Claude-Joseph Vernet was a French painter. His son, Antoine Charles Horace Vernet, was also a painter.
The United Kingdom Hydrographic Office (UKHO) is the UK's agency for providing hydrographic and marine geospatial data to mariners and maritime organisations across the world. The UKHO is a trading fund of the Ministry of Defence (MoD) and is located in Taunton, Somerset, with a workforce of approximately 900 staff.
Fitz Henry Lane was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light.
Admiralty charts are nautical charts issued by the United Kingdom Hydrographic Office (UKHO) and subject to Crown Copyright. Over 3,500 Standard Nautical Charts (SNCs) and 14,000 Electronic Navigational Charts (ENCs) are available with the Admiralty portfolio offering the widest official coverage of international shipping routes and ports, in varying detail.
The Musée national de la Marine is a maritime museum located in the Palais de Chaillot, Trocadéro, in the 16th arrondissement of Paris. It has annexes at Brest, Port-Louis, Rochefort, and Toulon. The permanent collection originates in a collection that dates back to Louis XV of France.
The Musée Fabre is a museum in the southern French city of Montpellier, capital of the Hérault département.
Nicolas Bernard Lépicié was a French painter and teacher of painting, the son of two well-known engravers at the time, François-Bernard Lépicié and Renée-Élisabeth Marlié. Lépicié was famous in his lifetime, and compared to Chardin and Greuze.
Antoine Léon Morel, later Morel-Fatio (1810–1871) was a French naval painter, Peintre officiel de la Marine, curator of the naval and ethnographic museum of the Louvre, and mayor of the 20th arrondissement of Paris. He added Fatio in 1844 to distinguish himself from a businessman of the same name. It was apparently in reference to a Swiss branch of the family.
Marine art or maritime art is a form of figurative art that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. In practice the term often covers art showing shipping on rivers and estuaries, beach scenes and all art showing boats, without any rigid distinction - for practical reasons subjects that can be drawn or painted from dry land in fact feature strongly in the genre. Strictly speaking "maritime art" should always include some element of human seafaring, whereas "marine art" would also include pure seascapes with no human element, though this distinction may not be observed in practice.
Thomas Birch was an English-born American portrait and marine painter.
Jean-Antoine Constantin was a French painter.
Ange-Joseph Antoine Roux, "Antoine Roux" (1765–1835) was a French fine art painter who specialised in maritime painting, sometimes referred to as marine art.
James Bard (1815–1897) was a marine artist of the 19th century. He is known for his paintings of watercraft, particularly of steamboats. His works are sometimes characterized as naïve art. Although Bard died poor and almost forgotten, his works have since become valuable. Bard had a twin brother, John (1815–1856) and they collaborated on earlier works.
Louis-René Vialy, also spelled Vially, Viali or Viallis, was a French painter.
Baron Charles Frédéric Chassériau du Chiron was a Saint Dominican architect and painter, who served as chief architect of the cities of Marseille, Algiers, in Algeria; and Cairo, in Egypt. He is particularly known for having designed the seafront of the city of Algiers.
William Pierce Stubbs (1842–1909) or W.P. Stubbs was a marine painter in the Boston, Massachusetts, area in the 19th century. Examples of his work are in the Bostonian Society; Cape Ann Museum; and Peabody Essex Museum. He also lived in Bucksport, Maine.
The Musée des beaux-arts de Marseille is one of the main museums in the city of Marseille, in the Provence-Alpes-Côte d'Azur region. It occupies a wing of the Palais Longchamp, and displays a collection of paintings, sculptures and drawings from the 16th to 19th centuries.
Adrien Manglard was a French painter, draughtsman, and engraver. He was a skilled marine painter, who was able to rapidly advance his career in Rome thanks to his compositional skills, selling paintings to clients such as the Rospigliosi family, Victor Amadeus II, King of Sardinia, and Philip, the Duke of Parma. The latter alone commissioned more than 140 paintings from Manglard.
The Views of the Ports of France are a series of paintings by French painter Claude-Joseph Vernet, made between 1754 and 1765 to answer a requirement by King Louis XV. Representing ten harbours, they were meant to document and promote commerce and naval service.
Jean-Joseph Kapeller was a French painter, architect and geometer. Born in Marseille he was influenced by Jean-Baptiste de La Rose and Joseph Vernet, mainly producing landscapes and seascapes such as his 1756 masterwork Embarcation of the Expeditionary Corps for Minorca at the Port of Marseille under the command of the Duke of Richelieu. He and his contemporary Charles François Lacroix de Marseille produced seascapes which marked a step-change in the appreciation of seascapes in Provence in the second half of the 18th century.
