Rose-Marie | |
---|---|
Directed by | Lucien Hubbard |
Written by | Lucien Hubbard |
Based on | |
Starring | Joan Crawford James Murray |
Cinematography | John Arnold |
Edited by | Carl F. Pierson |
Music by | Rudolf Friml Herbert Stothart |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
Rose-Marie is a 1928 American silent drama film directed by Lucien Hubbard. It was the first of three Metro-Goldwyn-Mayer adaptations of the 1924 operetta Broadway musical Rose-Marie . [1] The best-known film adaptation starring Nelson Eddy and Jeanette MacDonald was released in 1936; another film was released in 1954. All three versions are set in the Canadian wilderness.
Portions of Rudolf Friml and Herbert Stothart's original score for the Broadway musical are utilized in the 1936 and 1954 films, but not for the silent version. [2] MGM provided sheet music with the film for playing at the theater. Joan Crawford, who starred in the 1928 version alongside James Murray, later remarked, "Rose-Marie was surprisingly good without the music, but I felt uneasy as a French Canadian, but the critics didn't notice."
Rose-Marie Lemaitre is a French-Canadian girl raised by her mountie uncle after her father is killed. She falls in love with Jim Kenyon, a handsome criminal who is hiding in the mountains, and becomes his accomplice. When her uncle and Jim's gang go after each other, Rose-Marie must choose between her loyalty to her lover and her duty to her family and country. [3]
Rose-Marie initially was filmed with Renee Adoree in the lead and William Nigh directing. After two weeks of location filming at Yosemite National Park, the studio shut down the production, fired Nigh, and brought Lucien Hubbard to produce and write a new screenplay. Another director, Edmund Goulding, was assigned, and he re-cast the picture, selecting Joan Crawford for the lead role. [4] Goulding, although referenced in the trade press throughout the production, was ultimately not credited as director.
Norbert Lusk summed up the response of New York critics: "Rose-Marie...has proved disappointing. With unusual unanimity the reviewers rate it just another story about the Northwest Mounted Police, which never reaches more than lukewarm interest in spite of good acting and, of course, beautiful scenery. It's strongest asset is its title, which will doubtless draw in the absence of word-of-mouth advertising." [5] Mae Tinee, writing in the Chicago Daily Tribune, called the film "charming," but felt that Crawford "has not the fire and depth that Miss Adoree brings to her characterizations." [6]
Rose-Marie is considered to be a lost film. [7] MGM once had a policy to destroy prints of the original film when a film was remade, [8] so prints of this film may have been destroyed when the 1936 remake was released.
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Charles Rudolf Friml was a Czech-born composer of operettas, musicals, songs and piano pieces, as well as a pianist. After musical training and a brief performing career in his native Prague, Friml moved to the United States, where he became a composer. His best-known works are Rose-Marie and The Vagabond King, each of which enjoyed success on Broadway and in London and were adapted for film.
Thomas J. Moore was an Irish-American actor and director. He appeared in at least 186 motion pictures from 1908 to 1954. Frequently cast as the romantic lead, he starred in silent movies as well as in some of the first talkies.
Rose-Marie is an operetta-style musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. The story is set in the Canadian Rocky Mountains and concerns Rose-Marie La Flemme, a French Canadian girl who loves miner Jim Kenyon. When Jim falls under suspicion for murder, her brother Emile plans for Rose-Marie to marry Edward Hawley, a city man.
Mary Brian was an American actress who made the transition from silent films to sound films.
Rose Marie (1923–2017) was an American actress.
Montagu Love was an English screen, stage and vaudeville actor.
Fredrick Louis Kohler was an American actor.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Across to Singapore is a 1928 American silent romantic drama film directed by William Nigh, and starring Ramon Novarro, Joan Crawford and Ernest Torrence. The plot involves a love triangle between a woman and two brothers, set on board ship and in Singapore.
The Law of the Range is a 1928 American silent Western film starring Tim McCoy and Joan Crawford and Rex Lease.
Paid is a 1930 American pre-Code drama film starring Joan Crawford, Robert Armstrong, and Kent Douglass in a story about a wrongly accused ex-convict who seeks revenge on those who sent her to prison using a scam called the "Heart Balm Racket".
Tide of Empire is a 1929 American synchronized sound Western film directed by Allan Dwan and starring Renée Adorée and Tom Keene. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
The Merry Widow is a 1925 American silent romantic drama/black comedy film directed and written by Erich von Stroheim. Released by Metro-Goldwyn-Mayer, the film stars Mae Murray, John Gilbert, Roy D'Arcy, and Tully Marshall, with pre-fame uncredited appearances by Joan Crawford and Clark Gable.
"Rose Marie" is a popular song from the musical or operetta of the same name. The music was written by Rudolf Friml and Herbert Stothart, the lyrics by Otto Harbach and Oscar Hammerstein II, In the original Broadway production in 1924, the song was performed by Dennis King and Arthur Deagon, as the characters Jim Kenyon and Sergeant Malone.
John Miljan was an American actor. He appeared in more than 200 films between 1924 and 1958.
Kindling is a 1915 American drama film produced and directed by Cecil B. DeMille and starring Charlotte Walker, in her film debut. The film is based on a 1911 Broadway play by Charles A. Kenyon which starred Margaret Illington and was produced by her husband Major Bowes, later of radio fame.
Paris is a 1926 American silent romantic drama film written and directed by Edmund Goulding. The film stars Charles Ray, Douglas Gilmore, and Joan Crawford.
Rose Marie or Rose-Marie is the title of the following films, all based on the 1924 light operetta-style Broadway musical Rose-Marie:
Bodil Rosing was a Danish stage and American film actress in the silent and sound eras.