Ronni Baer (born 1954) is an American art historian and curator, recognized for her expertise in European paintings, particularly from the Dutch Golden Age and the Spanish Golden Age. Over her career, she has curated numerous critically acclaimed exhibitions and contributed extensively to the scholarship of 17th-century European art through her publications, lectures, and collaborative projects. Her work has broadened understanding of how Boston art collectors have contributed to the city's culture, and continues to influence the field of art history.[1]
Baer studied French literature at Emory University for her undergraduate and went to graduate school at New York University. She earned her PhD in art history, also from New York University, specializing in the pupil of Rembrandt named Gerrit Dou.[2] Baer has held numerous prominent curatorial positions throughout her career, such as at the Frick Collection in New York City and the High Museum in Atlanta.
Thereafter she was Senior Curator of European Paintings at the Museum of Fine Arts, Boston, and was in 2019, appointed curator and lecturer at the Princeton University Art Museum.[3][4][5][6] During her time at Princeton she has made efforts to revisit the collections overlooked works, and in the process, discovered a painting now attributed to Peter Paul Rubens, titled Death of Adonis.[7]
James Steward, director of the Princeton University Art Museum, has referred to Baer, by stating she is: "intellectually lively, an inspired scholar and has spent her career in support of the power of the original work of art."[8]
In recognition of her significant contributions to the promotion and study of Dutch art, particularly the Dutch Old Masters, Ronni Baer was appointed as a Knight in the Order of Orange-Nassau on August 7, 2017. This honor also acknowledges her pivotal role in fostering artistic and inter-museum relations between the Netherlands and the United States.[9]
Major exhibitions
Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer (2015-2016).
This exhibition at the Museum of Fine Arts, Boston, explored the relationship between art and social structure in 17th-century Dutch society. Baer received wide acclaim for its fresh perspective on the social stratification depicted in Dutch Golden Age painting.[10]Princess Beatrix, former Queen of the Netherlands, attended the opening.[11]
The Poetry of Everyday Life: Dutch Paintings in Boston Collections (2002). June 12–September 22, 2002.
The showcased approximately sixty 17th-century Dutch paintings, illustrating various genres such as landscapes, still lifes, portraits, and genre scenes. This exhibition highlighted the rich tradition of Dutch art collecting in Boston, featuring works from both private and public collections, and underscored the enduring appeal of Dutch art in the American cultural landscape.[12]
Publications
Forthcoming
"A Fleming in Genoa: Cornelis de Wael’s Feeding the Hungry in Princeton." Princeton Record (forthcoming).
2022
"Murillo and the North." Essay in Murillo: From Heaven to Earth, edited by Guillaume Kientz, pp.24–45. Fort Worth: Kimbell Art Museum, 2022.
2020
"In Search of Major Masters: Boston’s History of Collecting Flemish Baroque Painting." Essay in America and the Art of Flanders, edited by Esmée Quodbach, pp.74–87. New York / University Park, PA: The Frick Collection / Penn State University Press, 2020.
"Image of Repentance: Dou’s Magdalen in Princeton." Essay in Connoisseurship: Essays in Honour of Fred G. Meijer, edited by C. Dumas, R. Ekkart, and C. Van de Puttelaar, pp.28–33. Leiden: Primavera Pers, 2020.
2015
Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. Ronni Baer, with essays by Henk van Nierop, Herman Roodenburg, Eric Jan Sluijter, Marieke de Winkel, and Sanny de Zoete. Catalogue of an exhibition held in Boston in 2015-2016. Boston: MFA Publications, 2015.
2003
Rembrandt’s Journey: Painter, Draftsman, Etcher. Clifford S. Ackley in collaboration with Ronni Baer, Thomas E. Rassieur, and William W. Robinson. Catalogue of an exhibition held in 2003 in Boston (Museum of Fine Arts) and Chicago (Art Institute of Chicago). ISBN 0-87846-677-0.
2002
The Poetry of Everyday Life: Dutch Painting in Boston. Ronni Baer. Catalogue of an exhibition held in 2002 in Boston (Museum of Fine Arts), 147 pp. Boston: Museum of Fine Arts, 2002. ISBN 0-87846-631-2 (hardbound); ISBN 0-87846-645-2 (paperbound).
2000
Gerrit Dou, 1613-1675: Master Painter in the Age of Rembrandt. Ronni Baer, with contributions by Arthur K. Wheelock, Jr. and Annetje Boersma. Catalogue of an exhibition held in 2000 in Washington, D.C. (National Gallery of Art), London (Dulwich Picture Gallery), and The Hague (Royal Cabinet of Paintings Mauritshuis), 159 pp. ISBN 0-300-08369-6 (Yale University Press); ISBN 0-89468-248-2 (paperbound; National Gallery of Art).
1999
So Many Brilliant Talents: Art & Craft in the Age of Rubens. Ronni Baer. Catalogue of an exhibition held in Atlanta (Michael C. Carlos Museum) in 1999, 210 pp. ISBN 1-928917-00-3.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
