Roswell Rudd | ||||
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Live album by | ||||
Released | 1971 | |||
Recorded | November 1965 | |||
Studio | Hilversum, Netherlands | |||
Genre | Jazz | |||
Label | America Records 30 AM 6114 | |||
Roswell Rudd chronology | ||||
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Roswell Rudd is a live album by the trombonist Roswell Rudd, the first recording under his name. It was recorded in November 1965 in Hilversum, Netherlands, and was released by America Records in 1971. On the album, Rudd is joined by saxophonist John Tchicai, bassist Finn Von Eyben, and drummer Louis Moholo. [1]
In the fall of 1965, Tchicai lined up dates for the New York Art Quartet, a group that he co-led with Rudd, in Copenhagen, Gothenburg (Sweden), Hilversum (Holland), and Amsterdam (where they opened for Ornette Coleman's group), with Von Eyben and Moholo substituting for band members Reggie Workman and Milford Graves, who were unable to make the trip. [2] The NYAQ album Old Stuff , featuring these four players, was recorded in Copenhagen in October, [3] while the album Roswell Rudd was recorded for a radio broadcast while the group was in Hilversum in November. [4] (The date listed on the album jacket, February 1965, is incorrect. [4] ) The French label America Records released the album in 1971 without Rudd's consent. [5]
Review scores | |
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Source | Rating |
AllMusic | [6] |
The Penguin Guide to Jazz | [7] |
Tom Hull – on the Web | B+ [8] |
In a review for AllMusic, Matt Collar wrote: "Fans of Rudd will immediately recognize his peculiar slide-heavy and note-bending style. While the album is primarily a free jazz effort, tracks such as 'Old Stuff' and 'Respects' do belie a quasi-boppish influence not dissimilar to the work of avant-garde icon saxophonist Ornette Coleman." [6]
The authors of the Penguin Guide to Jazz Recordings called the album "a tight, intensely swinging record, best heard as bop with freeish elements," and described Moholo's drumming as "a revelation." [7]
A writer for All About Jazz commented: "Rudd embellishes free expressions with an unflappable empathy.... 'Sweet Smells'... is introspective in its opening repeated bass and horn lines, though a real thrust and underlying swing carry the tune... bassist Finn Von Eyben and... drummer Louis Moholo allow the horns to play anything at any given juncture, without a single gratuitous moment... Moholo's loping beats, unique timing, and Elvin Jones-influenced polyrhythms push both horns with a subtlety of slowing then speeding up the meter, which takes 'Sweet Smells' out in an unaccompanied break that will make you want to replay its last thirty seconds. Closing the session is Monk's ever-familiar 'Pannonica', a densely packed three minutes by the group which proves that their spontaneous creations run parallel to a compositional grounding." [9]
Francis Davis of The Village Voice stated that the album's mediocre sound quality is "not bad enough to muffle the Rudd-and-John Tchicai polyphony that was the group's mark of distinction—and one of the greatest joys of '60s free." [10]
Clifford Allen of Paris Transatlantic remarked: "Rudd's gritty freedom and bawdy humor are matched perfectly by the dry, acerbic surrealism of Tchicai's solos, which look back to Steve Lacy and forward to the less-bluesy Anthony Braxton recitals." He praised Moholo's "subtly complex drumming," calling it "in many ways the focus of this recording," and "the expansion and contraction of breathing, a constancy that supports Rudd and Tchicai's flights." [11]
Archie Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
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The New York Art Quartet was a free jazz ensemble, originally made up of saxophonist John Tchicai, trombonist Roswell Rudd, drummer Milford Graves and bassist Lewis Worrell, that came into existence in 1964 in New York City. Worrell was later replaced by various other bassists, including Reggie Workman, Finn Von Eyben, Harold Dodson, Eddie Gómez, Steve Swallow, and Buell Neidlinger. All About Jazz reviewer Clifford Allen wrote that the group "cut some of the most powerful music in the free jazz underground".
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Four for Trane is a studio album by tenor saxophonist Archie Shepp released on Impulse! Records in 1965. Four of the five tracks were composed and originally recorded by John Coltrane and rearranged by Shepp and trombonist Roswell Rudd. The other featured players are trumpeter Alan Shorter, alto saxophonist John Tchicai, bassist Reggie Workman and drummer Charles Moffett. Coltrane himself co-produced the album alongside Bob Thiele. The album was Shepp's first release for Impulse!
Monk's Dream is an album by Steve Lacy and Roswell Rudd released on the Verve label in 2000. It features performances by Lacy, Rudd, Jean-Jacques Avenel, John Betsch and Irene Aebi's vocals on two tracks.
