tom DiCillo's "Double Whammy" and other films. [10] He is a member of United Scenic Artists.
As a composer, Turovsky concentrated on the instrumental idiom of the Baroque lute [11] and the torban, [12] as well as viola da gamba and carillon. He composed over 1100 [13] instrumental and vocal [14] works influenced by his Ukrainian heritage and the baroque. [15] Many of these were premiered by Luca Pianca [16] at several international festivals (Salamanca, Lisbon, Schwetzingen, Vilnius, Vicenza, [17] Urbino, [18] Metz and Paris), Roland Ferrandi in Corte, Simon Paulus at Wolfenbüttel and Jindřich Macek in Přibyslav, Kraty, Prague and Hvar. [19] He also collaborated with Paulo Galvão and Hans Kockelmans in a series of experimental works which they jointly composed. His works have been performed/recorded by Robert Barto, [20] [21] Robert MacKillop, [22] Oleg Timofeyev, Massimo Marchese, [23] John Schneiderman, [24] Thomas Schall, [25] Trond Bengtson, Terrell Stone, Christopher Wilke and Bernhard Hofstötter [26] on lute, Angelo Barricelli [27] and Fernando Lewis de Mattos on guitar, [28] Ernst Stolz on viola da gamba, [29] as well as Hans Kockelmans and Olesya Rostovskaya on carillon. In 2011 and 2013 Turovsky was profiled in two 1 hour-long programs on the Dutch Classical radio-station Concertzender. [24] [30] He also composed over 40 tombeaux dedicated to various cultural figures. These were described by Pablo del Pozo as being of "unquestionable musical quality". [31]
As a performer, Turovsky-Savchuk appeared as a lute soloist and continuo player in the Early Music line-up of Julian Kytasty's "New York Bandura Ensemble" and "Radio Banduristan". [32] Roman Turovsky was a recipient of the 2008 NYSCA grant for the purpose of study of kobzar art with Julian Kytasty. [33]
Roman Turovsky-Savchuk is a founding member of Vox Saeculorum [34] [35] and The Delian Society, [36] two international groups devoted to the preservation and perpetuation of tonal music. He was described as composer-extraordinaire [3] by the British author Suhayl Saadi.
Turovsky-Savchuk contributed to the soundtracks of the documentaries "A Rising Fury" (2022) and "She Paid The Ultimate Price" (2011), [37] and in 2013 to the Marko Robert Stech's Georgy Narbut episode in the KontaktTV Toronto (OMNI TV (Canada)) series "Eyes on Culture" No.55. [38]
Since 1996 Turovsky has signed his musical works as Sautscheck, a German transliteration of the second part of his surname as an allonym. Turovsky used a variety of constructions, such as Johann Joachim and Konradin Aemilius, for first names attached to Sautscheck. He represented the works as newly discovered manuscripts by supposed 17th-, 18th- and 19th-century composers from several generations of the same family. [45] Turovsky published Mikrokosmos, a collection of nearly 800 Renaissance-style pieces based on Ukrainian folk melodies under the pseudonyms "Ioannes Leopolita" and "Jacobus Olevsiensis". [46]
His works for lute achieved wide circulation under the allonym of Sautscheck and the pseudonyms "Ioannes Leopolita" and "Jacobus Olevsiensis". Musicologist Douglas Alton Smith perceived these works as malicious hoaxes and forgeries because of their ostensibly baroque or earlier styles. [47] The controversy in 2000 over what some considered an outright hoax led to coinage of a new German word, Sautscheckerei, which denoted a musical or literary hoax. [48]
He is currently (as of 2023) published by the Lundgren Edition in Sweden under his real name. [49]
Turovsky's poetry translations (from Russian, Ukrainian, Polish and other languages) have appeared in the literary almanacs Asymptote Journal, [50] Cardinal Points, [51] Circumference, [52] The Germ, [53] and various web publications. His translations of the early futurist works of Mykola Bazhan are included in the 2020 edition of Bazhan's "Quiet Spiders Of The Hidden Soul". [54]
He also undertook research into the history of Torban, a Ukrainian musical instrument of the lute family, and wrote the chapter on it for the 2011 edition of "Die Laute in Europa". [55] [56]
A lute is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
The passacaglia is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is typically based on a bass-ostinato and written in triple metre.
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes. As with the lute, the player plucks or strums the strings with the right hand while "fretting" the strings with the left hand.
Patrick O'Brien was an American guitarist and lutenist born in New York. He was a recording artist, but was best known as a pedagogue in the field of early plucked instruments in America, and an expert in musicians' hand anatomy. He has worked with musicians on many instruments, reworking their technique around repetitive stress injuries and breakdowns of coordination.
The torban is a Ukrainian musical instrument that combines the features of the Baroque lute with those of the psaltery. The Тorban differs from the more common European bass lute known as the theorbo in that it had additional short unfretted treble strings strung along the treble side of the soundboard.
Mykola Platonovych Bazhan was a Soviet Ukrainian writer, poet, highly decorated political and public figure. He was an academician of the Academy of Sciences of the Ukrainian SSR (1951), Distinguished Figure in Science and Technology of Ukrainian SSR (1966), Distinguished Figure in Arts of Georgian SSR (1964), People's Poet of Uzbek SSR.
The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with mandora more commonly used from the mid-18th century onwards.
A tombeau is a musical composition commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date from the 17th century and were composed for lute or other plucked string instruments. The genre gradually fell out of use during the 18th century, but reappeared in the early 20th.
The Delian Society was an international community of composers, performers, academics, independent scholars, recording engineers, music publishers, and amateurs dedicated to revitalizing and promoting tonality in contemporary art music. The society was founded on 23 January 2004 by American composer Joseph Dillon Ford and takes its name from the Greek Island of Delos, legendary birthplace of Apollo, god of music and light. Members have collaborated in producing an ongoing series of Delian Suites for various soloists and ensembles.
Robert Barto is an American lutenist specializing in the music of the Baroque and Empfindsamkeit periods, in particular the oeuvres of Sylvius Leopold Weiss and Bernhard Joachim Hagen.
Bernhard Joachim Hagen was a German composer, lutenist and violinist. He was the last important composer of lute music in 18th-century Germany.
Luca Pianca is a Swiss musician-lutenist whose specialty is archlute. In 1985 he co - founded Il Giardino Armonico., a pioneering Italian early-music ensemble based in Milan. He has premiered works by the contemporary lutenist-composer Roman Turovsky-Savchuk at international festivals, and received numerous international awards for his recordings.
Julian Petrovych Kytasty is an American composer, singer, kobzar, bandurist, flautist, and conductor of Ukrainian descent. He was born January 23, 1958, in Detroit, Michigan, in a family of refugees.
Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period.
Hans Kockelmans is a Dutch composer, teacher, and performer of Early Classical and electronic music.
A musical hoax is a piece of music composed by an individual who intentionally misattributes it to someone else.
Rob MacKillop is a Scottish composer and multi-instrumentalist, specializing in lute, theorbo, vihuela, banjo, ukulele and both classical and Russian guitar. He is an important performer of Early Music in Scotland. He is also a photographer.
Lee Santana is an American lutenist and composer, resident in Bremen, Germany.
Christopher Wilke is an American composer, lutenist, guitarist, recording artist, and teacher.
Massimo Marchese is an Italian musician, lutenist, theorbist and recording artist.
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