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Other Planes of There is an album by the American Jazz musician Sun Ra and his Solar Arkestra. Recorded in 1964, the album had been released by 1966 on Sun Ra's own Saturn label. The record was reissued on compact disc by Evidence in 1992.
'Granted, the selection is certainly not as abrasive and demanding as later efforts, although there is strident involvement from everyone within the dense arrangement. The brass and reed sections provide emphasis behind an off-kilter and loping waltz backdrop. All the more impressive is how well the material has held up over the decades. Even to seasoned ears, the music is pungent and uninhibited, making Other Planes of There a highly recommended collection.' Lindsay Planer
The Evening of the Blue Men is an album by American jazz saxophonist Jemeel Moondoc with Muntu, which was recorded live in 1979 at NYC's St. Mark's Church and released on his own Muntu label. The album was reissued in 2009 as part of the three-CD box Muntu Recordings on the Lithuanian NoBusiness label. This second Muntu unit, a pianoless quartet consisting of Moondoc, trumpeter Roy Campbell, bassist William Parker and drummer Rashid Bakr, made its first performance in December 1978 at Ali's Alley.
New York Art Quartet is the debut album by the group of the same name. It was recorded on November 26, 1964, at Bell Sound Studios in New York City, and was released in 1965 by ESP-Disk as the fourth item in their catalog, following Albert Ayler's Spiritual Unity and Pharoah Sanders's Pharoah's First. It features John Tchicai on alto saxophone, Roswell Rudd on trombone, Lewis Worrell on bass, and Milford Graves on percussion. In addition, LeRoi Jones recites his controversial poem "Black Dada Nihilismus" on one track.
Mohawk is the second album by the New York Art Quartet. It was recorded by Rudy Van Gelder on July 16, 1965, in New York City, and was released later that year by Fontana Records. It features John Tchicai on alto saxophone, Roswell Rudd on trombone, Reggie Workman on bass, and Milford Graves on percussion.
35th Reunion is the third album by the New York Art Quartet. It was recorded at Avatar Studios in New York City on June 14, 1999, and was released in 2000 by DIW Records. It features John Tchicai on alto saxophone, Roswell Rudd on trombone, Reggie Workman on bass, and Milford Graves on percussion. Amiri Baraka, whose poem "Black Dada Nihilismus" was included on the group's debut album, also appears.
Old Stuff is the fourth album by the New York Art Quartet. It was recorded live at the Montmartre Jazzhus and Concert Hall of the Radio House, Danish Broadcasting on October 14 and 24, 1965, and was released in 2010 by Cuneiform Records. It features John Tchicai on alto saxophone, Roswell Rudd on trombone, Finn Von Eyben on bass, and Louis Moholo on drums.
Call It Art is an album by the New York Art Quartet. It contains previously unissued live and studio tracks recorded in 1964 and 1965, and was released in limited quantities as a five-LP box set by Triple Point Records in 2013. The album includes a 156-page clothbound book containing liner notes by Ben Young, photos, reproductions of manuscripts, and a complete history and itinerary of the group, housed in a custom wooden box. Musicians featured on the album are saxophonist John Tchicai, trombonist Roswell Rudd, bassists Bob Cunningham, Don Moore, Eddie Gómez, Lewis Worrell, and Reggie Workman, and drummers J. C. Moses and Milford Graves. Trumpeter Alan Shorter appears on several tracks, and Amiri Baraka also makes a guest appearance.
Blown Bone is an album by trombonist Roswell Rudd. It was recorded in March 1976 at Blue Rock Studios in New York City, and was released on LP by Philips Japan in 1979. On the album, Rudd is joined by clarinetist Kenny Davern, saxophonists Steve Lacy and Tyrone Washington, trumpeter Enrico Rava, vocalist Sheila Jordan, pianist Patti Bown, guitarist and vocalist Louisiana Red, bassist Wilbur Little, and drummers Jordan Steckel and Paul Motian. The album was reissued on CD by Emanem Records in 2006 with a different track sequence, and with an additional track recorded in 1967 featuring another ensemble.
Strength & Power is an album by trombonist Roswell Rudd, pianist Jamie Saft, bassist Trevor Dunn, and drummer Balázs Pándi. It was recorded in July 2014 at Potterville International Sound in Kingston, New York, and was released by RareNoiseRecords in 2016.
Four Days in December was a four-day festival of new jazz music that took place at Judson Hall in New York City. Sponsored by the Jazz Composers Guild, it occurred from December 28–31, 1964, and was the group's most visible event. Along with the October Revolution in Jazz, held two months prior and organized by Bill Dixon, it led to a sense of optimism regarding the possibility of producing concerts via non-traditional means.